石涛“一画”论对中国现当代山水画的启示

发布时间：2018-11-04 11:07

【摘要】：石涛《画语录》是中国画学理论和美学史的经典著作,受到研究学者的广泛关注,他们对研究石涛理论犹如解谜一般。本文的核心部分是“一画”,其中绘画原理和方法,贯穿全文。事物的发展是源于“一”,同样它也是一切事物的指归,始于一而终于一,就是对“一画”原始状态的诠释。虽然,历代有不同的学者对“一画”有不同的解释,且各自的侧重点不同。本文就是在“一画”的基础上,从分析“一画”,以及所蕴含的哲学内涵,“一画”在全文十八章中体现的山水画精髓和指导性作用,以“一画”为基础分析中国现在的山水画的发展及与这一理论的联系,或者可以说这一理论对于山水画的指导作用,得出了山水画的不足和缺陷。不可否认的是石涛的理论对于山水画有着广泛的指导意义,这都是由于时代的不断发展变化,人们的创新思维、革新精神也在不断的进步,在全章中从笔墨、似与不似、先受而后识等多方面来论述与“一画”之间的关系。一画就是绘画的法则和规律,但是不能囿于一画之法中,而要在有法中突破达到无法的境界,师古以化古,借古以开今,画者“从于心”,强调创作要突出自己的个性和特色,要有创新点。笔墨是绘画的基础,在石涛理论中强调在不同的绘画发展阶段,笔墨当随时代,画家们应该不断的探索与发现,要推陈出新,排除就的陋习,要追求先进的思想和独特的个性表现。在图画样式及绘画语言上进行着各种尝试,并将西方的绘画新形式与中国传统的观念相结合,在色彩上大量借鉴西方,重构现代山水画的面貌。同时时代在不断的发展,山水画在当代就出现了其消极的一面。西方商品经济和工业文明为绘画方面所带来的利诱下,画家们再物欲的驱使下,强调的是画面上的形式,色彩的融合,缺失的就是这样的一种绘画境界。因而“一画”的指导是关键性的,有着深刻的启示意义,在创新性的号召下,在绘画形式多样化、在与时俱进的时代背景下,绘画就不能仅仅追求形式的外在化,重视表面技巧和图式化,而应该倍加重视中国传统的文人画精神和品格,在当代化时期,“一画”的指导作用就显得尤为珍贵和重视。
[Abstract]:Shi Tao's Quotations of painting is a classic work of Chinese painting theory and aesthetic history, which has been paid much attention by scholars, who study Shi Tao's theory as a riddle. The core part of this paper is "one painting", in which the principle and method of painting run through the full text. The development of things is derived from "one", and it is also the reference of all things, beginning with one and finally one, that is, the interpretation of the original state of "one painting". Although different scholars have different interpretations of "one painting" in different dynasties, and they have different emphases. This article is based on "one painting", from the analysis of "one painting", as well as its philosophical connotation, the essence and guiding role of "one painting" reflected in the 18 chapters of the full text. On the basis of "one painting", this paper analyzes the development of Chinese landscape painting and its relationship with this theory, or it can be said that this theory has a guiding effect on landscape painting, and draws the deficiencies and defects of landscape painting. It is undeniable that Shi Tao's theory has a wide guiding significance for landscape painting, which is due to the constant development of the times, people's innovative thinking, innovative spirit is also constantly progress, in the whole chapter from the pen and ink, like and do not seem, The relationship between "one painting" and "one painting" is discussed in many aspects, such as receiving first and then recognizing. A painting is the law and law of painting, but it cannot be confined to the law of a painting, but to break through the impossible state in the law of law, to transform ancient times into ancient times, to open the present by ancient times, and to emphasize that creation should highlight one's own personality and characteristics. Be creative. Pen and ink is the basis of painting. In Shi Tao's theory, it is emphasized that at different stages of painting development, painters should constantly explore and discover, to promote the old and to eliminate the bad habits. To pursue advanced ideas and unique personality performance. Various attempts have been made in drawing style and language, and the new form of western painting has been combined with the traditional Chinese concept to draw lessons from the West in color and reconstruct the appearance of modern landscape painting. At the same time, the development of the times, landscape painting in the contemporary appeared its negative side. Western commodity economy and industrial civilization brought about by the drawing, the painters are driven by the material desire, the emphasis is on the form on the screen, the color of the fusion, the lack of such a painting realm. Therefore, the guidance of "one painting" is crucial and has profound enlightening significance. Under the call of innovation, the form of painting is diversified, and under the background of advancing with the times, painting cannot just pursue the externalization of form. We should attach great importance to the spirit and character of Chinese traditional literati painting. In the contemporary period, the guiding role of "one painting" is particularly valuable and important.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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