谈席勒绘画作品中的“情与欲”、“生与死”
发布时间：2018-08-30 07:36
【摘要】：直到今天，当人们谈及埃贡·席勒这位激情洋溢、风格鲜明的维也纳画家的名字，首先会联想到的便是：情与欲，生与死——在他的作品中有太多强烈、浓郁的情色意味和挥之不去的死亡气息充斥其中。不同于很多画家，生性敏感的席勒更注重于人内在精神的表现，性欲与死亡成为他乐此不疲加以表现的主题。而对性欲与死亡的肆意渲染，也让席勒备受争议。描绘做着撩人而大胆姿态的裸体人物，烘托紧张不安的特殊氛围，以象征手法诠释自我的内心世界……人类内心之中按捺已久的欲望就这样被席勒用画笔在画面上淋漓尽致地展现了出来。在表现性欲与死亡的目的的支配下，色块在席勒笔下被赋予强烈的感情色彩，笔触丰富生动起来，线条则棱角分明而又挥洒自如。相对于传统绘画中唯美细腻的描绘，席勒却用简单粗糙、主观性极强的表现方式展示着他对人生的思考，带给人的是心灵的震撼。 席勒，这位极具个人风格的画家，他有太多的东西都值得人们细细品味。他的人生经历，他的肖像画、风景画、自画像作品，他的线条、色彩，，甚至签名。本文由席勒绘画作品中最为鲜明的两大表现特色（即性欲氛围和死亡气息）展开，并以其典型的绘画作品为例，深入分析了席勒对性欲和生死内容的表达。文章共分为四个章节。 第一章是席勒的艺术生涯和创作背景。本章通过对席勒的生活背景所做的简单介绍，分析席勒选择描绘性欲和生死主题的原因。 第二章是席勒绘画作品中“情与欲”的表达。其中的“情与欲”研究的是席勒在绘画作品中对性欲的表现，并归纳出三种表现方式作为三节内容。一种方式是在画作中对性欲大肆渲染，将人之性欲毫无保留地表露于外，在张扬态度下引起观者对真实人性的审视；一种是以几何解剖风格刻画人物，将人物身体描画成残缺不全的样子，刻意设计扭曲姿态，加上富有表现力的线条和主观化的色彩，通过多种方式营造死亡氛围烘托性欲；还有一种方式是将性欲与宗教联系起来，以宗教人物形象表现性欲内容，这种表现方式是对传统的突破，更是画家对性欲自由乃至人性自由的一种彰显。 第三章是席勒绘画作品中“生与死”的表达。其中所讲的“生与死”侧重的是席勒对生命与死亡的个人诠释。一方面，席勒以象征的手法表现自己对于生死的理解。他时常将个人形象比作先知、死神、殉难者，并用这些特殊的身份追问那些自己难以解答的生死之惑；又善以母与子形象来象征出生与死亡；还把树木和花用来暗喻人生。另一方面，席勒巧妙地利用多种暗示死亡的因素来诠释生的意义。阴暗的背景，生命之光的寓意，将死形象的描绘，都使他的画面充满死亡的消极因素。死亡的阴影跃然于画面之中，生的欲望随之突显。 第四章是对席勒绘画作品的思考。通过分析席勒在绘画作品中对性欲和生死的表现，总结有关席勒绘画作品的个人思考。
[Abstract]:To this day, when people talk about the name of Egon Schiller, a passionate and distinctive Viennese painter, the first thing they associate with is: love and desire, life and death - there are too many strong, strong emotional meanings and lingering breath of death in his works. Unlike many painters, Schiller is sensitive to nature. He pays more attention to the expression of human inner spirit. Sexual desire and death become the theme of his endless expression. But the wanton exaggeration of sexual desire and death also makes Schiller controversial. Schiller's long-standing desire is shown vividly in the picture with a brush. Under the control of expressing sexual desire and the purpose of death, the color block is endowed with strong emotional color, rich and vivid strokes, and the lines are sharp and free. Compared with the traditional paintings, it is a beautiful and delicate description. In painting, Schiller shows his thoughts on life in a simple, rough and highly subjective way of expression, bringing a shock to people's soul.
Schiller, a painter of great personal style, has so much to savor. His life experience, his portraits, landscapes, self-portraits, his lines, colors, and even his signature. This article is based on the two most distinctive features of Schiller's paintings (i.e. the atmosphere of sexual desire and the atmosphere of death) and its classics. Schiller's expression of sexual desire and life and death is analyzed in detail in his paintings of type A. The article is divided into four chapters.
