草原上的巴特尔—谈蒙古族题材绘画创作

发布时间：2018-08-25 10:15

【摘要】：我国北方少数民族世世代代都在广阔美丽的大草原上生活繁衍,由于草原独有的气候特征和地理环境，他们一直过着游牧生活，其悠久的文化传统在发展过程中创造出了具有独特艺术特征的草原文化，对北方草原绘画创作产生很大影响。草原题材绘画以全新的生命张力和人性化深度，成为人物画创作的重要题材，吸引了很多画家，，也创作出了很多优秀的作品。三万多年前，内蒙古大草原上就已经出现了精美的岩画，这些岩画用简洁朴素的图案勾勒出多彩多姿草原生活，可以说是草原绘画艺术的萌芽。二十世纪八十年代，提出了“北方草原画派”的说法，从此，草原绘画艺术进入了创作高潮。北方草原绘画经过了魏晋南北朝时期的慢慢发展，到了隋唐时期达到高峰。建国后，社会经济的快速发展为蒙古族题材绘画创作带来了极大的活力，也决定了美术创作需要向艺术深度与精神深度拓进，涌现出很多优秀的绘画人才，创造了许多优秀的美术作品，草原绘画艺术不断呈现出新的面貌。画家在草原题材绘画创作过程中用画笔描绘了北方少数民族的风俗习惯和生活场景，从独具特色的民族服饰、图案入手，展现了少数民族的民族特点和文化风貌，表达出画家独有的审美取向和民族情怀。但是在草原绘画作品创作过程中，也存在很多问题，比如，许多该题材绘画作品过于概念化、片面化，以为只要对蒙古族人民的生活及服装服饰进行客观精细的描绘，就能够表现出其民族特征，而往往忽略了深层次的表达，失去了少数民族独特的文化韵味，也失去了民族题材作品的灵魂。本文首先探求草原游牧民族题材绘画的发展历史，然后分析草原题材绘画的创作要素，最后通过本人创作实践，对草原题材艺术作品的创作方法和过程进行讨论和思考。本文创新之处是在草原题材艺术创作中着重个人的情绪体验和对民族特征的独特理解，通过对少数民族与草原关系的深刻理解以及对服装、造型、装饰和色彩的丰富运用，展现出草原题材艺术作品的独特魅力。
[Abstract]:The ethnic minorities in northern China have lived and multiplied on the vast and beautiful prairie for generations. Due to the unique climatic characteristics and geographical environment of the grasslands, they have been living a nomadic life. Its long cultural tradition has created the grassland culture with unique artistic characteristics in the process of development, which has a great influence on the painting creation of the northern grassland. Grassland painting with new life tension and humanized depth has become an important theme of figure painting, attracted many painters, but also created a lot of excellent works. More than 30,000 years ago, the Inner Mongolia prairie has appeared on the fine rock paintings, these rock paintings with simple and simple patterns to outline the colorful grassland life, can be said to be the germination of grassland painting art. In the 1980's, he put forward the saying "North grassland painting School". From then on, grassland painting art entered the creative climax. Northern grassland painting developed slowly in Wei, Jin and Southern and Northern dynasties, and reached its peak in Sui and Tang dynasties. After the founding of the people's Republic of China, the rapid development of social economy has brought great vitality to the painting creation of Mongolian theme, which also determines that the art creation needs to advance to the depth of art and the depth of spirit, and many excellent painting talents have emerged. Has created many outstanding fine arts works, the grassland painting art presents the new appearance unceasingly. In the course of the painting of grassland theme, the painter describes the customs, habits and life scenes of the northern ethnic minorities with a brush, starting with the unique national costumes and patterns, showing the ethnic characteristics and cultural features of the ethnic minorities. Express the unique aesthetic orientation and national feelings of the painter. However, in the process of creating grassland paintings, there are also many problems. For example, many paintings on this subject are too conceptualized and one-sided, thinking that as long as the life and clothing of the Mongolian people are described objectively and meticulously, They can show their national characteristics, but often ignore the deep expression, lose the unique cultural charm of ethnic minorities, and also lose the soul of the national theme works. This paper first explores the history of grassland nomadic theme painting, then analyzes the creative elements of grassland theme painting, and finally discusses and ponders the creative method and process of grassland theme art works through my own creative practice. The innovation of this paper is to emphasize the personal emotional experience and the unique understanding of the national characteristics in the artistic creation of the grassland, through the profound understanding of the relationship between the ethnic minorities and the grassland, as well as the rich use of clothing, modeling, decoration and color. Show the unique charm of grassland theme art works.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

【共引文献】