从理性到感性-绘画空间的探究

发布时间：2018-11-08 17:03

【摘要】：绘画本身就是一门空间艺术,在二维平面的画布上表现立体的三维空间,这就是绘画的魅力所在。在绘画空间的表现方面,国内外绘画学者已经有不少的研究成果。本文在梳理国内外前人研究成果的基础上,结合个人创作经验谈谈关于绘画空间方面的见解。经研究表明,中国传统绘画和西方绘画属于两种不同的文化艺术,而在绘画空间的表现方法上虽有不同但也有相同之处。中国绘画的空间表现更加注重意象表现,画面组织上具有自由性和流动性;而西方绘画更注重逼真的写实空间,在一定程度上可以说是静止的。但不论是中国绘画的意象表现,还是西方绘画的真实再现,它们营造出的绘画空间都有各自的美感。本文在第一章阐述了空间和绘画空间各自的含义,以及前者到后者的转换关系。第二章介绍了中西方绘画中在空间表现方面各自的特点及运用。中国传统绘画,在空间上多采用散点透视,散点透视不受时间地域的限制,随走随看,画面上有多个视点和消失点,画家的视角不断移动,吸收有用的景象,将各地各时的景象组合在自己的画面中,使画面空间拉大拉长,画面内容也极为丰富。留白也是中国绘画的一大特点,它并不是没有画完,而是画家有意为之表现虚实的一种方法。在人物画上,流畅的线条,和前后叠加的笔墨,也拉开了人物间的前后关系。而在西方绘画中,大师们历来喜爱焦点透视,追求逼真写实的画面空间。油画是运用色彩的一个画种,在空间表现上自然离不开色彩的变化。色彩的明暗,使画面在明度上拉开层次,前后关系分明。空气透视法,借助空气中的各种介质对视觉产生阻碍作用,物体形象发生近实远虚现象,色彩上发生冷暖的颜色变化。第三章主要从绘画的明暗空间和色彩空间两个方面,赏析大师作品来展现它们的空间美。第四章结合前人对绘画空间的研究分析,总结出在创作中绘画空间需要主观思想去把控整幅画面,以及对我绘画创作的影响。
[Abstract]:Painting itself is a kind of space art, which is the charm of painting. In the performance of painting space, domestic and foreign painting scholars have a lot of research results. On the basis of combing the previous research results at home and abroad, this paper discusses the views on painting space combined with personal creation experience. The study shows that Chinese traditional painting and western painting belong to two different cultures and arts, but there are some differences in the expression methods of painting space. The space performance of Chinese painting pays more attention to the image performance, the picture organization has the freedom and the mobility; while the western painting pays more attention to the realistic space, can be said to be static to some extent. But whether it is the image expression of Chinese painting or the real reproduction of western painting, the painting space they create has their own aesthetic feeling. In the first chapter, the author expounds the meaning of space and painting space, and the transformation from the former to the latter. The second chapter introduces the characteristics and application of Chinese and western painting in space. In Chinese traditional painting, scattered point perspective is often used in space. Scattered point perspective is not limited by time and region. It is followed by many viewpoints and vanishing points on the screen. The painter's perspective is constantly moving and absorbing useful scenes. The scene of each time is combined in its own picture, which makes the picture space bigger and longer, and the content of the picture is extremely rich. White space is also a major feature of Chinese painting, it is not finished painting, but the painter intended to show a method of reality. In figure painting, smooth lines, and superimposed ink, also opened the relationship between the characters. In Western painting, the masters have always loved focus perspective, the pursuit of realistic picture space. Oil painting is a kind of painting using color, in space performance can not be separated from the change of color. The color of the light, so that the screen in the brightness of the level, before and after the relationship. The air perspective method, with the help of various media in the air, hinders the vision, the image of the object occurs near reality and far virtual phenomenon, and the color changes of cold and warm on the color. The third chapter mainly shows the beauty of the paintings from the two aspects of the dark space and the color space. The fourth chapter combined with the previous research and analysis of painting space summed up that painting space in the creation of the need for subjective thinking to control the whole picture and the impact on my painting creation.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213

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