气韵与光影——兼谈宗白华的中国现代美学建构方式
发布时间：2018-08-22 19:02
【摘要】：正"气韵生动"是20世纪上半期一个重要的美学话题(1),不仅得到了中国美学家的讨论,而且引起了西方汉学家的关注。在众多的解释中,宗白华较好地处理了中国与西方、传统与现代之间的关系,将"气韵生动"成功地转变成为一个现代美学和艺术批评概念,为中国现代美学的确立做出了重要的示范。
[Abstract]:"lively charm" is an important aesthetic topic in the first half of the 20th century (1), which has not only been discussed by Chinese aestheticians, but also attracted the attention of western sinologists. Among the many explanations, Zong Baihua has handled the relationship between China and the West, tradition and modernity, and successfully transformed "vivid charm" into a concept of modern aesthetics and artistic criticism. It has made an important demonstration for the establishment of Chinese modern aesthetics.
【作者单位】： 北京大学艺术学院;北京大学美学与美育研究中心;
【基金】：国家社科基金重点项目“20世纪中国美学主潮研究”(项目编号12AZD068)的阶段性成果
【分类号】：J201
，
本文编号：2198022
[Abstract]:"lively charm" is an important aesthetic topic in the first half of the 20th century (1), which has not only been discussed by Chinese aestheticians, but also attracted the attention of western sinologists. Among the many explanations, Zong Baihua has handled the relationship between China and the West, tradition and modernity, and successfully transformed "vivid charm" into a concept of modern aesthetics and artistic criticism. It has made an important demonstration for the establishment of Chinese modern aesthetics.
【作者单位】： 北京大学艺术学院;北京大学美学与美育研究中心;
【基金】：国家社科基金重点项目“20世纪中国美学主潮研究”(项目编号12AZD068)的阶段性成果
【分类号】：J201
，
本文编号：2198022
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