当代重彩人物画色彩研究
发布时间：2018-08-25 08:00
【摘要】：自从20世纪70年代以来,当代重彩人物画在其发展探索的过程中不断的回溯传统重彩绘画在这个学习过程中得到了很大的提高。当代的重彩人物画的绘画形态和艺术语言是以一种开放的意识来面对新时代,虽然借鉴传统但不拘泥于传统。它正在努力寻找自己的表现语言和发展方向。当代重彩人物画着重强化了色彩这一概念,注重色彩的各种美的潜质,并且还从水彩画,西方写实油画,汲取营养,极大的丰富了工笔重彩人物画的表现方式。在古代,中国画被称之为丹青,由此可见中国画原本就是一个彩色的世界。工笔重彩人物画在长期的发展变化中形成了自己独特的色彩观和色彩体系,与绘画紧密相关的绘画材料也在这个过程中不断的发展和完善。当代重彩人物画跟随历史车轮的前进,边学习、边吸收、边发展与重彩创作紧密相关的绘画颜料和绘制技法在这个漫长的过程中发展和完善起来,当代重彩人物画与写意水墨人物画不同,同时与水性颜色创作的淡彩人物画也不同,他的表现方法是多样开放丰富的。它主要以矿物颜料为主。着重注意色彩间的组合排列和材质本身的美感。它是中国绘画的开放形态。它在积极发展的同时又弘扬了我国的民族艺术文化,以开放的姿态接纳借鉴日本和西方写实主义绘画中有益的成分丰富自己的表现,从而使自己的发展更加良性在中国画的所有分类中,重彩人物画无疑是与颜色结合最为密切的画科,新时期的重彩人物画,重彩人物画自身的发展离不开时代的大背景,新的绘画思潮,绘画工具的更新等很多因素相伴随。当代重彩人物画可以继承和沿用传统绘画的装饰性,也可以强调当代艺术的绘画性,或者把以上二者结合起来并重。它的绘画语言、表现手段在历史的进程中不断发展、变化、成型,在造型、颜色、肌理、技法等方面都得到了很大的发展,它是传统工笔画的开放形态,并且正在努力探索创造其新的艺术语言体系,这种探索与创新的艺术语言体系既是传统的也是现代的。以颜色本身为优势,兼容传统和现代的艺术思想充分发挥当代岩彩的有益之处为己而用。在绘画学习中“色彩创新”是我们学习和创作必须重视的课题,它有着无限的发展空间和巨大开发潜力。学习钻研当代重彩人物画的颜色让我们在学习过程中,不断的认识到传统文化和传统艺术带给人类美的享受,还有创作材料本身的魅力,为我们当代重彩人物画在继承传统艺术文化的基础上,不断的勇于创新,开拓当代重彩人物画表现空间具有非常重要的意义。
[Abstract]:Since the 1970s, contemporary heavy color figure painting in its development and exploration of the process of continuous retrospect of the traditional painting in this learning process has been greatly improved. The painting form and artistic language of contemporary heavy color figure painting face the new era with an open consciousness, although draw lessons from the tradition but do not stick to the tradition. It is trying to find its own language and direction of development. Contemporary heavy color figure painting emphasizes the concept of color, pays attention to all kinds of beauty potential of color, and draws nutrition from watercolor painting and western realistic oil painting, which greatly enriches the expression way of meticulous heavy color figure painting. In ancient times, Chinese painting was called Danqing, so Chinese painting was originally a world of color. Fine brushwork heavy color figure painting has formed its own unique color view and color system in the long-term development and change, and painting materials closely related to painting are also constantly developed and improved in this process. Contemporary heavy-colored figure painting follows the wheel of history, while learning, absorbing, while developing painting pigments and drawing techniques closely related to the creation of heavy colors in this long process of development and improvement. Contemporary heavy color figure painting and freehand brushwork figure painting are different from the water-based color of the light color figure painting, his methods of expression is diverse, open and rich. It is mainly mineral pigments. Focus on the combination of color arrangement and the beauty of the material itself. It is the open form of Chinese painting. At the same time, it has carried forward the national art and culture of our country, and adopted the beneficial elements in Japanese and Western realistic painting to enrich its performance with an open attitude. In order to make their own development more benign in all categories of Chinese painting, the heavy color figure painting is undoubtedly the most closely combined with the color of the painting section, the new era of the heavy color figure painting, the development of the heavy color figure painting itself cannot leave the background of the times. The new trend of thought in painting and the renewal of painting tools are accompanied by many other factors. Contemporary heavy color figure painting can inherit and follow the decorative nature of traditional painting, but also emphasize the painting of contemporary art, or combine the above two. Its painting language and means of expression continue to develop, change, shape, color, texture, techniques and so on in the process of history. It is an open form of traditional brushwork. And is trying to explore and create its new artistic language system, this exploration and innovation of artistic language system is both traditional and modern. Color itself as the advantage, compatible with the traditional and modern artistic ideas to give full play to the benefits of contemporary rock color for their own use. In the study of painting, "color innovation" is a subject that we must pay attention to in our study and creation. It has unlimited development space and great development potential. Learning to study the colors of contemporary portraits allows us to constantly realize the beauty of traditional culture and traditional art, as well as the charm of the material itself. On the basis of inheriting the traditional art and culture, it is of great significance for us to innovate constantly and open up the expression space of contemporary heavy color figure painting.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
