水彩画创作中的“灰色”品择
发布时间：2018-11-28 15:29
【摘要】：作为一种绘画的语言形式，灰色是艺术家诠言释义绘画的媒介，被视为一种有特定品格的色彩，画家的情感借由灰色主观性发挥于艺术创作中；而这种灰色氛围的整体性，也是建立于东方人的文化思想精髓之上的。灰色语言经过深层形式的移植，色彩语言的建构根据时代的变化而改变，除了带有鲜明的时代特征以外，还与传统的艺术体质、艺术家的情感素养和生活理想以及审美价值密不可分。画家运用灰色处理细腻的情感、画面中洒脱的笔触和变化莫测的韵律感，还有色彩灰度化的含彩意境等等，并在创作中表现出一种淡漠而有调控性的伤感情调。艺术家在创作中应该追求灰色的本质因素,而不是停留于物象表面的色彩形式,并且更应该注重绘画创作精神意义的表现,在作品中体现出中国传统文化的博远精髓。 水是水彩画的灵魂，水彩画是用水调和水彩颜料从而自然会减弱色彩的浓度，实现水彩画画面水韵流畅的灰彩效果。在国画中的墨法或是水法，也是用水分的多少调节用笔的轻重力量来调配墨色的黑白灰变化。所以，中国的画家迅速地把西方的水彩艺术的语言和中国具有悠久历史的淡墨画文化积淀融为一体。细腻丰富的五色有时往往会削弱这色彩的想象空间。而这种激发观赏者无限遐想空间的艺术效果正是灰色的一种特殊魅力，也是中国水彩画家不断追求的情感素养之一。此外，，在主观意象上，灰色系也形成一种沉寂、肃然的视觉感受进而产生一种温雅泊淡的审美意味。这与人文思想所推崇的静、虚、恬、淡之至存在着相通之处。所以，中国水彩画中水与色在画面效果和心理观感上都传达出与中国画中的人文意识和墨色审美产生共意。 在水彩画艺术中品择灰色是一个涉及面很广的问题，艺术创作是以个人绘画形式来完成的。要探讨水彩画创作中的灰色艺术的情感世界。这样才能从最直接的角度去认识和把握色彩艺术中的灰色情感形式。水彩画家对灰色的品择符合东方人对诗情画境的灰色追求、灰色的情感意境链接艺术思维表达了慰藉蕴藏绵密的东方审美要求并且建立起灰色在水彩画创作中的重要性。在当下灰色的创作语言可以更加深刻的切入社会情素，构建出个性化的话语，同时灰色的内涵可以除去心灵浮华，得到精神的净化。
[Abstract]:As a language form of painting, grey is the medium of the artist's interpretation, and is regarded as a kind of color with special character. The painter's emotion is brought into play by the grey subjectivity in the artistic creation. The integrity of this gray atmosphere is also based on the essence of the Oriental culture. Grey language is transplanted through deep forms, and the construction of color language is changed according to the changes of the times. In addition to the distinctive features of the times, it is also related to the traditional artistic constitution. The artist's emotional accomplishment, life ideal and aesthetic value are inseparable. The painters use the delicate emotion of grey processing, the free and easy stroke and the inscrutable rhythm in the picture, and the color grayscale with the color artistic conception, etc., and show a kind of indifferent and regulated hurt emotion tone in the creation. The artist should pursue the essential factor of gray, not the color form on the surface of the object, and pay more attention to the expression of the spiritual meaning of the painting creation, and embody the profound essence of the Chinese traditional culture in his works. Water is the soul of watercolor painting, and watercolor painting is a mixture of water and watercolor pigment, which naturally weakens the color concentration, and realizes the watercolor painting with smooth water rhyme and gray color effect. In traditional Chinese painting, ink or water is also used to adjust the strength of the pen to adjust the black and white changes of ink. Therefore, Chinese painters quickly integrated the language of western watercolor art with the culture of Chinese painting with a long history. Delicate and rich five colors sometimes weaken the color of the imagination space. This kind of artistic effect that arouses the viewer's infinite reverie space is a special charm of gray and one of the emotional qualities pursued by Chinese watercolor painters. In addition, on the subjective image, grey color system also forms a kind of silence, and then produces a gentle and elegant aesthetic sense. This has something in common with the quiet, empty, peaceful, and light that humanistic thought adores. Therefore, water and color in Chinese watercolor painting convey the same meaning with the humanistic consciousness and ink aesthetic in Chinese painting in terms of picture effect and psychological perception. In watercolor art, gray-selection is a very wide problem, and artistic creation is completed in the form of individual painting. It is necessary to explore the emotional world of grey art in watercolor painting creation. Only in this way can we understand and grasp the grey emotion form in color art from the most direct angle. Watercolor painters' selection of gray is in line with the oriental's grey pursuit of poetry and painting, and the grey emotional mood link artistic thinking expresses the comforting Oriental aesthetic requirements and establishes the importance of grey in watercolor painting creation. In the present grey writing language can be more deeply cut into the social elements, to construct a personalized discourse, and at the same time, the connotation of gray can remove the splendor of the mind and get the purification of the spirit.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J215
本文编号：2363293
[Abstract]:As a language form of painting, grey is the medium of the artist's interpretation, and is regarded as a kind of color with special character. The painter's emotion is brought into play by the grey subjectivity in the artistic creation. The integrity of this gray atmosphere is also based on the essence of the Oriental culture. Grey language is transplanted through deep forms, and the construction of color language is changed according to the changes of the times. In addition to the distinctive features of the times, it is also related to the traditional artistic constitution. The artist's emotional accomplishment, life ideal and aesthetic value are inseparable. The painters use the delicate emotion of grey processing, the free and easy stroke and the inscrutable rhythm in the picture, and the color grayscale with the color artistic conception, etc., and show a kind of indifferent and regulated hurt emotion tone in the creation. The artist should pursue the essential factor of gray, not the color form on the surface of the object, and pay more attention to the expression of the spiritual meaning of the painting creation, and embody the profound essence of the Chinese traditional culture in his works. Water is the soul of watercolor painting, and watercolor painting is a mixture of water and watercolor pigment, which naturally weakens the color concentration, and realizes the watercolor painting with smooth water rhyme and gray color effect. In traditional Chinese painting, ink or water is also used to adjust the strength of the pen to adjust the black and white changes of ink. Therefore, Chinese painters quickly integrated the language of western watercolor art with the culture of Chinese painting with a long history. Delicate and rich five colors sometimes weaken the color of the imagination space. This kind of artistic effect that arouses the viewer's infinite reverie space is a special charm of gray and one of the emotional qualities pursued by Chinese watercolor painters. In addition, on the subjective image, grey color system also forms a kind of silence, and then produces a gentle and elegant aesthetic sense. This has something in common with the quiet, empty, peaceful, and light that humanistic thought adores. Therefore, water and color in Chinese watercolor painting convey the same meaning with the humanistic consciousness and ink aesthetic in Chinese painting in terms of picture effect and psychological perception. In watercolor art, gray-selection is a very wide problem, and artistic creation is completed in the form of individual painting. It is necessary to explore the emotional world of grey art in watercolor painting creation. Only in this way can we understand and grasp the grey emotion form in color art from the most direct angle. Watercolor painters' selection of gray is in line with the oriental's grey pursuit of poetry and painting, and the grey emotional mood link artistic thinking expresses the comforting Oriental aesthetic requirements and establishes the importance of grey in watercolor painting creation. In the present grey writing language can be more deeply cut into the social elements, to construct a personalized discourse, and at the same time, the connotation of gray can remove the splendor of the mind and get the purification of the spirit.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J215
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