当代绘画中的文本应用—语言的画面与画面的语言

发布时间：2018-07-10 12:11

本文选题：当代艺术 + 架上绘画　；参考：《鲁迅美术学院》2014年硕士论文

【摘要】：当代艺术是全球化背景下的产物，是具有人文关怀的审美的回归。众所周知，当代绘画最大的特点应该当数它的多元化、去民族化及超民族化。多元化不仅体现在表现手段的多元,其影响与作用也是多元的、立体的乃至于“多觉的”,因为它不仅作用于人们的视觉,也同时作用于听觉、触觉、嗅觉等多种器官。而审美功能的回归成了当代艺术的大趋势，也是人类审美意识之永恒性的最好诠释。本文在厘清现代艺术与当代艺术的关系与区别的基础上，，对于全球化背景下的当代绘画的美学理论做了较深入的探讨。以文本、文字在绘画的应用为研究对象，将文本、文字与画面的不相干性作为引子，用其表面的不搭效应激发观者与作品背后隐含的内容产生共鸣；利用语言文字来摧毁画面的表现手法，向人们固有的思维模式和审美观念进行挑战，使人们的主观认知和客体的图文产生联动效应，从而达到主观认知与客体和谐统一的目的。
[Abstract]:Contemporary art is the product of globalization and the return of aesthetics with humanistic concern. As we all know, the greatest characteristic of contemporary painting should be its diversification, de-nationalization and super nationalization. Pluralism is not only reflected in the diversity of the means of expression, but also its influence and function is pluralistic, stereoscopic and even "multi-sensory", because it acts not only on people's vision, but also on hearing, tactile, olfactory and other organs. The return of aesthetic function has become the trend of contemporary art and the best interpretation of the eternal nature of human aesthetic consciousness. On the basis of clarifying the relationship and difference between modern art and contemporary art, this paper makes a deep discussion on the aesthetic theory of contemporary painting under the background of globalization. This paper takes the application of text and text in painting as the research object, takes the text, the text and the picture as the introduction, and uses its surface unmatched effect to arouse the audience and the hidden content behind the work to produce resonance. The use of language and characters to destroy the expression of the picture, to challenge people's inherent mode of thinking and aesthetic concept, so that people's subjective cognition and object's picture and text have a linkage effect, so as to achieve the objective of harmonious unity between subjective cognition and object.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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