谢赫《六法》的现实意义
发布时间：2018-08-16 16:47
【摘要】：中国传统绘画理论，是中国传统绘画艺术的重要组成部份，它对于我们学习、研究和创作绘画作品具有十分重要的意义。谢赫“六法”是中国传统画论的精华，从它诞生之日起，就对中国画产生了重大影响，历代的艺术家都对它进行过深入地研究、学习，并在此基础上进行进一步的阐释，丰富了它的内容。 就“六法”的发展历程来看，在历史上，它对中国画的发展产生过巨大的推动作用，中国出现了无数大师和旷世杰作。到了“五四”时期，对于中国画优劣的判断标准，出现了重大失误，到后来文化大革命毁灭性地颠覆，再到改革开放初期西方文艺思潮的冲击，整个中国古典文化艺术失去了重心，人们正常的思维严重紊乱，审美价值的判断几乎完全失去了标准。二十世纪末，人们开始对传统文化艺术进行反思。 二十一新世纪初始，国家的方针、政策开始加大重视传统文化艺术。总体上看，宣传的力度还远远不够，从全国各高等艺术院校以及各文艺团体、机构的艺术实践上看，，保障复兴传统的条件还远不能尽如人意，尤其是艺术院校中国画的教育模式，还远未突破旧的藩篱。本文以此为基点，提出了复兴中国绘画的几点想法。
[Abstract]:Chinese traditional painting theory is an important part of Chinese traditional painting art. It is of great significance for us to study, study and create painting works. Sheikha's "six methods" are the essence of Chinese traditional painting theory. From the day they were born, they have had a great influence on Chinese painting. Artists of all dynasties have deeply studied and studied it, and on this basis have further explained it. It enriches its content. As far as the development of "six methods" is concerned, it has played a great role in promoting the development of Chinese painting in history, and there have been numerous masters and masterpieces in China. During the "May 4th Movement" period, there were major mistakes in judging the merits and demerits of Chinese painting. Later, the Cultural Revolution turned upside down, and then at the beginning of reform and opening up, the impact of western literary and artistic trends of thought came to an end. The whole Chinese classical culture and art has lost its center of gravity, people's normal thinking is seriously disordered, and the judgment of aesthetic value has almost completely lost the standard. At the end of the twentieth century, people began to reflect on traditional culture and art. At the beginning of the new century in 21, the state began to pay more attention to traditional culture and art. On the whole, the intensity of propaganda is far from enough. Judging from the artistic practice of various art colleges and universities and various literary and artistic organizations, the conditions for ensuring the revival of tradition are far from satisfactory. In particular, the educational model of Chinese painting in art colleges is far from breaking through the old barriers. Based on this, this paper puts forward some ideas of reviving Chinese painting.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
本文编号：2186583
[Abstract]:Chinese traditional painting theory is an important part of Chinese traditional painting art. It is of great significance for us to study, study and create painting works. Sheikha's "six methods" are the essence of Chinese traditional painting theory. From the day they were born, they have had a great influence on Chinese painting. Artists of all dynasties have deeply studied and studied it, and on this basis have further explained it. It enriches its content. As far as the development of "six methods" is concerned, it has played a great role in promoting the development of Chinese painting in history, and there have been numerous masters and masterpieces in China. During the "May 4th Movement" period, there were major mistakes in judging the merits and demerits of Chinese painting. Later, the Cultural Revolution turned upside down, and then at the beginning of reform and opening up, the impact of western literary and artistic trends of thought came to an end. The whole Chinese classical culture and art has lost its center of gravity, people's normal thinking is seriously disordered, and the judgment of aesthetic value has almost completely lost the standard. At the end of the twentieth century, people began to reflect on traditional culture and art. At the beginning of the new century in 21, the state began to pay more attention to traditional culture and art. On the whole, the intensity of propaganda is far from enough. Judging from the artistic practice of various art colleges and universities and various literary and artistic organizations, the conditions for ensuring the revival of tradition are far from satisfactory. In particular, the educational model of Chinese painting in art colleges is far from breaking through the old barriers. Based on this, this paper puts forward some ideas of reviving Chinese painting.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
【参考文献】
相关期刊论文 前1条
1 聂华君;;谈谈美术作品的“意境”表现[J];美术大观;2009年09期
本文编号：2186583
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