如何在漆画语言中体现当代审美思潮
发布时间:2018-08-24 11:33
【摘要】:漆画这一既老又新的画种,对当代绘画发展有一定影响及推动作用,传统漆艺技法被漆画家继承的同时也在创新,世界各民族之间的文化由于信息化传播,使得文化之间有了相互交融,这样就使漆画无论是创作基础、创作条件、还是创作文化都使得它朝着一个大画种的空间去发展。那么新时期的漆画作品,无论是它的材料、还是它的表现力,或者是它的题材,都使人耳目一新,呈现出大画种的品性和品味。尤其在中国当下的历史舞台,多种文化相互交织的当代审美文化思潮下,信息变化之快让人难以想象,这种当下审美思潮的文化环境使得漆画材料、工具、创作理念得到开拓。老百姓的生活和思想观念也在变化中发展,追求当代漆画艺术的价值与社会责任,参与到这个社会多元文化现实浪潮中,反映人们在当下时代环境下的精神状态,表达当代人们的生存本质。漆画作为美术家庭中一员,应有这样的历史责任,把中国民族文化的历史告诉给世界,同时也要认识到中国当代文化艺术发展中,浮躁心态也弥漫在其中,对于我们艺术工作者来说,我们要有清醒的头脑和历史责任。我们有理由相信,漆画在有着深厚民族传统文化的中国,,艺术创作中的天然土壤是非常丰富的,漆画未来的发展必将是中国当代艺术一个新的亮点,必将能更好的表达我们中国人在当代审美文化思潮背景下的精神状态和生存状态。
[Abstract]:Lacquer painting, an old and new kind of painting, has a certain influence and promotion on the development of contemporary painting. The traditional lacquer technique is inherited by painters and is innovating at the same time, and the culture among the nations of the world is spreading because of information technology. This makes the lacquer painting develop towards the space of a large painting, whether it is the foundation of creation, the condition of creation, or the culture of creation. So the lacquer painting works of the new period, whether its material, its expressive power, or its subject matter, are refreshing, showing the character and taste of the great painting. Especially in the present historical stage of China, under the trend of contemporary aesthetic culture intertwined with many cultures, it is difficult to imagine the rapid change of information. The cultural environment of the current aesthetic trend of thought makes the materials, tools and creative ideas of lacquer painting open up. The life and ideology of the common people are also developing in the process of change, pursuing the value and social responsibility of contemporary lacquer painting art, participating in this social and multicultural reality, reflecting the spiritual state of people in the current environment of the times. Express the essence of contemporary people's existence. As a member of the art family, lacquer painting should have such a historical responsibility to tell the history of Chinese national culture to the world. At the same time, it is necessary to realize that in the development of Chinese contemporary culture and art, impetuous mentality is also pervading it. For us artists, we should have a clear mind and historical responsibility. We have reason to believe that in China, where lacquer painting has a profound national traditional culture, the natural soil in artistic creation is very rich, and the future development of lacquer painting will be a new bright spot in Chinese contemporary art. Will be able to better express our Chinese in the contemporary aesthetic culture under the background of the spiritual state and living state.
【学位授予单位】:江西科技师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213.9
本文编号:2200694
[Abstract]:Lacquer painting, an old and new kind of painting, has a certain influence and promotion on the development of contemporary painting. The traditional lacquer technique is inherited by painters and is innovating at the same time, and the culture among the nations of the world is spreading because of information technology. This makes the lacquer painting develop towards the space of a large painting, whether it is the foundation of creation, the condition of creation, or the culture of creation. So the lacquer painting works of the new period, whether its material, its expressive power, or its subject matter, are refreshing, showing the character and taste of the great painting. Especially in the present historical stage of China, under the trend of contemporary aesthetic culture intertwined with many cultures, it is difficult to imagine the rapid change of information. The cultural environment of the current aesthetic trend of thought makes the materials, tools and creative ideas of lacquer painting open up. The life and ideology of the common people are also developing in the process of change, pursuing the value and social responsibility of contemporary lacquer painting art, participating in this social and multicultural reality, reflecting the spiritual state of people in the current environment of the times. Express the essence of contemporary people's existence. As a member of the art family, lacquer painting should have such a historical responsibility to tell the history of Chinese national culture to the world. At the same time, it is necessary to realize that in the development of Chinese contemporary culture and art, impetuous mentality is also pervading it. For us artists, we should have a clear mind and historical responsibility. We have reason to believe that in China, where lacquer painting has a profound national traditional culture, the natural soil in artistic creation is very rich, and the future development of lacquer painting will be a new bright spot in Chinese contemporary art. Will be able to better express our Chinese in the contemporary aesthetic culture under the background of the spiritual state and living state.
【学位授予单位】:江西科技师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213.9
【参考文献】
相关期刊论文 前10条
1 蔡克振;中国漆画的振兴[J];美术;2003年01期
2 胡国强;;当代艺术的价值取向与社会责任[J];美术观察;2009年10期
3 奚静之;立足于传统的现代漆画[J];美术研究;1999年03期
4 李丽红;;对大众文化时代艺术作品意义的思考[J];美术研究;2009年03期
5 翁纪军;漆画的语言思维和操作[J];艺苑(美术版);1996年02期
6 张承志;;中国现代漆画之思考[J];南京艺术学院学报(美术与设计版);2009年06期
7 陆晓云;漆画的历史和创作风格[J];南通师范学院学报(哲学社会科学版);2002年04期
8 寇焱;对漆画语言的思考[J];江西科技师范学院学报;2003年06期
9 张晓凌;本土语言的探索与建构──读程向君的漆画艺术[J];中国艺术;2000年04期
10 陈冀湘;中国传统漆艺与现代漆画[J];装饰;2002年06期
本文编号:2200694
本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/2200694.html