从摹本到拟像—数码科技介入下的中国当代图像绘画的嬗变

发布时间：2018-07-11 09:58

本文选题：数码科技 + 当代绘画　；参考：《四川美术学院》2017年硕士论文

【摘要】：随着数码科技的发展,人们的生活方式、观看方式及审美都发生了翻天覆地的变化,“图像”的范围也得到了扩展。传统意义上的图像主要来源于摄影,用本雅明的话来说就是“机械复制”的产物,然而,随着计算机的发明和普及,一种新的图像也在这个二进制王国里孕育而生,那就是数码虚拟图像。数码虚拟图像简单来说就是借用数码软件在计算机设备里生成的一种图像,这种图像不再是由相机制造出来的,而完全是由计算机软件制造出来的。这种寄生于数码科技里的数字化图像,给人们提供了一种新的视觉奇观,也给艺术家们的艺术创作提供了更多的可能性和源源不断的素材。如今单一的绘画形式和传统的图像形式已经不能满足观者的需求了,这迫使艺术家在创作过程中进行一系列的创新,纵观中国当代艺术,越来越多的艺术家借助电脑生成的数码虚拟图像来进行艺术创作,数码科技赋予了艺术家一个新的创建图像的方法,很多艺术家将这种创建出来的数码虚拟图像介入到自己的艺术创作中,在当代艺术领域里形成了一个大的趋势。本文从第二章开始,对数码科技和数码虚拟图像进行剖析,将数码虚拟图像与传统图像进行对比,并分析数码虚拟图像是如何产生的,虚拟图像有着怎样的美学特征和审美价值,从而介入到对此种绘画的研究中去,梳理出“数码科技介入下的图像绘画”在当代绘画中的发展脉络。在第三章当中,对刘椺、韩娅娟、徐振邦、蒋志等艺术家作品个案进行研究,论述他们是如何将数码图像介入到创作当中的,比较他们创作观念的异同,从而研究此类型艺术家的工作方法和创作策略。最后,探讨科技与艺术相互作用的关系,并以自己的创作实践作为出发点,阐述自己的创作意图,引发对于这种艺术现象的思考。由此我们可以得出结论:数码科技对绘画的介入为当代绘画提供了一个新的工作方式,也提供了一个新的切入点,给当代艺术家的艺术创作提供了了更多的可能性,丰富了当代绘画的图式和绘画语言,无论是形式上还是语言上都具有很强的创新性,视觉上具有强烈的冲击力,并且,此种绘画风格更加适应当代人的视觉审美,更能满足当今受众人群的视觉和心理需求,从而也能间接推动当代绘画的发展。在文中第六章对“数码科技介入下的图像绘画”进行结论和反思,探讨此种风格绘画的发展有什么优点和弊端。得出结论:此种绘画方式比起很多绘画都更容易上手,也更有利于艺术家的艺术语言探索和风格的统一,并且能有效的提高艺术家的工作效率(主要是在勾草图阶段),更适应当代人的审美,也丰富了当代架上绘画的艺术语言,然而,这里也存在一些问题,过于依赖计算机,画出来的绘画作品全都是“数字化”的,“计算机式”的风格,这会导致大量的绘画作品艺术风格雷同,最终导致整个艺术界的风格僵化,并且,过于依赖数码科技可能会导致绘画失去绘画性,人的思维和情感就被数码科技消解掉。当然,不可否认这是一个普遍现象且是一个发展趋势,对当代绘画艺术的发展还是能起到积极的推动作用。所以,我们应该更进一步对“数码科技介入下的图像绘画”进行实践和理论研究,让这种艺术创作更具活力,在当代艺术领域走得更远。中国当代绘画的发展仍然需要艺术工作者们不懈努力,打破陈规,不断创新,相信随着艺术家们艺术实践的深化开展,这种创作方法也将会推动中国当代艺术的不断创新,中国当代艺术一定能拥有更加广阔的发展前景。
[Abstract]:With the development of digital science and technology, the way of life, the way of watching and the aesthetics have changed greatly. The scope of "image" has also been expanded. The traditional image is mainly from photography, which is "mechanical reproduction" in Walter Benjamin's words. However, with the invention and popularization of the computer, a new kind of image is developed. The image is also born in the binary Kingdom, which is a digital virtual image. The digital virtual image is simply an image generated by the use of digital software in a computer device. This image is no longer made by a camera, and is made entirely by computer software. This is parasitic on digital technology. The digital image provides a new visual spectacle to the people. It also provides more possibilities and source material for the artists' artistic creation. Now the single form of painting and the traditional image form can't meet the needs of the viewer, which compels the artists to carry out a series of innovations in the process of creation. Looking at Chinese contemporary art, more and more artists use computer generated digital virtual images to create artistic creation. Digital technology endows artists with a new way to create images. Many artists have put this created digital virtual image into their own art creation and formed a new art field in the field of contemporary art. From the second chapter, this paper analyzes the digital technology and the digital virtual image, compares the digital virtual image with the traditional image, and analyzes how the digital virtual image is produced, how the virtual image has the aesthetic characteristics and aesthetic value, and combs out the study of this kind of painting. In the third chapter, a case study of the works of artists such as Liu Xi, Han Yajuan, Xu Zhenbang, Jiang Zhi, and so on, is studied in the third chapters to discuss how they are involved in the creation of digital images and compare the similarities and differences of their creative ideas to study the work of this type of artist. In the end, the relationship between the interaction between science and technology and art is discussed, and the creative practice is taken as the starting point, and the intention of his creation is expounded, which leads to the thinking of this artistic phenomenon. Therefore, we can draw a conclusion that the involvement of digital technology in painting provides a new way of work for contemporary painting, and also proposes a new way of work for contemporary painting. It provides a new entry point, providing more possibilities for contemporary artists' artistic creation, enriching the schemata and painting language of contemporary paintings, both in form and in language, with strong innovation and strong visual impact, and this style of painting is more adaptable to the visual aesthetic of contemporary people. It can meet the visual and psychological needs of today's audience, and thus can also indirectly promote the development of contemporary painting. In the sixth chapter, the paper makes a conclusion and Reflection on "image painting under digital technology intervention", and discusses the advantages and disadvantages of the development of this style of painting. Easy to get to the hands, is also more conducive to the artist's artistic language exploration and style of unity, and can effectively improve the efficiency of the artist (mainly in the sketch stage), more adapt to the aesthetic of contemporary people, and enrich the artistic language of the contemporary shelf painting, however, there are also some problems, too dependent on the computer, painted drawing. The painting is all "digital", "computer style" style, which will lead to a large number of artistic style of painting, and ultimately lead to the style of the entire art world, and too much reliance on digital technology may lead to the loss of painting, human thinking and emotion are eliminated by digital technology. Of course, it is undeniable. It is a common phenomenon and is a trend of development, and it can play a positive role in the development of contemporary painting art. Therefore, we should make further practice and theoretical research on the "image painting under digital technology" to make this artistic creation more active and go further in the contemporary art field. The development of painting still needs the unremitting efforts of the artists, breaking the rules and innovating, believing that with the deepening of the art practice of the artists, this creative method will also promote the continuous innovation of Chinese contemporary art, and the Chinese contemporary art will have a wider development prospect.
【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

【参考文献】