数字绘画《万物生》系列作品创作实践
发布时间：2018-11-20 20:58
【摘要】：数字技术的普及是时代发展的必然,数字绘画借由数字技术应运而生并快速发展。数字绘画发展时间只有半个多世纪,国内的优秀数字绘画作品并不多见,仅仅只是图像的复制和处理。数字绘画师沉溺于数字技术的软件操作和特效处理中,缺乏艺术审美趣味和文化修养。本文以创作实践研究为主,文献研究为辅的研究方法对数字绘画《万物生》系列作品的创作进行多维度的阐释,内容涉及笔者创作的各种方法和体验。首先,创作的选题与立意。主题《万物生》缘于虐杀动物事件频频发生,虐杀动物对自身、他人及社会都造成危害。《万物生》是佛家洗涤罪障和失戒的咒语,绘画作品中人与动物、自然的缘境需要人们观照和冥想,反省人类对动物、对自然的所作所为。其次,创作的构思与传达。凭借内在思维将素材转化,运用艺术语言和形式美原理,通过超现实主义外在呈现的手法,运用数字绘制的方式将画面传达给受众。最后,创作实践的反思。一方面是数字绘画与传统绘画基本原理共生,数字绘画仍须依靠传统绘画的文化精髓和技法理论。另一方面视觉效果和作品内涵仍是数字绘画的核心内容,唯技术是举,作品就如无源之水、无根之木。
[Abstract]:The popularity of digital technology is the inevitable development of the times, digital painting by digital technology came into being and rapid development. The development time of digital painting is only more than half a century. The digital painter indulges in the software operation and special effect processing of digital technology, and lacks artistic aesthetic taste and cultural accomplishment. This paper mainly focuses on the research of creative practice, and the research method of literature research is used to explain the creation of the series of works of digital painting "everything is born" in many dimensions. The content involves various methods and experiences of the author's creation. First of all, the theme and idea of creation. The theme "everything is born" stems from the frequent occurrence of animal cruelty and killing animals, which cause harm to themselves, others and society. It is a mantra used by Buddhists to wash up the sin of sin and the loss of precepts, and people and animals in their paintings. The boundary of nature requires people to contemplate and meditate on what humans do to animals and to nature. Secondly, the conception and communication of creation. With the help of internal thinking, the material will be transformed, the art language and the principle of formal beauty will be used to convey the picture to the audience through the means of surrealist external presentation and digital drawing. Finally, the reflection of creative practice. On the one hand, the basic principles of digital painting and traditional painting coexist, digital painting still has to rely on the cultural essence of traditional painting and the theory of techniques. On the other hand, visual effect and work connotation are still the core content of digital painting.
【学位授予单位】：南京航空航天大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J2-39
本文编号：2345998
[Abstract]:The popularity of digital technology is the inevitable development of the times, digital painting by digital technology came into being and rapid development. The development time of digital painting is only more than half a century. The digital painter indulges in the software operation and special effect processing of digital technology, and lacks artistic aesthetic taste and cultural accomplishment. This paper mainly focuses on the research of creative practice, and the research method of literature research is used to explain the creation of the series of works of digital painting "everything is born" in many dimensions. The content involves various methods and experiences of the author's creation. First of all, the theme and idea of creation. The theme "everything is born" stems from the frequent occurrence of animal cruelty and killing animals, which cause harm to themselves, others and society. It is a mantra used by Buddhists to wash up the sin of sin and the loss of precepts, and people and animals in their paintings. The boundary of nature requires people to contemplate and meditate on what humans do to animals and to nature. Secondly, the conception and communication of creation. With the help of internal thinking, the material will be transformed, the art language and the principle of formal beauty will be used to convey the picture to the audience through the means of surrealist external presentation and digital drawing. Finally, the reflection of creative practice. On the one hand, the basic principles of digital painting and traditional painting coexist, digital painting still has to rely on the cultural essence of traditional painting and the theory of techniques. On the other hand, visual effect and work connotation are still the core content of digital painting.
【学位授予单位】：南京航空航天大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J2-39
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