空间焦虑与无指向叙事—马轲表现性绘画的主题和风格特征
发布时间：2018-08-31 16:38
【摘要】：当代全面的转型中社会逐渐使得国民消费异化,人们一切行为都被物质欲望所驱动,人的内心也被更多的生活与发展的欲望所填满,再也无视人的自然本性——人是自然与社会的产物与组成部分,同时也不顾忌人与自然、社会发展的共同利益,人为了自我利益的追求不断地摧毁围边事物,自然的灾害不断发生,金融风险等社会的不安定因素与日俱增。本文通过对马轲绘画的创作历程的梳理和文化研究相结合的方式,深入研究马轲绘画的独特主题与风格特征,论证出空间焦虑是马轲绘画的主题特征,而无指向的叙事是马轲绘画的风格特征。本文以文献梳理与举例说明的方式来阐述马轲利用和借鉴了西方现代批判社会和焦虑的主题,当艺术家审视这个社会的集权阶层和常规生活时,总能感觉到种种的束缚,感受到个体的尊严和曾经的类似于古希腊人的崇高精神的消逝,现代人都是集体无意识的,都是颓废无聊的主体,马轲准确的瞄准了这一有待破译的现实空间。当然马轲不执着于画面的构图、场景本身,而是在一个现代性的宏观视域中,探讨人在经历现代化变迁过程中与历史和记忆空间的关系。马轲作为时代的记录者对全面转型的中国有深深的体会,马轲在表现手法上运用了大众化的写实手法,具有升腾感的画面形象,中国水墨式的画面笔触,险峻的画面不平衡构图和直接的画面色彩的对比,马轲将中国文人画的似像非像的意蕴运用的如火纯情,一个个形象的背后是马轲对中国社会深深的焦虑与担忧,慵懒的人物形象都传达了一个信息——无聊。暴力之所以恐怖是因为暴力带着正常生活的体温。我熟悉的那个马轲在他的一系列所谓现实题材的绘画中总是尽量逃避刻意的写实技法和戏剧化煽情表达,马轲延续一贯的“不作解释”风格真实描写底层人民生存的沉重和个体的无奈,以目击者般的冷静一以贯之。马轲的绘画,是具有当代文化价值的,他的绘画让人感到熟悉的陌生感和不确定的诗意,他的绘画语言主要以具象绘画语言为主,人物、场景都是现实生活中具体存在的,但是有时候中国水墨般抽象的线条也会在画面中出现。中国自古以来的画家都有本地本民族的独特气质,就是画面营造出的似与不似的绘画意境,始终掺杂着中国人对人与自然独特的哲学体会和中国人在每一个时代的生存现实和独特的人生经历,马轲正是描绘了一个大的时代的集体的命运。他把国人的命运和视知觉中的感悟,用象征性手法画出他心中有的形式,激起观者心灵的共鸣和审美的愉悦。他用自己的绘画研究当代社会,他是时代的忠实记录者。本文共分为四个章节进行论述,绪论简要介绍了马轲及其创作轨迹,陈述学术界对马轲绘画艺术的研究现状。正文第一章阐明了马轲绘画艺术的主题特征是空间焦虑。第二章论述了马轲绘画的风格特点是情节淡化与无指向的叙事。论文最后对马轲绘画艺术当代文化价值进行了总结。
[Abstract]:In the contemporary all-round transformation, the society has gradually alienated the consumption of the people. All people's actions are driven by material desires, and people's hearts are filled with more desires for life and development. They no longer ignore the natural nature of human beings, which is the product and component of nature and society, but also ignore the coexistence of man and nature and social development. With the same interests, people in pursuit of self-interest constantly destroy things around the border, natural disasters occur, financial risks and other social factors of instability are increasing day by day. Spatial anxiety is the thematic feature of Ma Kei's paintings, while pointless narration is the stylistic feature of Ma Kei's paintings. This paper illustrates Ma Kei's use of and use for reference the themes of western modern critical society and anxiety by way of literature review and illustration. When an artist examines the authoritarian stratum and routine life of this society, he can always feel a kind of anxiety. The bondage of species, feeling the disappearance of individual dignity and sublime spirit similar to that of the ancient Greeks, modern people are collective unconscious, are decadent and boring subjects, Ma Kei accurately aimed at this yet to be deciphered real space. Of course Ma Kei is not obsessed with the composition of the picture, the scene itself, but in a modern macro From the perspective of view, this paper explores the relationship between human beings and history and memory space in the process of modernization. Ma Qi, as a recorder of the times, has a deep understanding of China's overall transformation. Ma Qi uses popular realistic techniques in his expression, with a sense of elevation of the image, Chinese ink-and-wash brush strokes, and steep pictures. In contrast to the unbalanced composition and the direct color of the picture, Ma Kei uses the imagery of the Chinese literati painting as pure as fire. Behind each image is Ma Kei's deep anxiety and worry about Chinese society. The image of the lazy characters conveys a message - boredom. Violence is horrible because violence is normal. In his series of paintings on so-called realistic subjects, Ma Kei, who I know well, always tries to avoid deliberate realistic techniques and dramatic and emotional expressions. Ma Kei continues his consistent style of "no explanation" to truly describe the heavy existence of the people at the bottom and the helplessness of the individual, with eyewitness-like calmness and consistency. His paintings are of contemporary cultural value. His paintings are familiar with strangeness and uncertain poetic flavor. His paintings mainly use the language of figurative painting. The characters and scenes are concrete in real life. But sometimes the abstract lines like Chinese ink and wash appear in the paintings. Painters all have the unique temperament of their own nation, that is, the similar and dissimilar artistic conception created by the pictures, always mixed with the Chinese people's unique philosophical experience of man and nature and the Chinese people's living reality and unique life experience in each era. Ma Qi is describing the collective fate of a great era. Fate and the perception of the visual perception, using symbolic techniques to draw his inner form, arouse the viewer's spiritual resonance and aesthetic pleasure. He used his own painting to study contemporary society, he is a faithful record of the times. This paper is divided into four chapters to discuss, the introduction briefly introduces Ma Kei and his creative track, the academic community on the statement of the. The first chapter of the main text clarifies that the thematic feature of Ma Qi's painting art is space anxiety. The second chapter discusses that Ma Qi's painting style is characterized by plot dilution and pointless narration. Finally, the paper summarizes the contemporary cultural value of Ma Qi's painting art.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
