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符号化语言在中国当代油画创作中的价值探析

发布时间:2018-08-17 14:07
【摘要】:随着社会的进步,文化情境的变化使得艺术家关注的焦点切入现实生活中,在抛弃传统的表现形式后建立了新的审美体系,艺术家观念的转变催生了新的语言形式——“符号化”。如今,符号化已经成为中国当代油画创作中一种司空见惯的语言形式,在经历肯定与追捧之后,随着消费文化的愈发盛行导致符号世界的复杂。今天,符号化正越来越受到质疑,即便如此它的存在仍具有合理性,对中国当代油画来说探析符号化形式语言的价值具有很大的现实意义。 当下中国当代艺术家与批评家对中国当代艺术的现状越发担忧,但是符号化形式语言具有时代意义的价值是不能抹去的,艺术的发生必然受其文化语境影响也必定会反映当下时代境况。本文既以符号化形式语言的价值从社会、文化、消费、审美各方面为重点进行深入探析,又根据当下针对于中国符号化现象的批评为切入点展开论述,事物的发展并不一定是始终向前的,它的存在也并非是永恒不变的,在这之后,也许会有新的风格的出现,也许符号化语言会被新的语言所替代,它能走多远没人可以预测,但是这正证明艺术在发展,我们要做的就是深入探索,使其成为艺术进步的动力。并在此基础上浅要地提出自己的看法,可能符号化现象的延续会使我们的想象力更加丰富、创造力更加独特,但是如果在缺乏深度的氛围,就有可能造成艺术低俗的倾向了,作为年轻一代的我们应该思考如何避免这样的“当代艺术”。
[Abstract]:With the progress of society and the change of cultural situation, the focus of artists' attention has been cut into the real life, and a new aesthetic system has been established after abandoning the traditional forms of expression. The change of artist's idea gave birth to a new language form-symbolization. Nowadays, symbolization has become a common language form in contemporary Chinese oil painting. After experiencing affirmation and popularity, with the increasing popularity of consumer culture, the symbolic world is becoming more and more complicated. Nowadays, symbolization is being questioned more and more, even though its existence is still reasonable, it is of great practical significance to explore the value of symbolic formal language for Chinese contemporary oil painting. Contemporary Chinese artists and critics are more and more worried about the current situation of Chinese contemporary art, but the value of symbolic formal language with the significance of the times cannot be erased. The occurrence of art must be influenced by its cultural context. This paper not only analyzes the value of symbolic formal language from the aspects of society, culture, consumption and aesthetics, but also discusses it from the point of view of the current criticism of symbolization in China. Things don't always develop forward, and they don't exist forever. After that, there may be new styles, maybe symbolized languages will be replaced by new languages, and how far it will go can no one predict. But this proves that art is developing, what we have to do is to explore deeply and make it the motive force of art progress. On the basis of this, we put forward our own views in a shallow way. It is possible that the continuation of symbolization will enrich our imagination and make our creativity more unique, but if we lack the atmosphere of depth, it may lead to the tendency of art to be vulgar. As the younger generation, we should think about how to avoid such "contemporary art".
【学位授予单位】:华中师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213

【共引文献】

相关博士学位论文 前10条

1 王凯波;屈骚评论与汉代文学思想[D];哈尔滨师范大学;2010年

2 刘军政;中国古代词学批评方法论[D];南开大学;2010年

3 何东;论自觉误读[D];中央美术学院;2010年

4 李向京;瞿小松音乐中的文人精神[D];福建师范大学;2010年

5 胡俊红;中国家具设计的民族性研究[D];中南林业科技大学;2007年

6 程静;中西创世纪神话对比研究[D];武汉大学;2010年

7 李笑频;民族民间艺人生活的苦乐原则[D];云南大学;2010年

8 张建波;逆游的行魂[D];山东师范大学;2011年

9 李占伟;布尔迪厄文艺思想研究[D];山东师范大学;2011年

10 张福海;论海德格尔的本源之思与诗性突围[D];山东师范大学;2011年



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