现代水墨艺术发展的形态及特征初探
发布时间：2018-09-01 14:07
【摘要】：现代水墨产生于上个世纪八十年代，其概念是随着水墨内含的扩大和文化背景的转换产生的。当下人们认为现代水墨是一种新的艺术形态，兼具传统水墨的民族性和现代西方艺术的造型特征。一直以来，这两者的结合是现代水墨所具有的独特优势。现代水墨经历了近二三十年的发展，自身也在调整和丰富。若要获得更大的话语权，必须成为一个独立的艺术门类而存在。我们需要了解现代水墨的定位和走向。事物是在发展变化的。现在的水墨与十年前不一样，与十年后又不一样。本文认为现代水墨今后的发展，仍然必须兼顾历史传统与西方的两个方向。因为现代水墨的载体还是传统的东西，同时又要吸收西方现代艺术的精神。但现代西方艺术自身也在发展变化、局面很复杂，也面临困境。同时，随着对传统水墨艺术的挖掘不断深入，现代水墨如何寻求平衡，保持自己独特的审美价值?又如何在传统与西方之间找到突破点?这些都是值得思考的问题。 本文探究了现代水墨形成和发展，重点从形态的角度及构成元素特征着力，并结合学术的角度和市场的角度对现代水墨各流派作了分类研究，并分析了现代水墨发展的特征和要素以及现代水墨面临的不利因素，初探了现代水墨的走向和定位，认为现代水墨是一种与传统绘画不一样的水墨表达方式，现代水墨是活态的、发展的，题材应该多类型和多元化，应该更有民族精神和时代精神。在可预计的将来，可能还会迎来一个创作的高潮期。 艺术的发展体现了一个时代的思想内涵和审美高度。艺术流派与民族文化、人文精神是相辅相呈、不可分割的。现代水墨的发展，体现了水墨艺术家的成长和中国现代艺术的活跃。从侧面反应了国家的日益兴盛和中华民族的开放性，中国现代水墨经过二三十年的发展，已经获得了长足的发展，作为门类初具雏形，从事现代水墨的艺术家更为大胆和自信，但要形成在世界艺术长河中的独立的艺术门类，需要更多的艺术家为之添砖加瓦。
[Abstract]:Modern ink and wash came into being in the eighties of last century. The concept of modern ink and wash came into being with the expansion of its connotation and the transformation of its cultural background. Modern ink and wash has undergone nearly twenty or thirty years of development, and is also adjusting and enriching itself. To gain a greater voice, we must become an independent art category and exist. We need to understand the positioning and direction of modern ink and wash. Things are changing. Now ink and wash are different from ten years ago, and ten years later. This paper holds that the development of modern ink and wash in the future must take into account both the historical tradition and the western two directions, because the carrier of modern ink and wash is still traditional things, but also to absorb the spirit of modern western art. How to find a breakthrough point between tradition and the West? These are all worth thinking.
This paper probes into the formation and development of modern ink and wash, focusing on the characteristics of form and constituent elements, and makes a classification study of various schools of modern ink and wash from the academic and market perspectives. It also analyzes the characteristics and elements of the development of modern ink and wash, as well as the unfavorable factors faced by modern ink and wash, and probes into the trend of modern ink and wash. The author holds that modern ink and wash is different from traditional paintings in terms of expression. Modern ink and wash are living and developing. Themes should be various and diversified, and there should be more national spirit and spirit of the times. In the foreseeable future, there may be a climax of creation.
The development of art embodies the ideological connotation and aesthetic height of an era.Art schools and national cultures are complementary and inseparable to each other.The development of modern ink and wash reflects the growth of ink and wash artists and the vitality of modern Chinese art.It reflects the increasing prosperity of the country and the openness of the Chinese nation,China. After twenty or thirty years of development, modern ink and wash have made great progress. As a new category, the artists engaged in modern ink and wash are bolder and more confident. However, to form an independent art category in the long river of world art, more artists are needed to add bricks and tiles to it.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
本文编号：2217436
[Abstract]:Modern ink and wash came into being in the eighties of last century. The concept of modern ink and wash came into being with the expansion of its connotation and the transformation of its cultural background. Modern ink and wash has undergone nearly twenty or thirty years of development, and is also adjusting and enriching itself. To gain a greater voice, we must become an independent art category and exist. We need to understand the positioning and direction of modern ink and wash. Things are changing. Now ink and wash are different from ten years ago, and ten years later. This paper holds that the development of modern ink and wash in the future must take into account both the historical tradition and the western two directions, because the carrier of modern ink and wash is still traditional things, but also to absorb the spirit of modern western art. How to find a breakthrough point between tradition and the West? These are all worth thinking.
This paper probes into the formation and development of modern ink and wash, focusing on the characteristics of form and constituent elements, and makes a classification study of various schools of modern ink and wash from the academic and market perspectives. It also analyzes the characteristics and elements of the development of modern ink and wash, as well as the unfavorable factors faced by modern ink and wash, and probes into the trend of modern ink and wash. The author holds that modern ink and wash is different from traditional paintings in terms of expression. Modern ink and wash are living and developing. Themes should be various and diversified, and there should be more national spirit and spirit of the times. In the foreseeable future, there may be a climax of creation.
The development of art embodies the ideological connotation and aesthetic height of an era.Art schools and national cultures are complementary and inseparable to each other.The development of modern ink and wash reflects the growth of ink and wash artists and the vitality of modern Chinese art.It reflects the increasing prosperity of the country and the openness of the Chinese nation,China. After twenty or thirty years of development, modern ink and wash have made great progress. As a new category, the artists engaged in modern ink and wash are bolder and more confident. However, to form an independent art category in the long river of world art, more artists are needed to add bricks and tiles to it.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
【参考文献】
相关期刊论文 前2条
1 徐勤;;王天德:当代水墨的表现维度 当代艺术家王天德专访[J];创意设计源;2011年04期
2 贾方舟;;现代水墨的三分天下[J];艺术.生活;2009年01期
，本文编号：2217436
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