本文编号：2215560
[Abstract]:In the contemporary all-round transformation, the society has gradually alienated the consumption of the people. All people's actions are driven by material desires, and people's hearts are filled with more desires for life and development. They no longer ignore the natural nature of human beings, which is the product and component of nature and society, but also ignore the coexistence of man and nature and social development. With the same interests, people in pursuit of self-interest constantly destroy things around the border, natural disasters occur, financial risks and other social factors of instability are increasing day by day. Spatial anxiety is the thematic feature of Ma Kei's paintings, while pointless narration is the stylistic feature of Ma Kei's paintings. This paper illustrates Ma Kei's use of and use for reference the themes of western modern critical society and anxiety by way of literature review and illustration. When an artist examines the authoritarian stratum and routine life of this society, he can always feel a kind of anxiety. The bondage of species, feeling the disappearance of individual dignity and sublime spirit similar to that of the ancient Greeks, modern people are collective unconscious, are decadent and boring subjects, Ma Kei accurately aimed at this yet to be deciphered real space. Of course Ma Kei is not obsessed with the composition of the picture, the scene itself, but in a modern macro From the perspective of view, this paper explores the relationship between human beings and history and memory space in the process of modernization. Ma Qi, as a recorder of the times, has a deep understanding of China's overall transformation. Ma Qi uses popular realistic techniques in his expression, with a sense of elevation of the image, Chinese ink-and-wash brush strokes, and steep pictures. In contrast to the unbalanced composition and the direct color of the picture, Ma Kei uses the imagery of the Chinese literati painting as pure as fire. Behind each image is Ma Kei's deep anxiety and worry about Chinese society. The image of the lazy characters conveys a message - boredom. Violence is horrible because violence is normal. In his series of paintings on so-called realistic subjects, Ma Kei, who I know well, always tries to avoid deliberate realistic techniques and dramatic and emotional expressions. Ma Kei continues his consistent style of "no explanation" to truly describe the heavy existence of the people at the bottom and the helplessness of the individual, with eyewitness-like calmness and consistency. His paintings are of contemporary cultural value. His paintings are familiar with strangeness and uncertain poetic flavor. His paintings mainly use the language of figurative painting. The characters and scenes are concrete in real life. But sometimes the abstract lines like Chinese ink and wash appear in the paintings. Painters all have the unique temperament of their own nation, that is, the similar and dissimilar artistic conception created by the pictures, always mixed with the Chinese people's unique philosophical experience of man and nature and the Chinese people's living reality and unique life experience in each era. Ma Qi is describing the collective fate of a great era. Fate and the perception of the visual perception, using symbolic techniques to draw his inner form, arouse the viewer's spiritual resonance and aesthetic pleasure. He used his own painting to study contemporary society, he is a faithful record of the times. This paper is divided into four chapters to discuss, the introduction briefly introduces Ma Kei and his creative track, the academic community on the statement of the. The first chapter of the main text clarifies that the thematic feature of Ma Qi's painting art is space anxiety. The second chapter discusses that Ma Qi's painting style is characterized by plot dilution and pointless narration. Finally, the paper summarizes the contemporary cultural value of Ma Qi's painting art.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
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