中国传统造型艺术中鹿形象研究
发布时间：2018-08-31 16:18
【摘要】：在中国传统造型艺术创作中，鹿的形象往往是复杂多变的。鹿时而是儒家文化中王权的象征，时而又是道家文化中神异的化身，加之莫高窟九色鹿的壁画，鹿的形象似乎能在各种不同的文化体系中来回穿行。鹿的另一种“多变”表现在形态，既有汉瓦中战栗形态的鹿，也有沈铨笔下温婉形态的鹿，艺术品鹿的形态在很多时候就是时代政治的直接反映。因此，本文首先梳理了鹿的形象在不同文化体系中的象征意义，进而结合具体的艺术创作，探讨了不同时代背景下艺术品中鹿形态的变化。 鹿题材绘画，，至清代蔚为大观。作为本文的重点，笔者选择了最具代表性的朱耷、沈铨、郎世宁三位画家，详细分析其鹿题材绘画作品的艺术特色。并进而从更深层次总结鹿题材艺术品在创作时的文化取向。
[Abstract]:In Chinese traditional plastic arts creation, deer image is often complex and changeable. Deer is sometimes the symbol of Wang Quan in Confucian culture and the embodiment of divinity in Taoist culture. In addition to the murals of the Mogao grottoes, the figure of deer seems to be able to travel back and forth in various cultural systems. Another "changeful" form of deer is reflected in its form, including the deer in the form of shudder in the middle of Han WA and the gentle form in Shen Quan's works. The form of the art deer is a direct reflection of the politics of the times. Therefore, this paper firstly combs the symbolic meaning of deer image in different cultural systems, and then discusses the changes of deer form in different times background. Deer painting, until the Qing Dynasty is a great sight. As the focus of this paper, the author selected the most representative three painters, Zhu Da, Shen Quan and Lang Sining, and analyzed in detail the artistic characteristics of their deer paintings. And then from a deeper level to sum up deer art in the creation of cultural orientation.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
[Abstract]:In Chinese traditional plastic arts creation, deer image is often complex and changeable. Deer is sometimes the symbol of Wang Quan in Confucian culture and the embodiment of divinity in Taoist culture. In addition to the murals of the Mogao grottoes, the figure of deer seems to be able to travel back and forth in various cultural systems. Another "changeful" form of deer is reflected in its form, including the deer in the form of shudder in the middle of Han WA and the gentle form in Shen Quan's works. The form of the art deer is a direct reflection of the politics of the times. Therefore, this paper firstly combs the symbolic meaning of deer image in different cultural systems, and then discusses the changes of deer form in different times background. Deer painting, until the Qing Dynasty is a great sight. As the focus of this paper, the author selected the most representative three painters, Zhu Da, Shen Quan and Lang Sining, and analyzed in detail the artistic characteristics of their deer paintings. And then from a deeper level to sum up deer art in the creation of cultural orientation.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
【共引文献】
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