笔劲墨润—浅谈蒲华墨竹语言对我的笔墨启示

发布时间：2018-12-20 13:31

【摘要】：写意花鸟画都是从一笔一墨开始的,当你所用的笔墨表达出了画家的感受,笔墨在这时才有了真正的艺术价值。写意花鸟画属文人画,首重画面意境,然意境的表达完全靠着画面的笔墨组合,它们相互依存。笔墨是写意花鸟画的关键,是灵魂,极少有平庸的笔墨从而表现出高超的画面意境的。我在写意花鸟画的研究学习中,为通过笔墨运用而展现的笔踪墨迹和画面情感表达感到震撼和惊奇。尤其是通过研究学习蒲华墨竹的笔墨风格,更引起了我对花鸟画笔墨语言学习和探究兴趣。蒲华是晚清“海派”极具创造精神的画家,所画墨竹体现出精于金石气息的用笔,下笔不落俗套的用墨,喜用湿笔。故其作品呈现出笔劲墨润、画意奔放、水气淋漓,笔墨功力非凡的独特艺术特质,与任伯年、虚谷、吴昌硕并称为“海上四杰”,在当时及当今影响极大。通过对蒲华墨竹的笔墨语言的研究,我对笔墨的运用理解有了更深的体悟和极大的启示,让我认识到笔墨语言在实践创作中所在地位和作用,他是创作的灵魂和关键。通过分析蒲华写意墨竹师承关系和笔墨风格形态,及在蒲华作品的研习创作过程中的深刻体会。理出一条正确的创作思路,并不断加深认识,运用到创作实践中,使自己更好的认识和掌握写意笔墨语言,逐渐尝试形成自己的笔墨语言风格,将学到的传统绘画的笔墨精神消化、吸收、运用,创作出个性化的作品,从而更好的表达自己的心境和情感。
[Abstract]:Freehand brushwork of flowers and birds begins with a stroke of ink. When you use the pen and ink to express the artist's feelings, the pen and ink have real artistic value at this time. Freehand flower-and-bird painting is a literati painting, the first important picture of artistic conception, but the expression of artistic conception completely depends on the picture of the combination of strokes and ink, they depend on each other. Pen and ink is the key of freehand flower-and-bird painting, is the soul, very few have mediocre brush and ink thus showing superb artistic conception of the picture. In the study of freehand flower-and-bird painting, I was shocked and surprised by the brush trace ink and the emotional expression of the picture through the use of pen and ink. Especially through the study of the brush and ink style of Puhua ink, it has aroused my interest in studying and exploring the language of flower and bird painting. Pu Hua was a creative artist in the late Qing Dynasty. Therefore, his works show the unique artistic characteristics of vigorous ink, unrestrained painting, dripping water, extraordinary skill of pen and ink, and Ren Bonian, Huigu and Wu Changshuo, which are known as "the four great powers of the sea", and have a great influence at that time and today. Through the study of the brush and ink language of Pu Hua ink bamboo, I have a deeper understanding of the use of pen and ink and great enlightenment, let me realize the position and function of pen and ink language in practical creation, he is the soul and key of creation. This paper analyzes the relationship and style of brush and ink in Puhua's freehand brushwork, as well as his profound experience in the study and creation of his works. Straighten out a correct creative thinking, and constantly deepen understanding, use it in creative practice, so that they can better understand and master the language of freehand brushwork, and gradually try to form their own style of pen and ink language, It digests, absorbs, uses and creates individualized works of traditional painting so as to better express its mood and emotion.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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