贺昆为代表的云南普洱绝版套色木刻研究

发布时间：2019-01-30 12:29

【摘要】：受到改革开放带来的新美潮运动的影响以及普洱市内部存在的一些经济薄弱问题,导致绝版套色木刻出现在了大众的面前,至今已经有25年的历程。普洱绝版套色木刻是版画中出现的一种新趋势,它特有的制作技法和精致的印刷效果扩大了版画的研究范围,充分展现出版画的魅力。绝版套色木刻在制作过程中的简便,使画家可以发挥自己的主观想象,艺术家们的个性和创作激情被充分体现,情绪和情感的变化被高度重视,也能调整并且预见套色木刻的效果,增强套色木刻的艺术表达。本文对绝版套色木刻的缘起进行介绍,望大众在日常生活中可以养成认真观察的习惯,从而对色彩的敏感程度有所提升,掌握好绝版套色木刻的基础制作方式,积极实践,学会思考并独自完成绝版套色木刻作品。再以贺昆为代表,对普洱绝版套色木刻进行了分析研究。首先对普洱这个地方进行详尽的介绍,衬托出普洱绝版套色木刻的发展是具有充分的先天优势,再对普洱绝版套色木刻的艺术表现形式进行归纳,分为了四个阶段。从形成阶段到低迷到成熟最终达到多元化阶段,这些阶段中起初是一批年轻的艺术家,在新思维和新的艺术观念下发现了绝版套色木刻技法,同时凭借这种新的发现在各届全国性的美展上获奖,而受到全国乃至全世界的关注。最后为普洱的版画闯出了一条道路。这些版画艺术家们一直不断的探索、坚持、获得肯定和对普洱做出的巨大贡献是很值得后辈学习的。接着从贺昆的创作角度出发,分析了他的风格体系,代表作品的几个重要时期和版画作品中传达出来的创新探索精神。最终研究了贺昆绝版套色木刻对当代艺术的影响和对中国版画界的震撼。贺昆作为普洱绝版套色木刻主要代表画家之一,他坚持继承传统的地域风格,吸收外来文化中的表现主义,作品中具有浓郁的普洱当地特色和创作的语言表达方式。如今的绝版套色木刻不单单只是普洱的文化还是普洱新传统的象征,已经在普洱的艺术中埋下了深刻的根基。在新的时代背景下,我们要用严谨的学术态度去研究普洱绝版套色木刻的发展过程,分析其中的经验和不足,是后辈们所要思考的方向。
[Abstract]:Influenced by the New American Tide Movement brought by the reform and opening up and some weak economic problems in Pu'er City, the out-of-print woodcut has appeared in front of the public, and it has been 25 years since. Pu'er out-of-print color woodcut is a new trend in printmaking. Its unique production techniques and exquisite printing effect enlarge the scope of research on printmaking and fully show the charm of printmaking. The simplicity of the out-of-print woodcut in the production process enables the artist to display his subjective imagination, the artist's personality and creative passion are fully reflected, and the changes in emotion and emotion are highly valued. Also can adjust and foresee the effect of color wood engraving, enhance the art expression of color wood engraving. This paper introduces the origin of the out-of-print color wood engraving, hoping that the public can form the habit of careful observation in their daily life, so as to improve their sensitivity to color, master the basic production method of the out-of-print overlay wood carving, and actively practice it. Learn to think and complete out-of-print woodcut works alone. Then he Kun as a representative, Pu'er out-of-print set of wood carvings were analyzed and studied. First of all, this place of Pu'er is introduced in detail, setting off the development of Pu'er out-of-print overlay wood engraving is full of innate advantages, and then the artistic expression form of Pu'er out-of-print overlay wood carving is summarized, which is divided into four stages. From the stage of formation to the stage of depression to maturity and finally to the stage of diversification, at the beginning of these stages were a group of young artists who discovered the techniques of out-of-print woodcut under new thinking and new artistic concepts. At the same time, with this new discovery in the national art exhibition awards, and attracted national and even the world's attention. At last, the print of Pu'er blazed a way. These printmaking artists have been exploring, persisting, gaining recognition and making great contributions to Pu'er. Then from the angle of his creation, it analyzes his style system, several important periods of his works and the spirit of innovation and exploration conveyed in his printmaking works. Finally, the paper studies the influence on contemporary art and the shock to Chinese printmaking. He Kun, as one of the main representatives of Pu'er out-of-print woodcut, insists on inheriting the traditional regional style and absorbing the expressionism in foreign culture, and his works have strong local characteristics of Pu'er and language expression mode of creation. Today's out-of-print color woodcut is not only the culture of Pu'er or the symbol of the new tradition of Pu'er, but has laid a deep foundation in the art of Pu'er. Under the background of the new era, we should use rigorous academic attitude to study the development process of Pu'er out-of-print overlay woodcut, and analyze its experience and deficiency, which is the direction to be considered by later generations.
【学位授予单位】：安徽财经大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J217

【相似文献】