记忆图像在绘画创作中的呈现方式
发布时间：2018-07-26 17:30
【摘要】：在社会文化取得世界性交流的今日,信息交融引领时代的巨大变化和发展,物质利益充斥在各个角落。然而,对于艺术而言,回归大自然,回归艺术家内心,回归生命的本真尤为可贵。每一代艺术家都扎根于自己的成长环境和文化土壤,都在用敏锐的感觉把握着这个时代的脉搏,在油画语言的探索和创新上不断做着新的尝试。在油画风景创作中,无论画家选取什么样的风景作为绘画内容,无论采用什么样的色彩、语言、情感传达或表达方式,都受到他的生活经历、审美理想、个人情趣等主观因素的潜移默化地支配。今天,绘画的目的不再是对客观世界的模仿、复制,而是借助绘画作品把艺术家的情感通过特定的载体给予客观化的表现,即追求一种精神的真实。艺术家的情感是受地域风俗和生活习惯影响的,艺术家对自己所钟情的某一景象的特殊情感对其创作的影响是意义深远的。 本文从作者的南北生活印记出发,以记忆中的景象创作为主题,通过剖析个人的艺术实践经历,对本人的创作进行梳理和探讨,并重点探讨照片为绘画创作提供的灵感,以及本人的风景创作向媒体性风景转变的可能性。归结为一句话,艺术创作就是再现并重新创作出自己内心世界的图像。
[Abstract]:In the world of social and cultural exchanges today, information fusion leads to great changes and development of the times, material interests filled in every corner. However, for art, return to nature, return to the artist's heart, return to the true life is particularly valuable. Each generation of artists are rooted in their own growing environment and cultural soil, with a keen sense to grasp the pulse of this era, in oil painting language exploration and innovation continue to make new attempts. In oil painting landscape creation, no matter what kind of scenery the painter chooses as the painting content, no matter what color, language, emotional communication or expression, all of them are subjected to his life experience and aesthetic ideal. Subjective factors, such as personal interest, are subtly dominated. Today, the purpose of painting is no longer to imitate and copy the objective world, but to give the artist's emotion objective expression through a specific carrier, that is, to pursue a kind of spiritual reality. The artist's emotion is influenced by local customs and living habits, and the influence of the artist's special emotion on his creation is profound. Based on the impression of the author's north and south life, taking the scene creation in memory as the theme, through analyzing the personal artistic practice experience, this paper combs and probes into his creation, and focuses on the inspiration provided by the photo for the painting creation. And my landscape creation to the possibility of media landscape transformation. In a word, artistic creation is to recreate and recreate the image of one's inner world.
【学位授予单位】：云南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J204
本文编号：2146753
[Abstract]:In the world of social and cultural exchanges today, information fusion leads to great changes and development of the times, material interests filled in every corner. However, for art, return to nature, return to the artist's heart, return to the true life is particularly valuable. Each generation of artists are rooted in their own growing environment and cultural soil, with a keen sense to grasp the pulse of this era, in oil painting language exploration and innovation continue to make new attempts. In oil painting landscape creation, no matter what kind of scenery the painter chooses as the painting content, no matter what color, language, emotional communication or expression, all of them are subjected to his life experience and aesthetic ideal. Subjective factors, such as personal interest, are subtly dominated. Today, the purpose of painting is no longer to imitate and copy the objective world, but to give the artist's emotion objective expression through a specific carrier, that is, to pursue a kind of spiritual reality. The artist's emotion is influenced by local customs and living habits, and the influence of the artist's special emotion on his creation is profound. Based on the impression of the author's north and south life, taking the scene creation in memory as the theme, through analyzing the personal artistic practice experience, this paper combs and probes into his creation, and focuses on the inspiration provided by the photo for the painting creation. And my landscape creation to the possibility of media landscape transformation. In a word, artistic creation is to recreate and recreate the image of one's inner world.
【学位授予单位】：云南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J204
【参考文献】
相关期刊论文 前2条
1 黄专;;一个现代叙事者的多重世界[J];读书;2009年11期
2 吴玉红;;吕克·图伊曼斯孤独与虚静的艺术世界[J];美术;2009年03期
，本文编号：2146753
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