装饰性色彩语言在油画静物中的表现研究
发布时间：2018-12-19 09:47
【摘要】：随着时代的进步,艺术门类之间的界限逐渐被打破。各种艺术门类形式之间相互借鉴与融合,采用更为主观、自由化的表现手法,目的是增加视觉冲击力,适应人们对审美的需求。作为视觉艺术中的油画同样也不例外,因为只有这样才能拓展出更加广阔的发展空间. 装饰性色彩与一般写实性色彩表现方式不同。它更注重形式美感,抛去了表象的繁缛,侧重作者主观感受的表达,在画面上形成一种独特的装饰性“符号”体系,能给人带来足够的视觉审美需求。作为油画表现对象之一的静物,从本身的特点而言就具有一定的装饰性,将它与装饰性色彩结合来研究,可谓相得益彰,水到渠成。 文章认真学习了部分有代表性的大师的作品,并以此为例,探索和学习了油画静物装饰性色彩的萌芽、探索、发展、成熟和多元化的发展阶段,并努力从中汲取营养,充实和丰富自己对油画静物的认知。文章尝试探索了油画静物中装饰性色彩语言的主要特征,并试图根据美学规律对这些色彩语言进行解析。以学习和借鉴为目的,为了更好地剖析油画静物中的装饰性色彩,文章还研究了油画静物中装饰性色彩表现因素,并为后面的创作实践做准备。经过前面的学习与探索,初步管窥到装饰性色彩借鉴与运用的一些规律,为后面自己进行创作实践打好了基础。实践出真知,经过思考,随后以自身借鉴和融合传统绘画艺术形式所创作的四幅有代表性的油画静物作品为例,从构图、造型、色彩、技法、主客观等方面综合论述了自己创作过程中的对个性化装饰性色彩认知与尝试。 油画静物要在中国的文化、社会环境中获得创新和发展,必须从中国的文化土壤中汲取营养,并结合对自身生活经历和内心感受的提炼进行创作。传统绘画艺术就是我们取之不尽的艺术宝库。形式是表象,其背后有着更深刻的背景和内涵。因此,我们借鉴传统绘画艺术形式,绝不是机械的生搬硬套,而是在理解形式背后的美学内涵和文化背景,将其与油画静物的创作有机的融合,这样我们才能创作出既有油画特点和优势,又能反映民族精神的油画静物作品。
[Abstract]:With the progress of the times, the boundary between the categories of art is gradually broken. All kinds of art forms draw lessons from each other and adopt more subjective and liberalized expression methods in order to increase visual impact and adapt to people's aesthetic needs. As a visual art oil painting is no exception, because only in this way can expand a broader space for development. Decorative color and general realistic color expression is different. It pays more attention to the aesthetic sense of form, throws away the complexity of the appearance, emphasizes the expression of the author's subjective feelings, and forms a unique decorative "symbol" system on the screen, which can bring enough visual aesthetic demand. As one of the objects of oil painting, still life, from its own characteristics, has a certain decorative, it and decorative color to study, it can be said to complement each other, natural. The article studies some representative masters' works, and takes this as an example to explore and learn the germination, exploration, development, maturity and diversification of the decorative color of still life in oil painting, and try to draw nutrition from it. Enrich and enrich their understanding of oil painting still life. This paper attempts to explore the main features of decorative color language in still life of oil painting, and tries to analyze these color languages according to aesthetic laws. In order to study and use for reference, in order to better analyze the decorative color in the still life of oil painting, the paper also studies the factors of decorative color expression in the still life of oil painting, and prepares for the later creative practice. Through the study and exploration in the front, the author preliminarily peeped into some rules of decorative color reference and application, which laid a good foundation for his own creative practice. Practice out true knowledge, after thinking, then take the four representative still life paintings created by the traditional painting art form as an example, from composition, modeling, color, technique, Subjective and objective aspects of their creative process of personal decorative color cognition and attempt. In order to achieve innovation and development in Chinese culture and social environment, oil painting still life must draw nutrients from Chinese cultural soil, and combine with the refining of its own life experience and inner feelings. Traditional painting art is our inexhaustible treasure house of art. The form is the appearance, behind it has the deeper background and the connotation. Therefore, we draw lessons from the traditional art form of painting, not mechanically, but in understanding the aesthetic connotation and cultural background behind the form, and combine it with the creation of still life of oil painting organically. Only in this way can we create oil painting still life works which not only have the characteristics and advantages of oil painting, but also reflect the national spirit.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
