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身份与趣味:论苏轼的士人画思想

发布时间:2018-11-21 09:14
【摘要】:北宋士人面临的各种矛盾使得他们需要绘画,作为北宋中后期文坛的领袖人物之一,苏轼在消除绘画进入士人世界的障碍的同时,又严格限定士人对待绘画的态度。北宋士人最突出的特征是雄厚的文化素养,因此,将文学引入绘画势在必行,或是创作上以文学的方法去画画,或是鉴赏上以文学的方法去赏画。为了与其他类型的绘画区分,士人画在审美趣味上着重突出"文人气息""雅"以及"人品即画品"的命题。
[Abstract]:As one of the leading figures in the literary world in the middle and late Northern Song Dynasty, Su Shi, while eliminating the obstacles of painting entering the world of scholars, strictly limited his attitude towards painting. The most prominent feature of the scholars in the Northern Song Dynasty is their strong cultural literacy. Therefore, it is imperative to introduce literature into painting, or to paint by literary methods or to appreciate paintings by literary methods. In order to distinguish them from other types of painting, scholars' paintings emphasize the proposition of "literati breath" elegance "and" character is painting "in aesthetic taste.
【作者单位】: 南京大学文学院;
【基金】:2017年度国家社会科学基金一般项目“北宋士人美学研究”(项目编号:17BZX116)阶段性成果之一
【分类号】:J212


本文编号:2346529

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