浅析龚贤积墨山水及对我绘画的启示

发布时间：2018-11-20 11:17

【摘要】：中国山水画笔墨技法种类繁多,其中积墨法是山水绘画重要的绘画手段。在绘画史上,对积墨语言的研究从未停息,从五代的董源,巨然到宋代的米氏父子,再到明清的龚贤,还有现代的黄宾虹、李可染等都对山水画的积墨语言进行着不断探索创新。本文以著名山水大师龚贤的积墨山水绘画来进行分析,通过他的积墨技法运用去解读他浑厚苍润的绘画风格,龚贤对积墨技法有独特的研究和运用,作画时用干笔层层积墨点染皴擦,使画面中山石厚重黑白对比强烈,墨色滋润,龚贤在用笔上中锋用笔遒劲有力,用墨由干入润去点染积累。他以自己特有的积墨语言对大自然进行描绘,同时具有自己的绘画理论,他以传统为师,更注重师法造化,将自然界的景物与自己的内心境界相结合,借物抒情,表达深藏在内心深处的抱负。龚贤的晚期“黑龚”绘画风格是龚贤绘画艺术的极点,他的这种积墨画风影响了后世很多画家,龚贤积墨绘画艺术对我的绘画理论和实践认识影响很大,我在绘画时,吸取了他的“继承传统,师法造化”和他绘画作品中笔墨的运用。他重文化修养,文化修养也是我们当今绘画所缺乏的,没有深厚的文化知识修养,我们的绘画作品就无内涵可言,只是一种匠师技法,在绘画学习中文化修养的提高是非常重要的,注重修养我们的绘画作品才会有内涵,才能更好的创新,我们的山水文化才能源远流长。
[Abstract]:There are many kinds of techniques in Chinese landscape painting, among which ink accumulation is an important painting method. In the history of painting, the study of Jimo language has never stopped, from Dong Yuan of the five dynasties, Juran to the father and son of Mi in the Song Dynasty, to Gong Xian in the Ming and Qing dynasties, and to Huang Binhong in modern times. Li Keran and others are constantly exploring and innovating the ink-accumulating language of landscape painting. In this paper, the famous landscape master Gong Xian's ink landscape painting to analyze, through his ink accumulation techniques to interpret his rich Cangrun painting style, Gong Xian has a unique research and application of ink accumulation techniques, When painting with dry pen layer upon layer ink dot dye chapped rub, make the screen Zhongshan stone thick black and white contrast strong, ink moisturizing, Gong Xian in the pen with the center of the brush Qiu strength, ink from dry into the run point dyeing accumulation. He portrays nature with his own unique ink accumulation language, and has his own painting theory. He takes tradition as a teacher, pays more attention to learning from the method, combines the scenery of nature with his inner state, and expresses his feelings through things. Express an ambition that lies deep in your heart. Gong Xian's late "Black Gong" painting style was the culmination of Gong Xian's painting art. His style of ink painting influenced many painters of later generations. Gong Xianji ink painting art had a great impact on my painting theory and practice. When I was painting, It absorbs his tradition of inheritance and the use of ink and brush in his paintings. He attaches great importance to cultural cultivation, which is also lacking in our paintings today. Without profound cultural knowledge, our paintings have no connotation at all. They are just a craftsman's technique. It is very important to improve cultural accomplishment in painting study. Only when we pay attention to cultivating our painting works can we have connotation, better innovation, and our landscape culture can go back to ancient times.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

【共引文献】