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工笔花鸟画中虚实相生的艺术魅力

发布时间:2018-09-01 10:51
【摘要】:历经千载的中国工笔花鸟画形成和发展了自身独特的美学理论体系,中国的工笔花鸟画家们正是运用这些美学原理,结合自身实践,创作出了许多优秀的艺术作品,,给我们留下了丰富的艺术财富。 “虚实相生”的艺术理念是中国工笔花鸟画艺术中最重要的美学观念之一。虚与实的理念,在艺术创作中的运用更使中国的工笔花鸟画艺术绽放出了无穷的艺术魅力。本文力图从“虚实相生”这一重要的审美理念在中国工笔花鸟画中的运用和自身的创作实践,展开辩证的思考与探索。
[Abstract]:After thousands of years of Chinese fine brushwork flower-and-bird painting has formed and developed its own unique aesthetic theoretical system, Chinese painters of fine brushwork flowers and birds are using these aesthetic principles, combined with their own practice, to create a lot of excellent works of art. It left us rich artistic wealth. One of the most important aesthetic concepts in the fine brushwork of flower-and-bird painting in China is the concept of "living with reality". The concept of hypocrisy and reality, the application in the artistic creation makes the fine brushwork flower-and-bird painting art blooming the infinite artistic charm. This paper tries to carry out dialectical thinking and exploration from the application of the important aesthetic idea of "living with the truth" in the Chinese fine brushwork flower-and-bird painting and its own creative practice.
【学位授予单位】:山东师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212

【参考文献】

相关期刊论文 前2条

1 樊莉;;浅析中国传统哲学与中国画的虚实关系[J];甘肃高师学报;2008年01期

2 陈少珊;工笔花鸟画虚实问题研究[J];艺术界;2003年03期



本文编号:2216968

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