论高奇峰的“折衷”花鸟画风格及对岭南派画家的影响

发布时间：2018-11-20 05:48

【摘要】：高奇峰富有开拓性而又独具个人风格的绘画,一洗国画传统面目,是民初画坛里革新中国画艺术的典范。其绘画吸收了西洋画和新日本画的写实技法,融合于“没骨”写生一脉的中国画里。以花鸟写生作品最为突出,设色鲜润,善于氛围渲染,对浅棕色调有特别的偏好；用笔能粗能细,能工能写,其工者用笔细致入微,写者则水墨淋漓,笔力豪放。他对于绘画“成教化、助人伦”的功能深信不疑,所以他的画以抒情寓意为主,而反对文人聊以自娱的戏墨之作,其笔下的狮、虎、鹰等猛兽富有革命寓意。他能穷而益坚,不坠青云志,逢乱世而心转静,他具有不畏生死、不慕名利、不惧强权的英雄气概,为人高风亮节,平生注重美术教育,为中国画的推进不遗余力。高奇峰试图通过调和中西画学之所长的途径来改革和创新国画的理论,影响了一代又一代的岭南画人,其中他的弟子中在画坛上有突出建树的主要为“天风七子”(周一峰、张坤仪、叶少秉、何漆园、黄少强、容漱石、赵少昂)诸位,他们在艺术上各擅胜场,除黄少强主要画人物题材外,其余弟子的花鸟画风格既有对高奇峰“折衷”花鸟画风的继承,亦有独自的个人风格。其中于中国花鸟画发展有杰出贡献的当属赵少昂,他继承和发展了高奇峰画学理论,开辟了“折衷”花鸟画的新境界。再传弟子欧豪年的花鸟画亦在高奇峰和赵少昂的画学理论基础上,创造出将古人之精神融于当代的画风,使其绘画充满深刻的内涵。
[Abstract]:Gao Qifeng is full of pioneering and unique personal style of painting, wash the traditional features of traditional Chinese painting, is in the early Republic of China in the innovation of Chinese painting art model. His painting absorbed the realistic techniques of Western painting and New Japanese painting, and merged into the Chinese painting without bones. With flowers and birds sketching works the most prominent, fresh color, good atmospheres rendering, have a special preference for light brown tone; pen can be coarse fine, can work can write, its workers use pen to be meticulous, the writer is ink dripping, pen is bold and bold. He is convinced of the function of painting "becoming civilized and helping others," so his paintings are mainly lyrical, while the literati are opposed to talking about self-entertainment works. The lions, tigers, eagles and other beasts are rich in revolutionary implications. He can be poor and strong, do not fall Qingyun Zhi, every troubled times and heart turn quiet, he has no fear of life and death, no fame, no fear of power, heroic spirit, a man of high moral integrity, pay attention to art education, for the promotion of Chinese painting spare no effort. Gao Qifeng tried to reform and innovate the theory of traditional Chinese painting through the way of reconciling the advantages of Chinese and Western painting studies, and influenced generations of Lingnan painters. Among his disciples, there were mainly "Tianfeng Seven sons" (Zhou Yifeng) who made outstanding achievements in the painting world. Zhang Kunyi, Ye Shaobing, he Changyuan, Huang Shaoqiang, Rong Shushi, Zhao Shaoang. The other disciples'flower and bird painting style not only inherits Gao Qifeng's "eclectic" flower and bird painting style, but also has his own personal style. Zhao Shaoang, who has made outstanding contributions to the development of Chinese flower and bird painting, inherited and developed the theory of Gao Qifeng's painting, and opened up a new realm of "compromise" of flower and bird painting. On the basis of the painting theory of Gao Qifeng and Zhao Shaoang, another disciple ou Haonian created a painting style that incorporated the spirit of the ancients into the contemporary painting style, which made the painting full of profound connotation.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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