论杨柳青《红楼梦》年画的艺术特征
发布时间:2018-08-27 14:19
【摘要】:杨柳青年画作为中国四大年画之一,深受老百姓们欢迎。年画作品笔法细腻、人物秀丽、色彩明艳、内容丰富、形式多样、气氛祥和。《红楼梦》则是中国古典小说的无上至品,是中国古代文人艺术的代表作品。《红楼梦》小说流行于世之后,也成为杨柳青年画表现的主要题材之一。杨柳青的《红楼梦》年画由民间艺人所作,体现了一定的民间趣味,年画中蕴含着与文人美术作品不一样的审美情趣。本文研究杨柳青的《红楼梦》题材年画,希望能以小见大,通过研究年画这种艺术表现形式,整理出民间艺人对文人文化、文人艺术的理解程度和接受方式,以及接受后的画面表现规律,来探索民间美术与文人美术之间的复杂关联,寻找推广发展当代民间美术的可行性。 作者两次赴天津杨柳青镇进行实地考察,运用调查法,收集到年画的第一手资料。文章运用了文献法、内容分析法、归纳法、对比法等,整理和回顾了已有的相关研究理论。文章对收集到的杨柳青《红楼梦》年画进行画面分析,如画面构成解析,人物造型分析,色彩构成分析,挖掘了年画的独特艺术特征,即民间年画艺人对文人艺术进行选择性吸纳后改创,形成大众喜闻乐见的民间艺术作品。杨柳青《红楼梦》年画对比其他地方年画,突显了杨柳青年画细腻精致,婉约柔和的艺术风格。与文人《红楼梦》画之间的对比,体现了年画既受到文人美术的影响又具有一定的民间大众审美倾向。 杨柳青年画现在作为非物质文化遗产,它的发展现状不容乐观,市场上流通的《红楼梦》年画基本为清代旧稿,年画产业亟待保护与发展。杨柳青《红楼梦》年画作为民间美术中一颗璀璨的明珠,它在历史上的盛况应该成为现代民间美术学习的方向。民间美术应与不同层次、不同种类的艺术融合,创造适应现代生活、现代人类精神面貌的新民间美术,才能让民间美术成为活的艺术,拥有传承与发展的空间。
[Abstract]:Yangliuqing New year painting as one of the four major Chinese New year paintings, popular with the people. New year's paintings have delicate strokes, beautiful characters, bright colors, rich contents, diverse forms, and peaceful atmosphere. "A Dream of Red Mansions" is the supreme product of Chinese classical novels. "A Dream of Red Mansions" has become one of the main themes of Yangliuqing's New year paintings after it became popular in the world. Yangliuqing's "A Dream of Red Mansions" New year paintings by folk artists, reflects a certain folk interest, the New year's paintings contain different aesthetic interest from literati art works. This paper studies Yangliuqing's New year Pictures on the theme of "A Dream of Red Mansions", hoping to see the whole through a small part, and through studying the artistic form of New year's Pictures, sort out the folk artists' understanding of literati culture, literati art and the way of acceptance. And the law of picture expression after acceptance, to explore the complex relationship between folk art and literati art, to find out the feasibility of popularizing and developing contemporary folk art. The author made two field visits to Yangliuqing Town in Tianjin and collected first-hand information of New year's Pictures by means of investigation. This paper makes use of literature method, content analysis method, induction method, contrast method and so on. The article analyzes the pictures of Yangliuqing's New year paintings, such as picture composition analysis, character modeling analysis, color composition analysis, and excavates the unique artistic features of the New year paintings. In other words, folk New year artists selectively absorb literati art and change it to form popular folk art works. Yangliuqing A Dream of Red Mansions contrasts with other New year's paintings, highlighting the delicate and delicate artistic style of Yangliuqing's New year paintings. The contrast with the literati's A Dream of Red Mansions shows that New year's paintings are influenced by literati's fine arts and have a certain tendency of folk aesthetic appreciation. Yangliuqing New year painting is now an intangible cultural heritage, its development situation is not optimistic, the circulation of "Dream of Red Mansions" in the market is basically an old draft of the Qing Dynasty, the New year painting industry needs to be protected and developed urgently. Yangliuqing's Dream of Red Mansions, as a bright pearl in folk art, should be the direction of the study of modern folk art. Folk art should be combined with different levels and kinds of art to create a new folk art that adapts to modern life and modern human spirit. Only then can folk art become a living art with a space for inheritance and development.
【学位授予单位】:首都师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J218.3
本文编号:2207543
[Abstract]:Yangliuqing New year painting as one of the four major Chinese New year paintings, popular with the people. New year's paintings have delicate strokes, beautiful characters, bright colors, rich contents, diverse forms, and peaceful atmosphere. "A Dream of Red Mansions" is the supreme product of Chinese classical novels. "A Dream of Red Mansions" has become one of the main themes of Yangliuqing's New year paintings after it became popular in the world. Yangliuqing's "A Dream of Red Mansions" New year paintings by folk artists, reflects a certain folk interest, the New year's paintings contain different aesthetic interest from literati art works. This paper studies Yangliuqing's New year Pictures on the theme of "A Dream of Red Mansions", hoping to see the whole through a small part, and through studying the artistic form of New year's Pictures, sort out the folk artists' understanding of literati culture, literati art and the way of acceptance. And the law of picture expression after acceptance, to explore the complex relationship between folk art and literati art, to find out the feasibility of popularizing and developing contemporary folk art. The author made two field visits to Yangliuqing Town in Tianjin and collected first-hand information of New year's Pictures by means of investigation. This paper makes use of literature method, content analysis method, induction method, contrast method and so on. The article analyzes the pictures of Yangliuqing's New year paintings, such as picture composition analysis, character modeling analysis, color composition analysis, and excavates the unique artistic features of the New year paintings. In other words, folk New year artists selectively absorb literati art and change it to form popular folk art works. Yangliuqing A Dream of Red Mansions contrasts with other New year's paintings, highlighting the delicate and delicate artistic style of Yangliuqing's New year paintings. The contrast with the literati's A Dream of Red Mansions shows that New year's paintings are influenced by literati's fine arts and have a certain tendency of folk aesthetic appreciation. Yangliuqing New year painting is now an intangible cultural heritage, its development situation is not optimistic, the circulation of "Dream of Red Mansions" in the market is basically an old draft of the Qing Dynasty, the New year painting industry needs to be protected and developed urgently. Yangliuqing's Dream of Red Mansions, as a bright pearl in folk art, should be the direction of the study of modern folk art. Folk art should be combined with different levels and kinds of art to create a new folk art that adapts to modern life and modern human spirit. Only then can folk art become a living art with a space for inheritance and development.
【学位授予单位】:首都师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J218.3
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