探析光影元素在中国水墨人物画中的运用
发布时间：2018-08-23 08:18
【摘要】：光影在自然界中让我们感知事物的颜色和体积，是认识世界的前提；将光引入到绘画当中将其构成画面的一种元素作为一种绘画语言，，光影在西方绘画中广泛运用及表现，让西方绘画在整个绘画史上璀璨夺目。而中国绘画受到传统儒道文化的影响，不断创新和发展形成了独具特色的中国绘画语言体系，笔墨于宣纸上变幻的特殊效果正符合了传统哲学及人文精神的需要。“外师造化,中得心源”乃中国画创作的特点，普遍认为对光影的表现是西画的特色从而光影的表现在中国画发展史上历来处于不受重视的地位，对于意境的追求远大于直接描绘肉眼看到的客观存在。如今越来越多的画家开始尝试用传统的笔墨表现“光影”这一现代元素，更有人过于追求光影的表现即刻意追求画面冲击力而违背中国画创作思想。只有少数研究中国画光影表现的画家有对自身在创作中探索实践经验的论述，关于中国画如何运用光影元素的理论系统仍需不断丰富完善。本文通过追溯历史，从古代表现光影的绘画作品中分析证明中国古代画家在表现手法上有异与西方而非不识光，随着时代发展，中国画坛也展开博大胸怀放眼世界，画家们不断重视并加强光影元素在中国画中的运用及发展将中国画在中西绘画交融中将传统型转换为现代型，历经各代画家的实践已获得了较为突出的成绩，结合光影在中国画中表现的发展历程并借鉴各大师的作品，尝试论述如何以传统笔墨描绘光影的概念，从此学习过程中试图探求中国画的发展之路。
[Abstract]:Light and shadow in the natural world let us perceive the color and volume of things, is the premise of understanding the world; the introduction of light into painting to form an element of the picture as a painting language, light and shadow in Western painting widely used and performance, so that Western painting in the whole history of painting dazzling. Influenced by Taoist culture, a distinctive Chinese painting language system has been formed through continuous innovation and development. The special effect of ink and brush changing on Xuan paper meets the needs of traditional philosophy and humanistic spirit. In the history of the development of Chinese painting, it has always been neglected. The pursuit of artistic conception is far greater than the objective existence seen directly by the naked eye. Only a few artists who study the expression of light and shadow in Chinese paintings have discussed their own exploration of practical experience in their creation. The theoretical system of how to use light and shadow elements in Chinese paintings still needs to be constantly enriched and perfected. This paper proves the ancient Chinese paintings by tracing back to history and analyzing the ancient paintings that express light and shadow. With the development of the times, the Chinese painting circle has developed a broad-minded and broad-minded view of the world. Painters have constantly attached importance to and strengthened the use and development of light and shadow elements in Chinese painting. They have transformed traditional Chinese painting into modern Chinese painting in the blending of Chinese and Western painting. After the practice of various generations of painters, they have achieved success. The outstanding achievements, combined with the development of light and shadow in Chinese painting and drawing on the works of masters, attempt to discuss how to describe the concept of light and shadow in traditional ink, from this learning process to explore the development of Chinese painting.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
本文编号：2198466
[Abstract]:Light and shadow in the natural world let us perceive the color and volume of things, is the premise of understanding the world; the introduction of light into painting to form an element of the picture as a painting language, light and shadow in Western painting widely used and performance, so that Western painting in the whole history of painting dazzling. Influenced by Taoist culture, a distinctive Chinese painting language system has been formed through continuous innovation and development. The special effect of ink and brush changing on Xuan paper meets the needs of traditional philosophy and humanistic spirit. In the history of the development of Chinese painting, it has always been neglected. The pursuit of artistic conception is far greater than the objective existence seen directly by the naked eye. Only a few artists who study the expression of light and shadow in Chinese paintings have discussed their own exploration of practical experience in their creation. The theoretical system of how to use light and shadow elements in Chinese paintings still needs to be constantly enriched and perfected. This paper proves the ancient Chinese paintings by tracing back to history and analyzing the ancient paintings that express light and shadow. With the development of the times, the Chinese painting circle has developed a broad-minded and broad-minded view of the world. Painters have constantly attached importance to and strengthened the use and development of light and shadow elements in Chinese painting. They have transformed traditional Chinese painting into modern Chinese painting in the blending of Chinese and Western painting. After the practice of various generations of painters, they have achieved success. The outstanding achievements, combined with the development of light and shadow in Chinese painting and drawing on the works of masters, attempt to discuss how to describe the concept of light and shadow in traditional ink, from this learning process to explore the development of Chinese painting.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
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本文编号：2198466
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