自画像与自画者的浅述与研究

发布时间：2018-11-04 16:53

【摘要】：自画像与自画者之间的关系的是本文讨论的主要内容,自画像具有自传性是在关于自画像研究讨论的议题中公认的一项功能,但是自画像终究是被塑造出来的受造物,自画者在创作自己的自画像时的精神状态使自画像被蒙上一层欲说还休的神秘面纱。本文在第一章对自画像的历史做了概括性的梳理,以方便对后面的讨论提供一个基础的客观背景。并挑选了几位具有代表性的自画像及其创作者进行案例分析,以此带入自画像与自画者关系的宏观讨论。在第二章将自画者与自画像的抽象的创作方法论进行分析,在这一章讨论的是自画者与自画像各自所在抽象概念上承担和扮演的角色与任务。在第三章中,讨论了自画像、自画者之外的第三方,“观者”对权威阐释之后再阐释的权利。这种权利也赋予了艺术作品更广阔的含义,同时给予了自画像新的魅力。
[Abstract]:The relationship between the self-portrait and the self-portrait is the main content of this paper. The autobiographical nature of the self-portrait is recognized as a function in the subject of the self-portrait research, but the self-portrait is, after all, a creature that has been molded. The self-portrait is covered with a veil of mystery when he creates his own self-portrait. In the first chapter, the history of self-portrait is summarized in order to provide an objective background for the following discussion. Several representative self-portraits and their creators are selected to carry out case analysis, so as to bring into the macro discussion of the relationship between self-portrait and self-portrait. In the second chapter, the abstract creative methodology of self-portrait and self-portrait is analyzed. In this chapter, the roles and tasks of self-portrait and self-portrait are discussed. In the third chapter, the author discusses the right of self-portrait, the third party outside the artist, the viewer to explain the authority. This right also gives a broader meaning to works of art and a new charm to self-portraits.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

【共引文献】