形色传神—中国传统山水画对中国当代风景油画的影响

发布时间：2018-11-14 18:38

【摘要】：风景油画进入中国以来,不可避免地受到了中国传统绘画的影响。中国当代风景油画的发展,与中国传统山水画之间有着千丝万缕的联系。中西方的文化差异,使得中国当代风景油画与中国传统山水画之间既有张力、又有融合的可能。中国当代风景油画对中国传统山水画的表达形式有所承袭。在这两种题材不同、材质不同的绘画形式的融合过程中,中国风景油画逐渐地发生了民族化。本文试图从中国传统山水画对中国当代风景油画的影响出发,一方面对中国当代风景油画与中国传统山水画进行全方位的比较,另一方面也思考中国风景油画的未来走向的可能性。本文认为,充分吸收和借鉴中国传统山水画中的“形色传神”的精神,是中国当代风景油画获得自身的精神性的必要途径。而通过这两种绘画形式的结合,我们也可以有效地促成中国和西方文化之间的沟通与融合。本文分为四章。在第一章“绪论”部分中,我将对本文选题的目的及意义、本文的研究背景及相关概念进行说明。对“中国传统山水画与中国当代风景油画的现状”中,我将回顾中国山水画的发展历程,并描述中国当代风景油画的发展现状。在第二章“中国当代风景油画与中国山水画地域形式的表现”中,我解说明了地域性对中国当代风景油画的表现形式的影响,以及这种地域性在中国传统山水画南北之分中的作用。在本章中,我还将对“写意”在中国传统山水画中的体现进行说明,借此显示出中国当代风景油画与中国传统山水画表现形式的不同。在第三章“中国传统山水画对中国当代风景油画的影响”中,我描述了中国当代风景油画受到的中国传统山水画中“写意”的影响,这种影响一方面是借鉴,但也经过了许多的改造。最后,在第四章“中国性与世界性：中国传统山水画与中国当代风景油画之融合”中,我将讨论中国当代风景油画获得自身中国特质的几种途径,同时指出,中国当代风景油画必须走中西方融合的道路,才能将“中国性”与“世界性”结合起来。
[Abstract]:Landscape painting has inevitably been influenced by Chinese traditional painting since it came into China. The development of Chinese contemporary landscape painting has inextricably relation with Chinese traditional landscape painting. The cultural difference between China and the West makes the tension and integration between Chinese contemporary landscape painting and Chinese traditional landscape painting possible. Chinese contemporary landscape painting has inherited the expression of Chinese traditional landscape painting. In the process of the fusion of the two different subjects and different materials, the Chinese landscape oil painting gradually took place nationalization. Based on the influence of Chinese traditional landscape painting on Chinese contemporary landscape painting, on the one hand, this paper makes a comprehensive comparison between Chinese contemporary landscape painting and Chinese traditional landscape painting. On the other hand, I also think about the possibility of the future trend of Chinese landscape oil painting. This paper holds that absorbing and drawing lessons from the spirit of "form and color" in Chinese traditional landscape painting is the necessary way for Chinese contemporary landscape painting to acquire its own spirituality. Through the combination of the two forms of painting, we can also effectively promote the communication and integration between Chinese and Western cultures. This paper is divided into four chapters. In the first chapter, "introduction", I will explain the purpose and significance of this topic, the research background and related concepts. In "the present situation of Chinese traditional landscape painting and Chinese contemporary landscape painting", I will review the development course of Chinese landscape painting and describe the present situation of Chinese contemporary landscape oil painting. In the second chapter, "the expression of Chinese contemporary landscape oil painting and the regional form of Chinese landscape painting", I explain the regional influence on the expression form of Chinese contemporary landscape oil painting. And this regional nature in the Chinese traditional landscape painting in the north-south role. In this chapter, I will also explain the embodiment of "freehand brushwork" in Chinese traditional landscape painting, which shows the difference between Chinese contemporary landscape painting and Chinese traditional landscape painting. In the third chapter, "the influence of Chinese traditional landscape painting on Chinese contemporary landscape painting", I describe the influence of "freehand brushwork" in Chinese traditional landscape painting. But it has also undergone many transformations. Finally, in the fourth chapter, "China and the world: the fusion of Chinese traditional landscape painting and Chinese contemporary landscape painting", I will discuss several ways for Chinese contemporary landscape painting to obtain its own Chinese characteristics, and at the same time, I will point out, Chinese contemporary landscape oil painting must take the road of integration of China and the West in order to combine "Chinese" with "world".
【学位授予单位】：云南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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