黄土画派艺术思想研究

发布时间：2018-07-10 14:34

本文选题：黄土画派 + 黄河文化　；参考：《渤海大学》2014年硕士论文

【摘要】：在中国绘画发展史上，存在着众多的“画派”，这些画派的主张和技法不尽相同，但有其共同之处：相同或相近的地域性、前后相承的艺术思想、在相同或相近的艺术思想基础上形成风格相近的画风、一定的时空连贯性。黄土画派便集这几个条件与一身，具有其鲜明特色。黄土画派是扎根于黄土地、崛起于黄土地、以西安美院为主体的学院式画派，他们的作品形成了阳刚豪放、雄浑大气的理想现实主义风格。论文第一部分阐述了黄土画派艺术的本土性思想，其中又分为了两个部分，为黄土画派产生的背景和黄土画派形成的人文基础和条件两方面内容。其中地域条件包括自然地理环境的影响和黄土特色，这两方面在地域上影响了黄土画派的产生；人文基础条件包括有黄土画派的优秀画家和拥有共同艺术主张的画家群体，开宗立派的优秀画家以刘文西为代表，黄土画派以西安美院的画家为主体，形成一股拥有共同绘画观点的群体，推动了黄土画派的产生。论文的第二部分又分为两个部分，分别从理论基础和艺术思想中对现实主义思想的阐释，理论基础包括黄河精神和延安精神，黄河精神代表了中华民族不屈不挠的风格，，延安精神象征了革命时的艰苦奋斗精神。正是因为黄土画派根源于黄土高原，所以黄土画派的画风引入了黄土地域色彩，绘画也是一种语言，黄土画派画家的作品无疑也是本土性文化的语言表达方式，深刻体现了现实主义的精神。其中黄土画派艺术特色思想中也包括自然景观对艺术家创作灵感的影响、信仰民俗中的绘画意向和创作中的人文关怀，中国西部黄土地区独特的自然景观触动着黄土画派作家以此为依据进行艺术创作，黄土画派画家经常深入百姓生活采集其信仰、民俗、生活习惯并体现到绘画作品中，黄土画派关注黄土地区的人民，体现了人文关怀精神；黄土画派以为人民服务为艺术宗旨，契合了毛泽东“艺术为人民群众服务”的文艺思想，体现了艺术来源并服务于人民的社会主义价值观。
[Abstract]:In the history of the development of Chinese painting, there are many "painting schools". The ideas and techniques of these painting schools are different, but they have something in common: the same or similar regional nature, the artistic ideas inherited from the front and back. On the basis of the same or similar artistic thought, form a style of similar painting style, a certain coherence of time and space. Loess painting set these conditions and a body, with its distinctive characteristics. The Loess painting School is a kind of college painting school rooted in the Yellow Land and rising in the Yellow Land, with Xi'an Academy of Fine Arts as the main body. Their works have formed the ideal realism style of masculine and bold and vigorous atmosphere. The first part of the thesis expounds the local thought of loess painting art, which is divided into two parts, which are the background of loess painting school and the humanistic foundation and condition of loess painting school. The regional conditions include the influence of the natural geographical environment and the loess characteristics, which influence the emergence of the loess painting school in the region, and the humanistic basic conditions include the outstanding painters of the loess school and the group of painters who share the same artistic ideas. The outstanding painters of Kaizong School represented by Liu Wenxi and the Loess School by the painters of Xi'an Academy of Fine Arts formed a group with common painting views and promoted the emergence of Loess painting School. The second part of the paper is divided into two parts, respectively from the theoretical basis and artistic thought of realism, the theoretical basis includes the spirit of the Yellow River and Yan'an spirit, the spirit of the Yellow River represents the indomitable style of the Chinese nation. The spirit of Yan'an symbolizes the spirit of hard struggle during the revolution. It is precisely because the Loess painting School is rooted in the Loess Plateau that the Loess painting style introduces the loess regional color, and the painting is also a language. The Loess painters' works are undoubtedly the language expression of the native culture. It deeply embodies the spirit of realism. Among them, the art characteristic thoughts of Loess painting School also include the influence of natural landscape on artist's creative inspiration, the painting intention in belief folklore and the humanistic concern in creation. The unique natural landscape in the loess region of western China touches the loess school writers as the basis for their artistic creation. Loess painters often go deep into the life of the people to collect their beliefs, folklore and habits, and embody them in their paintings. Loess painting school pays close attention to the people in loess area and embodies the spirit of humanistic solicitude. Loess painting school regards serving the people as its artistic purpose, which accords with Mao Zedong's literary and artistic thought of "art serves the masses". Embodies the art source and serves the people's socialist values.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.9

【参考文献】