日本传统屏风画研究
发布时间：2018-11-19 09:55
【摘要】：本文以日本传统屏风画为研究对象,从日本传统屏风画的基本内容和构图与色彩入手,依托图片与历史文献,对日本传统屏风画进行深入而系统的研究,充实了国内外对于日本传统屏风画的研究,丰富完善了日本传统屏风研究体系,同时对中式设计的表现规律有一定的指导意义。 以日本传统屏风画主要内容中的人物主题和自然主题为研究内容,基于构成学原理,采用个案分析法和归纳法,分析人物主题中中国人物和日本人物的身份、服饰和面貌特点,分析西方人物的场景特点和体貌特点,得到日本传统屏风画中人物主题内容的基本特征；分析自然内容主题中的动植物和山水绘画类别、绘画方式和表现特点,得到日本传统屏风画中自然内容的基本特征,进而得到日本传统屏风画的基本内容规律。研究表明：日本传统屏风画的基本内容在人物描绘上深受本国文化环境和对外来文化的汲取吸收的影响,绘画方式逐步从“仿唐”的绘画手法衍生出具有日本特色的绘画方式；在自然类的内容描绘中日本传统屏风画有两个截然不同的发展方向即世俗类屏风和禅意类屏风,世俗类屏风符合大众审美情趣,奢华艳丽。禅意类屏风体现哲学意境和简朴克己的精神文化。 日本传统屏风画的构图关系和色彩为研究内容,采用归纳法和数理分析法,通过运用Photoshop及AutoCAD等相关软件,对日本传统屏风画的画面构图进行标记分析,得到日本传统屏风画的空间处理规律。通过主体面积和画面整体面积的比例关系分析,得到不同主题的绘画构图规律。通过对日本传统屏风画不同色彩的类别调查和色彩比例分析,得到日本传统屏风画的色彩表达规律。研究表明：构图形式上,日本传统屏风画的构图样式丰富,常用有对角线构图、九宫格构图、对称构图、三角形构图、垂直构图、对分构图、“C”型构图、“O”型构图、“S”型构图九种构图样式,最常用的构图为三角形构图；面积比例上,日本传统屏风画中动植物类屏风画的主体面积和背景面积的比例关系近似(?)2均平方根比例和黄金比例,主体面积和整体面积的比例关系既是近似1/3整数比和近似1/2整数比。日本传统屏风画中人物场景类屏风画,主体和背景的比例关系近似1/3整数比,主体面积和整体面积的比例关系近似1/2整数比。符合数比美学,使画面整体具有韵律感和节奏感；主题图案色彩规律上,动物图案常用色彩为黄色,植物图案常用色彩为绿色,山水图案和人物图案的常用色彩为白色；整体色彩规律上,动植物类屏风和人物场景类屏风常用金色为背景色,动植物类屏风和人物场景屏风色彩娇艳奢华,山水类屏风常用灰色系作为背景色,并且在单幅作品内一般使用3中不同的色系表现画面。
[Abstract]:This article takes the Japanese traditional screen painting as the research object, from the Japanese traditional screen painting basic content and composition and the color, relies on the picture and the historical document, carries on the thorough and systematic research to the Japanese traditional screen painting. It enriches the study of Japanese traditional screen painting at home and abroad, enriches and perfects the research system of Japanese traditional screen, and has certain guiding significance to the performance law of Chinese style design. Taking the theme of characters and natural themes in the main contents of Japanese traditional screen paintings as the research contents, and based on the principle of constitution, using the method of case analysis and induction, this paper analyzes the identity, clothing and features of Chinese and Japanese characters. Based on the analysis of the characteristics of the western characters' scene and body features, the basic features of the characters' themes in the traditional Japanese screen paintings are obtained. This paper analyzes the types of plants and animals and landscape paintings in the theme of natural contents, and obtains the basic characteristics of the natural content in the Japanese traditional screen paintings, and then obtains the basic content rules of the Japanese traditional screen paintings. The study shows that the basic content of Japanese traditional screen painting is deeply influenced by the national cultural environment and the absorption of foreign culture on the characterization of characters, and the painting style gradually derives from the painting technique of "imitation Tang Dynasty" to the painting method with Japanese characteristics; Japanese traditional screen painting has two completely different developing directions in the content description of nature category, namely, secular screen and Zen type screen, which accord with the aesthetic interest of the masses and luxurious and beautiful. The Zen screen embodies the spiritual culture of philosophical conception and simplicity. The composition and color of Japanese traditional screen paintings are studied. By using inductive method and mathematical analysis method, and by using Photoshop and AutoCAD software, the composition of Japanese traditional screen paintings is marked and analyzed. Get the space processing law of Japanese traditional screen painting. Through the analysis of the proportion relationship between the main body area and the whole picture area, the drawing composition law of different themes is obtained. Through the investigation of different color types and color proportion analysis of traditional Japanese screen painting, the color expression law of Japanese traditional screen painting is obtained. The results show that the Japanese traditional screen paintings have rich composition styles, such as diagonal composition, nine-grid composition, symmetrical composition, triangular composition, vertical composition, split composition, "C" type composition, "O" type composition, etc. "S" type composition of nine types of composition, the most commonly used is the triangular composition; In terms of area ratio, the proportion relationship between the main body area and background area of traditional Japanese screen paintings is similar to that of square root ratio and gold ratio. The proportional relation between the main area and the whole area is approximately 1 / 3 integer ratio and approximately 1 / 2 integer ratio. In the traditional Japanese screen painting, the proportion relation between the subject and the background is approximately 1 / 3 integer ratio, and the proportion relationship between the main body area and the whole area is approximately 1 / 2 integer ratio. In accordance with the aesthetics of number ratio, the whole picture has rhythm sense and rhythm sense; in the color law of theme pattern, the common color of animal pattern is yellow, the common color of plant pattern is green, the common color of landscape pattern and character pattern is white; As for the overall color rule, the plants and animals screen and the character scene screen are commonly used as the background color, the animals and plants screen and the character scene screen color is delicate and luxurious, the landscape kind screen style commonly uses the gray color system as the background scenery, And in a single piece of work is generally used in 3 different color system performance screen.
