西方绘画写实观念对中国水墨人物画用线造型的影响

发布时间：2018-11-13 09:21

【摘要】：本文通过中国水墨人物画的发展，长久以来出现的问题，是由传统观念主张“意象造型”，“以形写神”等绘画理念，强调画家主观感受，背着模特进行创作，出现了传统中国水墨人物画的程式化和概念化。随着封建社会的瓦解，“新文化运动”主张反对封建文化，宣传科学，倡导以美育为中心的新美术运动。徐悲鸿和蒋兆和在通过西方绘画写实观念引进，其中徐悲鸿以西方古典主义和学院艺术为参照的写生、写实的教育体系，对20世纪中国美术教育的形成和发展产生了巨大的影响。徐悲鸿以西方的“写实”因素来改良中国画，以写生为突破口，来寻求中国画新的发展。这种完全出自不同艺术造型思维体系的“写实”因素，它在观察方法、造型方法和表现技法等方面都对成熟而封闭的中国绘画语言体系造成了影响。这种对写生的重视是现在美术教育一直延用的方法。当下，写生给我们带来了诸多启示，写生主张从对象出发，面向生活，关注现实，与当代中国的审美观念相契合。面对对象的直接写生，带给创作者陌生的同时，也为他们带来了新鲜与偶然。以最真诚的态度来面对自然对象，以内心深处的最初感动来描绘对象。用最直接的语言，描绘最真实的对象。写生是认识对象的手段，是寻找绘画语言的途径，写生有助于画家寻找绘画语言。西方绘画写实观念的引进，用西方的写生观念可以开辟出中国水墨人物画另一条道路。
[Abstract]:Through the development of Chinese ink figure painting, the problem that has appeared for a long time is that traditional ideas advocate "image modeling", "write spirit in shape", emphasize the painter's subjective feeling, and create behind the back of the model. There has been a stylization and conceptualization of traditional Chinese ink figure painting. With the disintegration of feudal society, the New Culture Movement advocated opposing feudal culture, propagating science and advocating the new art movement centered on aesthetic education. Xu Beihong and Jiang Zhaohe introduced the concept of realism through Western painting, in which Xu Beihong took Western classicism and college art as a reference for sketching and realistic education system. It has a great influence on the formation and development of Chinese art education in the 20 th century. Xu Beihong sought new development of Chinese painting by using realistic factors of the West to improve Chinese painting and taking sketching as a breakthrough. This kind of "realistic" factor completely comes from different artistic modeling thinking systems. It has influenced the mature and closed Chinese painting language system in the aspects of observation methods, modeling methods and performance techniques. This kind of attention to sketch is now the art education has been the method of extension. At present, sketching has brought us a lot of enlightenment. Sketching advocates from the object, facing life, paying attention to the reality, and accord with the aesthetic concept of contemporary China. Facing the object of direct sketching, to the creators strange, but also for them to bring fresh and accidental. With the most sincere attitude to face the natural object, with the heart of the initial moved to describe the object. Describe the most real objects in the most direct language. Sketching is a means of understanding objects, is a way to find painting language, painting helps painters to find painting language. With the introduction of realistic concept of western painting, another way of Chinese ink figure painting can be opened up.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【共引文献】