The first chapter is about Schiller's artistic career and creative background. Through a brief introduction of Schiller's life background, this chapter analyzes the reasons why Schiller chose to depict the theme of sexual desire and life and death.
The second chapter is the expression of "love and desire" in Schiller's paintings, in which "love and desire" studies Schiller's expression of sexual desire in his paintings, and summarizes three ways of expression as three sections. One way is to play up sexual desire in his paintings, to expose human sexual desire without reservation, and to cite it under the publicity attitude. The viewer's examination of the real human nature; one depicts the characters in a geometric anatomical style, portraying their bodies as incomplete, deliberately designing distorted postures, with expressive lines and subjective colors, to create an atmosphere of death to foil sexual desire in various ways; the other is to link sexual desire with religion. Up to now, the expression of sexual desire in religious figures is a breakthrough to the tradition, and a manifestation of the freedom of sexual desire and even the freedom of human nature.
The third chapter is the expression of "life and death" in Schiller's paintings, in which "life and death" focuses on Schiller's personal interpretation of life and death. On the other hand, Schiller ingeniously uses a variety of factors that hint at death to interpret the meaning of life. The dark background, the meaning of the light of life, the description of the image of death, all make his picture full of death. The negative factors of death. The shadow of death is in the picture, and the desire for life is highlighted.
Chapter Four is the reflection on Schiller's paintings. Through the analysis of Schiller's expression of sexual desire and life and death in his paintings, it summarizes the personal reflection on Schiller's paintings.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
本文编号：2212375
[Abstract]:To this day, when people talk about the name of Egon Schiller, a passionate and distinctive Viennese painter, the first thing they associate with is: love and desire, life and death - there are too many strong, strong emotional meanings and lingering breath of death in his works. Unlike many painters, Schiller is sensitive to nature. He pays more attention to the expression of human inner spirit. Sexual desire and death become the theme of his endless expression. But the wanton exaggeration of sexual desire and death also makes Schiller controversial. Schiller's long-standing desire is shown vividly in the picture with a brush. Under the control of expressing sexual desire and the purpose of death, the color block is endowed with strong emotional color, rich and vivid strokes, and the lines are sharp and free. Compared with the traditional paintings, it is a beautiful and delicate description. In painting, Schiller shows his thoughts on life in a simple, rough and highly subjective way of expression, bringing a shock to people's soul.
Schiller, a painter of great personal style, has so much to savor. His life experience, his portraits, landscapes, self-portraits, his lines, colors, and even his signature. This article is based on the two most distinctive features of Schiller's paintings (i.e. the atmosphere of sexual desire and the atmosphere of death) and its classics. Schiller's expression of sexual desire and life and death is analyzed in detail in his paintings of type A. The article is divided into four chapters.
The first chapter is about Schiller's artistic career and creative background. Through a brief introduction of Schiller's life background, this chapter analyzes the reasons why Schiller chose to depict the theme of sexual desire and life and death.
The second chapter is the expression of "love and desire" in Schiller's paintings, in which "love and desire" studies Schiller's expression of sexual desire in his paintings, and summarizes three ways of expression as three sections. One way is to play up sexual desire in his paintings, to expose human sexual desire without reservation, and to cite it under the publicity attitude. The viewer's examination of the real human nature; one depicts the characters in a geometric anatomical style, portraying their bodies as incomplete, deliberately designing distorted postures, with expressive lines and subjective colors, to create an atmosphere of death to foil sexual desire in various ways; the other is to link sexual desire with religion. Up to now, the expression of sexual desire in religious figures is a breakthrough to the tradition, and a manifestation of the freedom of sexual desire and even the freedom of human nature.
The third chapter is the expression of "life and death" in Schiller's paintings, in which "life and death" focuses on Schiller's personal interpretation of life and death. On the other hand, Schiller ingeniously uses a variety of factors that hint at death to interpret the meaning of life. The dark background, the meaning of the light of life, the description of the image of death, all make his picture full of death. The negative factors of death. The shadow of death is in the picture, and the desire for life is highlighted.
Chapter Four is the reflection on Schiller's paintings. Through the analysis of Schiller's expression of sexual desire and life and death in his paintings, it summarizes the personal reflection on Schiller's paintings.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
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1 赵霞;;席勒自画像中的潜意识因素[J];和田师范专科学校学报;2006年06期
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相关硕士学位论文 前1条
1 吴扬;对席勒的水彩画表现形式的研究[D];青岛大学;2008年
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