本文编号：2202268
[Abstract]:Since the 1970s, contemporary heavy color figure painting in its development and exploration of the process of continuous retrospect of the traditional painting in this learning process has been greatly improved. The painting form and artistic language of contemporary heavy color figure painting face the new era with an open consciousness, although draw lessons from the tradition but do not stick to the tradition. It is trying to find its own language and direction of development. Contemporary heavy color figure painting emphasizes the concept of color, pays attention to all kinds of beauty potential of color, and draws nutrition from watercolor painting and western realistic oil painting, which greatly enriches the expression way of meticulous heavy color figure painting. In ancient times, Chinese painting was called Danqing, so Chinese painting was originally a world of color. Fine brushwork heavy color figure painting has formed its own unique color view and color system in the long-term development and change, and painting materials closely related to painting are also constantly developed and improved in this process. Contemporary heavy-colored figure painting follows the wheel of history, while learning, absorbing, while developing painting pigments and drawing techniques closely related to the creation of heavy colors in this long process of development and improvement. Contemporary heavy color figure painting and freehand brushwork figure painting are different from the water-based color of the light color figure painting, his methods of expression is diverse, open and rich. It is mainly mineral pigments. Focus on the combination of color arrangement and the beauty of the material itself. It is the open form of Chinese painting. At the same time, it has carried forward the national art and culture of our country, and adopted the beneficial elements in Japanese and Western realistic painting to enrich its performance with an open attitude. In order to make their own development more benign in all categories of Chinese painting, the heavy color figure painting is undoubtedly the most closely combined with the color of the painting section, the new era of the heavy color figure painting, the development of the heavy color figure painting itself cannot leave the background of the times. The new trend of thought in painting and the renewal of painting tools are accompanied by many other factors. Contemporary heavy color figure painting can inherit and follow the decorative nature of traditional painting, but also emphasize the painting of contemporary art, or combine the above two. Its painting language and means of expression continue to develop, change, shape, color, texture, techniques and so on in the process of history. It is an open form of traditional brushwork. And is trying to explore and create its new artistic language system, this exploration and innovation of artistic language system is both traditional and modern. Color itself as the advantage, compatible with the traditional and modern artistic ideas to give full play to the benefits of contemporary rock color for their own use. In the study of painting, "color innovation" is a subject that we must pay attention to in our study and creation. It has unlimited development space and great development potential. Learning to study the colors of contemporary portraits allows us to constantly realize the beauty of traditional culture and traditional art, as well as the charm of the material itself. On the basis of inheriting the traditional art and culture, it is of great significance for us to innovate constantly and open up the expression space of contemporary heavy color figure painting.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
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1 郭宁;当代重彩人物画色彩研究[D];东北师范大学;2014年
，本文编号：2202268
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