黑白木刻中的平面设计语素

发布时间：2019-01-17 08:48

【摘要】：时代的发展要求学科之间的相互融合,各专业、各行业的跨界互助、互取,已成为一种进步的趋势。黑白木刻与平面设计属于艺术学科的两个不同门类,但在艺术史的发展中,二者常常表现为互相协助的关系。黑白木刻语言给平面设计提供了一种新的视觉传达方式,而平面设计语言在黑白木刻创作中能够得到更自由的利用。在这个多元文化化时代,绘画艺术和设计艺术都在追求个性化的表达,在绘画艺术多元审美的影响下,平面设计不再像以往那样纯粹以功能性、实用性为目的,设计师在追求客户满足和商业利益的同时,多了一份对自我表达、自我风格的个性追求,。另一方面,木刻艺术同样深受平面设计艺术的影响。现代科技的发展、电脑软件的使用等丰富了平面设计语言的可能性,平面设计的风格面貌也在不断的推陈出新,这些新的语言和风格越来越多的利用到了当代黑白木刻创作之中,借助设计语言元素的根本,冲破版画语言自身的局限性,使其更大众化,更加贴近生活,这是时代的趋势也是普世价值的需求。黑白木刻作为版画艺术的一个门类,自其诞生以来一直以平面化视觉审美元素呈现给观众。黑、白这两种高度概括又包纳一切色彩的颜色,将自然界复杂的色彩加以提炼、抽取、重构出来,拥有强大表现力,简练、单纯而直接。黑白二色构造了黑白木刻独特的艺术表现形式美。黑白木刻艺术的创作不受商业利益的驱使和功能实用性的需求,可以更自由的借鉴创意平面设计当中的个性语素。无论是严谨的理性设计语言,还是自由的表现设计语言,都可以在创作中得到很好的利用,这取决于艺术家的个性、喜好,更重要的是取决于艺术家的思想和所要表达的内容。当代新的平面设计艺术语言,创造了诸多新的视觉秩序,其创新性能引起观众的兴趣,进而激发其阅读的主动性,这给予黑白木刻等当下的绘画艺术语言一定的借鉴意义。本文将结合艺术家的创作实例分析与笔者长期以来的创作感悟,讨论平面设计语言在黑白木刻创作中的影响及其应用,丰富平面设计语言在黑白木刻创作中的可能性,作为对当代黑白木刻一类创作语言的梳理研究。
[Abstract]:The development of the times requires the integration of disciplines, the cross-border mutual assistance and mutual access of all professions and specialties, which has become a progressive trend. Black and white woodcut and graphic design belong to two different categories of art disciplines, but in the development of art history, they often show the relationship of mutual assistance. Black and white woodcut language provides a new way of visual communication for graphic design, and graphic design language can be used more freely in black-and-white woodcut creation. In this age of multiculturalization, painting art and design art are pursuing individualized expression. Under the influence of multi-aesthetic appreciation of painting art, graphic design is no longer purely functional and practical as it used to be. In pursuit of customer satisfaction and business interests, designers have added a personal pursuit of self-expression and self-style. On the other hand, woodcut art is also deeply influenced by graphic design art. The development of modern science and technology and the use of computer software have enriched the possibility of graphic design language. These new languages and styles are more and more used in contemporary black-and-white woodcut creation. With the help of the elements of design language, they break through the limitations of the print language itself and make it more popular and more close to life. This is the trend of the times and the demand of universal values. Black and white woodcut, as a kind of printmaking art, has been presented to the audience with plane visual aesthetic elements since its birth. Black and white are two kinds of colors, which contain all colors. They refine, extract and reconstruct the complex colors of nature. They have strong expressiveness, simplicity, simplicity and directness. Black and white dichroism constructs the unique artistic expression beauty of black and white woodcut. The creation of black and white woodcut art is not driven by commercial interests and functional practical needs, can more freely learn from the creative graphic design in the personality morpheme. Whether it is a rigorous rational design language or a free expressive design language, it can be used well in the creation, which depends on the artist's personality, preferences and, more importantly, the artist's thought and the content to be expressed. The new art language of contemporary graphic design has created many new visual order, and its innovation can arouse the interest of the audience and arouse its initiative of reading, which will give some reference to the contemporary artistic language of painting such as black-and-white woodcut. This paper will discuss the influence of graphic design language in black-and-white woodcut creation and its application, and enrich the possibility of graphic design language in black-and-white woodcut creation. As a kind of contemporary black and white woodcut writing language combing research.
【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217

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