本文编号：2386754
[Abstract]:With the progress of the times, the boundary between the categories of art is gradually broken. All kinds of art forms draw lessons from each other and adopt more subjective and liberalized expression methods in order to increase visual impact and adapt to people's aesthetic needs. As a visual art oil painting is no exception, because only in this way can expand a broader space for development. Decorative color and general realistic color expression is different. It pays more attention to the aesthetic sense of form, throws away the complexity of the appearance, emphasizes the expression of the author's subjective feelings, and forms a unique decorative "symbol" system on the screen, which can bring enough visual aesthetic demand. As one of the objects of oil painting, still life, from its own characteristics, has a certain decorative, it and decorative color to study, it can be said to complement each other, natural. The article studies some representative masters' works, and takes this as an example to explore and learn the germination, exploration, development, maturity and diversification of the decorative color of still life in oil painting, and try to draw nutrition from it. Enrich and enrich their understanding of oil painting still life. This paper attempts to explore the main features of decorative color language in still life of oil painting, and tries to analyze these color languages according to aesthetic laws. In order to study and use for reference, in order to better analyze the decorative color in the still life of oil painting, the paper also studies the factors of decorative color expression in the still life of oil painting, and prepares for the later creative practice. Through the study and exploration in the front, the author preliminarily peeped into some rules of decorative color reference and application, which laid a good foundation for his own creative practice. Practice out true knowledge, after thinking, then take the four representative still life paintings created by the traditional painting art form as an example, from composition, modeling, color, technique, Subjective and objective aspects of their creative process of personal decorative color cognition and attempt. In order to achieve innovation and development in Chinese culture and social environment, oil painting still life must draw nutrients from Chinese cultural soil, and combine with the refining of its own life experience and inner feelings. Traditional painting art is our inexhaustible treasure house of art. The form is the appearance, behind it has the deeper background and the connotation. Therefore, we draw lessons from the traditional art form of painting, not mechanically, but in understanding the aesthetic connotation and cultural background behind the form, and combine it with the creation of still life of oil painting organically. Only in this way can we create oil painting still life works which not only have the characteristics and advantages of oil painting, but also reflect the national spirit.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
【参考文献】
相关期刊论文 前10条
1 杜强;;论油画创作的主观性色彩语言[J];安徽文学(下半月);2008年02期
2 刘莹莹;;装饰性色彩在油画创作中的应用[J];大众文艺;2010年16期
3 陈幼林;;油画形态的演变研究[J];大连大学学报;2011年04期
4 李华;;本土少数民族美术色彩语言对当代云南绘画的影响[J];民族艺术研究;2008年03期
5 谢光跃;;浅析中国意象油画的装饰性色彩[J];美术教育研究;2012年11期
6 陈亮;;浅论油画作品中的装饰性色彩语言[J];美术教育研究;2013年02期
7 张成鑫;;注重于绘画色彩造型变革的印象派油画艺术新理念[J];华章;2011年36期
8 黄衍翠;;从《日出·印象》谈印象派油画之美[J];时代文学(上);2010年03期
9 刘宪标;;高更绘画艺术中的装饰性[J];艺术百家;2010年S2期
10 史国强;;新印象派色彩研究——论油画风景中的色彩“意境”表现[J];艺术百家;2010年S2期
，本文编号：2386754
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2386754.html
