马蒂斯与野兽派研究

发布时间：2018-08-30 15:00

【摘要】：亨利·马蒂斯(Henri Matisse)是法国画家,野兽派创始人、主要代表人物,也是一位雕塑家、版画家。马蒂斯被公认为与巴勃罗·毕加索(1881/10/25～1973/04/08)和和马塞尔·杜尚(1887/07/28～1968/10/02)是二十世纪古典现代艺术的先驱；也是二十世纪初期推动艺术造型运动具有革命性发展的重要艺术家。野兽派(法语：Les Fauves)是指20世纪初崛起,一个短暂出现而又松散的一群现代画家成员。他们的画在印象主义上保有象征与写实派的价值,但是画风强烈、用色大胆鲜艳。野兽派起于1900年,但其风格到1910年之后还一直存在。野兽派的运动其实只有几年的时间,1904-1908,这期间办了三场展览会。这一群野兽画家才华横溢,各自有不同喜好的风格,在这风潮之后他们也持续执着于各自不同的探索。野兽派主要是以马蒂斯和安德烈·德兰为主的领导,其他代表画家另有阿伯特·马尔凯、弗拉芒克、凡·东根、劳尔·杜菲、弗里斯和勃拉克等。他们的画风特色是狂野的色彩、强烈的视觉冲击,然其主体物又显露出高度的简洁与抽象。野兽派可以归纳为将印象派的色彩理论与梵高(1853/03/30～1890/07/29)、高更(1848/06/07～1903/05/08)、塞尚(1839/01/19～1906/10/22)等后印象派的大胆涂色技法推向极致,融合了乔治·秀拉(1859/12/02～1891/03/29)的点描法,以及其他新印象派画家的技法,特别是保罗·希涅克(1863/11/11～1935/08/15)。野兽派抛开传统三维空间的画法,脱离自然摹仿,摒弃印象主义家的柔和色调和后印象主义讲究秀丽画法的应用,他们喜好用未经调色的原色在画布上大胆粗旷的画法,在很多情况下甚至会扭曲实体物。
[Abstract]:Henri Matisse (Henri Matisse) is a French painter, founder of the Beast School, chief figure, sculptor and printer. Matisse and Pablo Picasso (1881 / 10 / 25 / 1974 / 04 / 08) and Marcel Duchamp (1887 / 07 / 28 / 1968 / 10 / 02) were recognized as pioneers of modern classical art in the 20th century, and important artists who promoted the revolutionary development of artistic modeling movement in the early 20th century. French: les Fauves is a group of modern painters who rose in the early 20th century and appeared briefly and loosely. Their paintings retain symbolic and realistic values in impressionism, but are bold and vivid in color. The Beast School began in 1900, but its style continued to exist after 1910. The Beast movement actually lasted only a few years, during which three exhibitions were held. This group of Beast painters are talented and have different styles of taste, and after this trend they continue to pursue their own different explorations. The Beast faction was led mainly by Matisse and Andre Duran, and other representative painters were Abbott Marquay, Flemenck, Van Donghan, Raul Duffy, Fries, and Braque. Their painting style is characterized by wild color, strong visual impact, but its main objects show a high degree of simplicity and abstraction. The Beast can be summed up as a combination of the impressionist color theory and Van Gogh's (1853 / 03 / 30 / 1890 / 07 / 29), Gauguin (1848 / 06 / 07 / 1903 / 05 / 08), Cezanne (1839 / 01 / 1919 / 1906 / 10 / 22) and other post-impressionist bold coloring techniques to the extreme, incorporating George Saula's (1859 / 12 / 02) 1891 / 03 / 29 dot mapping. And the techniques of other Neo-Impressionist painters, especially Paul Hineck (1863 / 11 / 111935 / 08 / 15). The Beast faction cast aside the traditional three dimensional painting method, divorced from the natural imitation, and abandoned the soft colors of the impressionists and the application of the postimpressionism to the beautiful painting. They preferred to use the untinted primary color on the canvas to paint boldly and brutally. In many cases it even distorts objects.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J209.9

【共引文献】