论心性之于绘画创作风格的影响
发布时间：2018-08-16 18:50
【摘要】：本文主要运用文献法，通过查阅大量相关领域资料，列举出各个时期东西方有关心性领域研究的代表人物，并对其研究结果进行归纳总结，从而可以从多个角度对心性这一概念进行全面深入的解读。同时，通过对若干东西方著名画家的人物生平事迹与其生活环境的全面把握，有针对性地总结出各个画家绘画创作风格各个阶段的心路发展历程，进而科学地与心性这一概念相关联，得出画家的绘画创作风格的变化与自身心性的发展与修养密不可分。 本文主要内容共分成四部分：第一部分介绍了心性的基本概念；第二部分由绘画艺术创作者心性的形成引出心性之于绘画创作者的影响以及转变；第三部分列举了国内外画家的心性与绘画风格之间的关系，包括梵高与蒙克的绘画风格与心性、董其昌南北宗论中的心性与创作风格的影响，各时期山水画中禅宗心性的影响；而文章的第四部分则提出了新的命题，边修养心性边创作。 通过界定相关概念对心性进行全面科学的定义，将画家绘画创作风格的变化与之相结合，进行深入研究分析，得出以下结论： 首先，心性对于画家绘画创作风格的影响贯穿其整个人生历程，二者密不可分，因此，心性的提炼与修养对于画家创作风格的变化方向至关重要，画家绘画创作风格变化的积极有序，离不开对心性的不断修养。 其次，本文通过对若干东西方画家各个时期生活状态的描述，并将其相关时期的绘画作品进行解读，可以得出画家自身的心性很容易受到外界环境与客观事物的影响，如果自身不能做到及时进行心性的修养提炼，就会对绘画创作的风格变化产生负面效果。 最后，，本文通过归纳总结针对心性的科学的修养方法与途径，结合画家的艺术才能训练的相关内容，从画家的世界观、知识积累、情感的体验三个方面进行分析，结合画家自身的生活状态特征，得出了新的结论，即画家在绘画创作的同时，进行心性的修养，这样可以有效的将理论与实践相结合，在创作中不断提高自身的审美追求，是画家较为理想的一种绘画创作状态，同时也使创作风格潜移默化中更加的积极有序。
[Abstract]:This article mainly uses the literature method, through consulting a large number of related domain data, enumerates the representative personages of the research on the field of mind of the East and the West in each period, and sums up its research results. Therefore, the concept of mental nature can be comprehensively and thoroughly interpreted from many angles. At the same time, through a comprehensive grasp of the life deeds and living environment of some famous painters from the East and the West, this paper sums up the development process of the painters' creative styles in various stages. Then it is scientifically related to the concept of mind. It is concluded that the change of painter's style of painting creation is closely related to the development and accomplishment of his own mind. The main content of this paper is divided into four parts: the first part introduces the basic concept of mindedness, the second part introduces the influence and transformation of mindedness to the creators of painting from the formation of the mind-nature of the artistic creators of painting. The third part lists the relationship between the heart and painting style of the painters at home and abroad, including Van Gogh and Monk's painting style and mind, the influence of Dong Qichang's North and South Buddhism theory and the influence of creation style, and the influence of Zen style in each period of landscape painting. The fourth part of the article put forward a new proposition, while cultivating the mind while creating. Through defining the related concepts to the comprehensive and scientific definition of mind, combining the changes of the painter's painting creation style with it, the following conclusions can be drawn: first of all, The influence of mind on painter's painting creation style runs through his whole life course, and the two are inseparable. Therefore, the refinement and accomplishment of mind is very important to the changing direction of painter's creative style, and the change of painter's painting creation style is positive and orderly. Can not do without the constant cultivation of mental nature. Secondly, through the description of the life state of some painters in the East and West, and the interpretation of the painting works of the relevant period, it can be concluded that the artist's own mind is easily influenced by the external environment and the objective things. If oneself can not carry on the mental self-cultivation in time, it will produce the negative effect to the style change of the painting creation. Finally, this paper summarizes the scientific cultivation methods and approaches to mental nature, combined with the relevant contents of artist's artistic talent training, and analyzes from three aspects: the painter's world view, knowledge accumulation, and emotional experience. Combined with the characteristics of the painter's own living state, the author draws a new conclusion, that is, the painter can cultivate his mind while creating the painting, which can effectively combine the theory with the practice, and improve his aesthetic pursuit constantly in the process of creation. It is an ideal state for painters to create paintings, and it also makes creative style more active and orderly.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
本文编号：2186861
[Abstract]:This article mainly uses the literature method, through consulting a large number of related domain data, enumerates the representative personages of the research on the field of mind of the East and the West in each period, and sums up its research results. Therefore, the concept of mental nature can be comprehensively and thoroughly interpreted from many angles. At the same time, through a comprehensive grasp of the life deeds and living environment of some famous painters from the East and the West, this paper sums up the development process of the painters' creative styles in various stages. Then it is scientifically related to the concept of mind. It is concluded that the change of painter's style of painting creation is closely related to the development and accomplishment of his own mind. The main content of this paper is divided into four parts: the first part introduces the basic concept of mindedness, the second part introduces the influence and transformation of mindedness to the creators of painting from the formation of the mind-nature of the artistic creators of painting. The third part lists the relationship between the heart and painting style of the painters at home and abroad, including Van Gogh and Monk's painting style and mind, the influence of Dong Qichang's North and South Buddhism theory and the influence of creation style, and the influence of Zen style in each period of landscape painting. The fourth part of the article put forward a new proposition, while cultivating the mind while creating. Through defining the related concepts to the comprehensive and scientific definition of mind, combining the changes of the painter's painting creation style with it, the following conclusions can be drawn: first of all, The influence of mind on painter's painting creation style runs through his whole life course, and the two are inseparable. Therefore, the refinement and accomplishment of mind is very important to the changing direction of painter's creative style, and the change of painter's painting creation style is positive and orderly. Can not do without the constant cultivation of mental nature. Secondly, through the description of the life state of some painters in the East and West, and the interpretation of the painting works of the relevant period, it can be concluded that the artist's own mind is easily influenced by the external environment and the objective things. If oneself can not carry on the mental self-cultivation in time, it will produce the negative effect to the style change of the painting creation. Finally, this paper summarizes the scientific cultivation methods and approaches to mental nature, combined with the relevant contents of artist's artistic talent training, and analyzes from three aspects: the painter's world view, knowledge accumulation, and emotional experience. Combined with the characteristics of the painter's own living state, the author draws a new conclusion, that is, the painter can cultivate his mind while creating the painting, which can effectively combine the theory with the practice, and improve his aesthetic pursuit constantly in the process of creation. It is an ideal state for painters to create paintings, and it also makes creative style more active and orderly.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
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