论后印象派油画中的线
发布时间：2018-11-05 19:20
【摘要】：当西方美术史的步伐迈入十九世纪末时，后印象派应运而生，画家们背弃了自文艺复兴时期以来产生的再现客观自然的绘画风格。在创作过程中强调对自然的主观感受，实践个人的艺术观点，不再把对自然的模仿当做画家的首要任务。他们追求画面的平面效果，通过强调画面的每一个组成部分加强画面的整体感。绘画中的线成为他们画面中不可或缺的视觉元素，后印象派油画线条显示出不同以往的特性，线的作用已超出单纯塑型的基本功能，发展到通过自身形态所产生的表现力凝聚画家的感情与艺术理想的阶段。后印象派油画家汲取前人绘画的丰富营养给予绘画中线以新的形式意味，并为后人打造出可持续发展的空间。 本文通过综合、对比、分析、例证等方法，共分四个章节论述后印象派油画中的线.第一章简单概述油画中的线所具有的普遍功能，并对线在西方美术史中的发展演变过程作简要陈述，借此加深对西画中线的理解。第二章通过阐释印象派与后印象派各自的形成过程及相互之间的联系与区别，，解释线条何以成为后印象画派的必需视觉要素。第三章与第二章紧密衔接，在第二章的推理基础上详细阐述后印象派画家个人独具特色的用线风格及其深刻的精神内涵，并补进分析东方艺术中线条的特色对后印象派画家们的不同启示。第四章浅析后印象派画家以其不同的用线风格对后世画家及流派产生的各种影响。最后对全文做简要总结。
[Abstract]:When the western art history stepped into the late 19th century, the post-impressionist school came into being, and the painters abandoned the reappearance of objective and natural painting style since the Renaissance. In the process of creation, emphasis is placed on the subjective feeling of nature and the practice of one's own artistic point of view, and the imitation of nature is no longer regarded as a painter's primary task. They pursue the graphic effect of the picture, by emphasizing each part of the picture to strengthen the overall sense of the picture. The lines in painting become an indispensable visual element in their pictures. The lines of post-impressionist oil paintings show different characteristics, and the functions of lines have exceeded the basic functions of pure plastic. To the stage of condensing the artist's feelings and artistic ideals through the expressive force produced by his own form. Post-Impressionist oil painters draw on the rich nutrition of previous paintings to give new form to the painting midline and create a sustainable development space for future generations. By means of synthesis, comparison, analysis and illustration, this paper discusses the lines in post-Impressionist oil painting in four chapters. The first chapter briefly outlines the general functions of the line in oil painting, and makes a brief statement of the development and evolution of the line in the history of western art, so as to deepen the understanding of the central line of the western painting. The second chapter explains how lines become the essential visual elements of post-impressionism by explaining the formation process of Impressionism and postimpressionism and the relationship and difference between them. The third chapter is closely connected with the second chapter. On the basis of the second chapter, the author elaborates the unique line style of the post-Impressionist painters and their profound spiritual connotation. It also analyzes the different enlightenment of the lines in the oriental art to the post-impressionist painters. The fourth chapter analyzes the different influences of post-impressionist painters on later painters and schools with their different line styles. Finally, a brief summary of the full text is made.
【学位授予单位】：山东工艺美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
本文编号：2313119
[Abstract]:When the western art history stepped into the late 19th century, the post-impressionist school came into being, and the painters abandoned the reappearance of objective and natural painting style since the Renaissance. In the process of creation, emphasis is placed on the subjective feeling of nature and the practice of one's own artistic point of view, and the imitation of nature is no longer regarded as a painter's primary task. They pursue the graphic effect of the picture, by emphasizing each part of the picture to strengthen the overall sense of the picture. The lines in painting become an indispensable visual element in their pictures. The lines of post-impressionist oil paintings show different characteristics, and the functions of lines have exceeded the basic functions of pure plastic. To the stage of condensing the artist's feelings and artistic ideals through the expressive force produced by his own form. Post-Impressionist oil painters draw on the rich nutrition of previous paintings to give new form to the painting midline and create a sustainable development space for future generations. By means of synthesis, comparison, analysis and illustration, this paper discusses the lines in post-Impressionist oil painting in four chapters. The first chapter briefly outlines the general functions of the line in oil painting, and makes a brief statement of the development and evolution of the line in the history of western art, so as to deepen the understanding of the central line of the western painting. The second chapter explains how lines become the essential visual elements of post-impressionism by explaining the formation process of Impressionism and postimpressionism and the relationship and difference between them. The third chapter is closely connected with the second chapter. On the basis of the second chapter, the author elaborates the unique line style of the post-Impressionist painters and their profound spiritual connotation. It also analyzes the different enlightenment of the lines in the oriental art to the post-impressionist painters. The fourth chapter analyzes the different influences of post-impressionist painters on later painters and schools with their different line styles. Finally, a brief summary of the full text is made.
【学位授予单位】：山东工艺美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
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