在创作中对“现代绘画”语言的探索

发布时间：2018-08-25 11:06

【摘要】：论文开题由西方现代绘画逐渐引入到中国现代绘画。主要结合了我的创作对现代绘画进行的探索。具体举例探索了在中国画范围内我创作的运用,包括了从选题内容及构图到具体的技法探索与分析等几个方面,其中着重论述了我创作中笔法、墨法和水法的具体探索运用。本文中对现代绘画的理解与定义,是在文艺中吸取艺术灵感、素材与方法等,饱涵创新性质的艺术表现形式。现代绘画是指强调单纯化,追求画面的装饰性,摆脱了传统绘画的视觉规律和空间概念的绘画发展方向[1]。现代绘画语言是相对于传统古典绘画语言的,两者之间最本质的不同是相比之下传统古典的绘画语言在纯粹性上的不足。传统绘画带有更多的功利性,更注重表达某种寓意。现代绘画语言在继承传统的基础上融入现代绘画元素,更加注重主观表现,使画者能够更加轻易的摆脱规律性的束缚,能更加自由的去表现画面。对现代绘画有自己的理解,在自己的人物画创作中去探索,扩大笔墨等新的表现方式的运用,将传统的审美观念与当下的生活、文化、社会相结合,在绘画的发展中吸收与借鉴西方的艺术表现方式,形成独特的审美精神,并在其引导下,逐步完善画面的艺术风格。纵观现代绘画语言的发展史,我们会发现更需要画者突出的是:在继承传统绘画的前提下,推陈出新,融合其包容性与创新性向前发展。任何绘画表现手法皆是可寄情遣兴的艺术形式,在这样的背景下,既不应束缚于已有的传统模式,也不应模仿西方艺术的发展轨迹,而应该在时代精神的引导下,立足于中国传统哲学思想,对中国传统艺术精神进行深入探索,对西方艺术观念和形式也要有选择性的吸收与发展。在不断创新的同时依然根系传统,从而使画面更加丰富多姿。
[Abstract]:The title of the thesis was gradually introduced into modern Chinese painting by western modern painting. Mainly combined with my creation of modern painting exploration. This paper probes into the application of my creation in the scope of Chinese painting with concrete examples, including several aspects, such as the content and composition of the subject, the exploration and analysis of the specific techniques, and so on, among which the author emphatically discusses the specific exploration and application of the strokes, ink and water methods in my creation. The understanding and definition of modern painting in this paper is to absorb the artistic inspiration, material and method in literature and art, which is full of innovative artistic forms. Modern painting is the direction of painting that emphasizes simplicity, pursues the decoration of the picture and gets rid of the visual law and the concept of space of the traditional painting. Modern painting language is relative to the traditional classical painting language, the most essential difference between the two is compared with the traditional classical painting language in the purity of the deficiencies. Traditional painting has more utilitarian, more emphasis on expressing a certain moral. Modern painting language on the basis of inheriting the traditional integration of modern painting elements, pay more attention to subjective performance, so that painters can more easily get rid of the shackles of regularity, can more freely to show the picture. We have our own understanding of modern painting, explore in our own figure painting creation, expand the use of new ways of expression, such as pen and ink, and combine traditional aesthetic concepts with current life, culture and society. In the development of painting, we can absorb and draw lessons from the western artistic expression, form the unique aesthetic spirit, and gradually perfect the artistic style of the picture under its guidance. Looking at the history of modern painting language, we will find that the most important thing is that under the premise of inheriting the traditional painting, we can bring forth the new from the old and integrate its inclusiveness and innovation to develop forward. Any method of expression of painting is an artistic form which can be inspired by emotion. Under such a background, it should not be bound to the existing traditional mode, nor should it imitate the development track of western art, but should be guided by the spirit of the times. Based on the Chinese traditional philosophy, the spirit of Chinese traditional art should be deeply explored, and the western artistic concepts and forms should be absorbed and developed selectively. In constant innovation while still root tradition, thus making the picture more colorful.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J204

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