石涛世俗观念研究
发布时间：2018-08-16 09:27
【摘要】：自近代以来“清初四僧”的绘画一直是现代文人喜欢研究的对象,四僧山水画所传达出的人文情怀,也一直倍受关注。但是在以往的研究中关于他们思想方面的研究较少,本文选取四僧中比较有代表性的石涛做个案研究。 天下熙熙,皆为利来；天下往往,皆为利往。人无不为利益奔波,并且乐此不疲。在明末清初那种江山易代的历史背景之下,真正做到舍名弃利的没有几人,石涛也不例外。在他取得极高艺术成就的同时也流露出世俗的思想,身世的凄惨、现实中的苦闷,通过绘画的方式解脱,而遁入佛门也成为石涛寄托情怀的方式。自明末清初以来山水画的创作达到了高潮,这一时期的山水画与前代山水画相比不仅是题材、笔墨方面的革新,更多的是在当时的历史背景的驱动之下文人心灵及思想上的转轨。石涛的绘画是他心灵的归渡,寄托亡国之痛、哀思之感。他的内心是未脱俗的常人,是一个有强烈内心冲动的人。出家为僧的另一方面也是为了保全性命,形势所逼迫,其真正的内心并不想做和尚,他从骨子里想要改变自己的人生轨迹。本文从石涛的思想产生、转变与革新等几个方面进行一下几部分的阐述和研究。 第一部分从时间上总体概述明末清初的历史背景并且对石涛的生平做一个介绍。通过这两点引出石涛世俗思想产生的的原因。 第二部分讲述石涛一生思想的递变,从石涛思想的递变中寻找世俗思想的影子。具体从经历、郊游、绘画几个方面着手探讨,重点论述石涛世俗性思想产生的深层次原因及世俗思想的体现。 第三部分重点探讨石涛的世俗思想在绘画、诗文、题跋中的体现。通过石涛的接驾和问赏于皇家的思想做深入的研究,剖析其世俗思想的具体体现。 第四部分总结全文,对石涛世俗思想进行概括和延伸。
[Abstract]:Since modern times, the paintings of the four monks in the early Qing Dynasty have always been the object of modern scholars'study. The humanistic feelings conveyed by the landscape paintings of the four monks have also attracted much attention.
Under the historical background of the late Ming and early Qing Dynasties, few people really abandoned their fame and wealth, and Shi Tao was no exception. While he made great artistic achievements, he also revealed his secular thoughts, his life was miserable and unfortunate. Shi Tao's creation of landscape paintings has reached a climax since the late Ming and early Qing Dynasties. Compared with the landscape paintings of the previous dynasties, landscape paintings in this period are not only subject matters, but also innovations in brush and ink. They are driven by the historical background of the time. Shi Tao's paintings are the return of his soul, the sustenance of the pain of national subjugation, the feeling of mourning. His heart is not vulgar, is a person with a strong inner impulse. This paper expounds and studies Shi Tao's thought, transformation and innovation.
The first part gives a general overview of the historical background of the late Ming and early Qing Dynasties and an introduction to Shi Tao's life.
The second part tells the evolution of Shi Tao's thought in his whole life, and seeks the shadow of secular thought from the evolution of Shi Tao's thought.
The third part focuses on the reflection of Shi Tao's secular thought in painting, poetry, inscriptions and postscripts.
The fourth part summarizes the whole text and summarizes and extends Shi Tao's secular thought.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2
本文编号：2185577
[Abstract]:Since modern times, the paintings of the four monks in the early Qing Dynasty have always been the object of modern scholars'study. The humanistic feelings conveyed by the landscape paintings of the four monks have also attracted much attention.
Under the historical background of the late Ming and early Qing Dynasties, few people really abandoned their fame and wealth, and Shi Tao was no exception. While he made great artistic achievements, he also revealed his secular thoughts, his life was miserable and unfortunate. Shi Tao's creation of landscape paintings has reached a climax since the late Ming and early Qing Dynasties. Compared with the landscape paintings of the previous dynasties, landscape paintings in this period are not only subject matters, but also innovations in brush and ink. They are driven by the historical background of the time. Shi Tao's paintings are the return of his soul, the sustenance of the pain of national subjugation, the feeling of mourning. His heart is not vulgar, is a person with a strong inner impulse. This paper expounds and studies Shi Tao's thought, transformation and innovation.
The first part gives a general overview of the historical background of the late Ming and early Qing Dynasties and an introduction to Shi Tao's life.
The second part tells the evolution of Shi Tao's thought in his whole life, and seeks the shadow of secular thought from the evolution of Shi Tao's thought.
The third part focuses on the reflection of Shi Tao's secular thought in painting, poetry, inscriptions and postscripts.
The fourth part summarizes the whole text and summarizes and extends Shi Tao's secular thought.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2
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