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品《八女投江》之“三味”

发布时间:2018-09-01 12:12
【摘要】:正中国画《八女投江》,为人们提供了一个对特定历史的追忆、留驻、冥想的形式居所,是王盛烈先生爱国主义情怀的体现。作品立意高远、构图精巧、笔墨神妙,耐人寻味。作者对中国人物画的独到见解,开创了中国人物画个性化的新境界,也为画坛注入新的生机,对中国绘画史做出极大的贡献。一、立意高远中国画创作以立意为先,清代方薰在《山静居画论》中提到"作画必先立意以定位置,意奇则奇,意高则高,意远则远,
[Abstract]:Chinese painting "eight Girls to the River" provides people with a form of recalling, staying and meditating on a particular history, which is the embodiment of Mr. Wang Shenglie's patriotism. Works of high meaning, delicate composition, ink and ink wonderful, thought-provoking. The author's unique views on Chinese figure painting create a new realm of personalization of Chinese figure painting and inject new vitality into the painting world and make great contributions to the history of Chinese painting. First, the intention of Gao Yuan's Chinese painting creation was first put forward. In the painting Theory of Mountain quiet House, Fang Xun of the Qing Dynasty mentioned that "painting must first be determined by the meaning of the position, the meaning is strange, the meaning is high, and the meaning is far away."
【作者单位】: 淮阴师范学院美术学院;
【分类号】:J212

【相似文献】

相关期刊论文 前2条

1 王盛烈;创作“八女投江”的体会[J];美术;1959年06期

2 张德华;谈《八女投江》的创作[J];美术;1994年10期



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