【学位授予单位】：东北林业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
本文编号：2341939
[Abstract]:This article takes the Japanese traditional screen painting as the research object, from the Japanese traditional screen painting basic content and composition and the color, relies on the picture and the historical document, carries on the thorough and systematic research to the Japanese traditional screen painting. It enriches the study of Japanese traditional screen painting at home and abroad, enriches and perfects the research system of Japanese traditional screen, and has certain guiding significance to the performance law of Chinese style design. Taking the theme of characters and natural themes in the main contents of Japanese traditional screen paintings as the research contents, and based on the principle of constitution, using the method of case analysis and induction, this paper analyzes the identity, clothing and features of Chinese and Japanese characters. Based on the analysis of the characteristics of the western characters' scene and body features, the basic features of the characters' themes in the traditional Japanese screen paintings are obtained. This paper analyzes the types of plants and animals and landscape paintings in the theme of natural contents, and obtains the basic characteristics of the natural content in the Japanese traditional screen paintings, and then obtains the basic content rules of the Japanese traditional screen paintings. The study shows that the basic content of Japanese traditional screen painting is deeply influenced by the national cultural environment and the absorption of foreign culture on the characterization of characters, and the painting style gradually derives from the painting technique of "imitation Tang Dynasty" to the painting method with Japanese characteristics; Japanese traditional screen painting has two completely different developing directions in the content description of nature category, namely, secular screen and Zen type screen, which accord with the aesthetic interest of the masses and luxurious and beautiful. The Zen screen embodies the spiritual culture of philosophical conception and simplicity. The composition and color of Japanese traditional screen paintings are studied. By using inductive method and mathematical analysis method, and by using Photoshop and AutoCAD software, the composition of Japanese traditional screen paintings is marked and analyzed. Get the space processing law of Japanese traditional screen painting. Through the analysis of the proportion relationship between the main body area and the whole picture area, the drawing composition law of different themes is obtained. Through the investigation of different color types and color proportion analysis of traditional Japanese screen painting, the color expression law of Japanese traditional screen painting is obtained. The results show that the Japanese traditional screen paintings have rich composition styles, such as diagonal composition, nine-grid composition, symmetrical composition, triangular composition, vertical composition, split composition, "C" type composition, "O" type composition, etc. "S" type composition of nine types of composition, the most commonly used is the triangular composition; In terms of area ratio, the proportion relationship between the main body area and background area of traditional Japanese screen paintings is similar to that of square root ratio and gold ratio. The proportional relation between the main area and the whole area is approximately 1 / 3 integer ratio and approximately 1 / 2 integer ratio. In the traditional Japanese screen painting, the proportion relation between the subject and the background is approximately 1 / 3 integer ratio, and the proportion relationship between the main body area and the whole area is approximately 1 / 2 integer ratio. In accordance with the aesthetics of number ratio, the whole picture has rhythm sense and rhythm sense; in the color law of theme pattern, the common color of animal pattern is yellow, the common color of plant pattern is green, the common color of landscape pattern and character pattern is white; As for the overall color rule, the plants and animals screen and the character scene screen are commonly used as the background color, the animals and plants screen and the character scene screen color is delicate and luxurious, the landscape kind screen style commonly uses the gray color system as the background scenery, And in a single piece of work is generally used in 3 different color system performance screen.
【学位授予单位】：东北林业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
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