现代绘画中重构手法的演变与表达
发布时间：2019-02-14 07:34
【摘要】：现代艺术是多元开放的艺术。绘画从传统发展到现代，不再只有传统的写实绘画一种形式，而是呈现出多元化的状态。时代在改变，人们审美观念也在改变，单一的绘画手法已不能满足人们的审美要求，在整个艺术发展的道路上也是行不通的。因此，社会变得更加宽容，人们的接受程度也有了更大提高，倡导多样化的艺术道路，新的绘画手法不断涌现，在艺术发展的道路上绽放光彩。在众多的绘画手法中，重构手法成为了艺术家比较热衷的艺术手法之一。 重构手法是在对传统写实手法的反叛中发展而来的。西方现代艺术从登上历史舞台开始，就以反叛的态度试图改变传统的绘画手法，尤其是随着现代科学技术的飞速发展，传统写实手法的主导地位更是受到了很大的冲击，重构手法以一种崭新的姿态受到了很多艺术家的青睐。本论文就是从重构手法的发展演变开始，通过对大量重构作品的鉴赏分析，找到重构性绘画作品的几种重要手法以及在现代绘画中的重要意义。 论文第一章主要介绍了重构性绘画的艺术特征和发展演变。重构是与模仿相对应的一个概念，二者都同属于具象绘画的范畴，但展现给观者的视觉形象却是不同的。模仿性绘画追求形象的逼真写实，重构性绘画打破自然物像的形体约束，把艺术家的主观情感和心灵感受放在首位，，重视艺术家情感的抒发。第二章介绍了重构性绘画的两种主要类型：造型重构与时空重构。造型重构是指把物象分解后的主观组合，主要变化体现在物象的形体上；时空重构是穿越时间和空间的组合，主要是打破了时间和空间的限制，呈现出不合逻辑的、超越现实的异度空间。第三章主要介绍了几种常用的重构手法：造型重构中的分解组合手法，形体错位手法，悖理嫁接手法以及时空重构中的时间错位手法，空间错位手法，形象置换手法。第四章作为本篇论文的升华部分，重点介绍了重构性绘画的现代意义。重构性绘画独特的艺术魅力不仅为艺术家开拓了一个全新的艺术形式，同时也为观者带来了不一样的视觉感受，建构起一个超越现实的空间，拉近了艺术家和观者的心灵距离，在整个现代绘画中具有创造性的意义。 重构手法虽然没有传统写实手法出现的时间久远，但却成为了现代艺术中一颗耀眼璀璨的明珠，重构性绘画的出现，是绘画历史发展的结果，也正是由于重构手法的出现，使绘画更具现代特色。重构不仅仅局限在绘画领域，也拓展到了其他艺术领域中，展现出了强大的生命力。
[Abstract]:Modern art is a pluralistic and open art. Painting from traditional to modern, not only traditional realistic painting one form, but presents a diversified state. The times are changing, people's aesthetic concepts are also changing, the single painting techniques can no longer meet the aesthetic requirements of people, in the development of the entire art road is not feasible. Therefore, the society has become more tolerant, people's acceptance has also increased, advocating a variety of art roads, new painting techniques continue to emerge, in the development of art on the road to bloom brilliance. Among the many painting techniques, the reconstruction technique has become one of the artist's favorite artistic methods. The reconstruction technique is developed in the revolt against the traditional realistic technique. From the beginning of western modern art on the stage of history, it tries to change the traditional painting technique with a rebellious attitude. Especially, with the rapid development of modern science and technology, the dominant position of traditional realistic technique has been greatly impacted. The reconstruction technique is favored by many artists with a brand-new attitude. This paper begins with the development and evolution of reconstruction techniques, through the appreciation and analysis of a large number of reconstructed works, to find several important techniques of reconstructed paintings and their significance in modern painting. The first chapter mainly introduces the artistic characteristics and development of reconstruction painting. Reconstruction is a concept corresponding to imitation, both of which belong to the category of figurative painting, but the visual image presented to the viewer is different. The imitation painting pursues the realistic reality of the image, reconstructs the painting to break the body restriction of the natural object image, puts the artist's subjective emotion and the soul feeling in the first place, attaches importance to the expression of the artist's emotion. The second chapter introduces two main types of reconstruction painting: modeling reconstruction and space-time reconstruction. Modeling reconstruction refers to the subjective combination after the decomposition of the object image, which is mainly reflected in the form of the object image. The reconstruction of time and space is a combination of time and space, which breaks the limitation of time and space and presents illogical and transcendent space. The third chapter mainly introduces several kinds of commonly used reconstruction techniques: decomposition combination technique in modeling reconstruction, body dislocation technique, counterintuitive grafting technique, time dislocation technique, space dislocation technique and image replacement technique in the reconstruction of time and space. Chapter four, as the sublimation part of this thesis, focuses on the modern significance of reconstruction painting. The unique artistic charm of reconstructing painting not only opens up a new art form for the artist, but also brings different visual feelings to the viewer, constructs a space beyond reality, and draws the distance between the artist and the viewer closer. It has creative meaning in the whole modern painting. Although the reconstruction technique did not have the traditional realistic technique for a long time, it has become a dazzling pearl in modern art. The appearance of the reconstructed painting is the result of the historical development of the painting, and it is precisely because of the appearance of the reconstruction technique. Make painting more modern. Reconstruction is not only limited in the field of painting, but also extended to other fields of art, showing a strong vitality.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J204
本文编号：2421982
[Abstract]:Modern art is a pluralistic and open art. Painting from traditional to modern, not only traditional realistic painting one form, but presents a diversified state. The times are changing, people's aesthetic concepts are also changing, the single painting techniques can no longer meet the aesthetic requirements of people, in the development of the entire art road is not feasible. Therefore, the society has become more tolerant, people's acceptance has also increased, advocating a variety of art roads, new painting techniques continue to emerge, in the development of art on the road to bloom brilliance. Among the many painting techniques, the reconstruction technique has become one of the artist's favorite artistic methods. The reconstruction technique is developed in the revolt against the traditional realistic technique. From the beginning of western modern art on the stage of history, it tries to change the traditional painting technique with a rebellious attitude. Especially, with the rapid development of modern science and technology, the dominant position of traditional realistic technique has been greatly impacted. The reconstruction technique is favored by many artists with a brand-new attitude. This paper begins with the development and evolution of reconstruction techniques, through the appreciation and analysis of a large number of reconstructed works, to find several important techniques of reconstructed paintings and their significance in modern painting. The first chapter mainly introduces the artistic characteristics and development of reconstruction painting. Reconstruction is a concept corresponding to imitation, both of which belong to the category of figurative painting, but the visual image presented to the viewer is different. The imitation painting pursues the realistic reality of the image, reconstructs the painting to break the body restriction of the natural object image, puts the artist's subjective emotion and the soul feeling in the first place, attaches importance to the expression of the artist's emotion. The second chapter introduces two main types of reconstruction painting: modeling reconstruction and space-time reconstruction. Modeling reconstruction refers to the subjective combination after the decomposition of the object image, which is mainly reflected in the form of the object image. The reconstruction of time and space is a combination of time and space, which breaks the limitation of time and space and presents illogical and transcendent space. The third chapter mainly introduces several kinds of commonly used reconstruction techniques: decomposition combination technique in modeling reconstruction, body dislocation technique, counterintuitive grafting technique, time dislocation technique, space dislocation technique and image replacement technique in the reconstruction of time and space. Chapter four, as the sublimation part of this thesis, focuses on the modern significance of reconstruction painting. The unique artistic charm of reconstructing painting not only opens up a new art form for the artist, but also brings different visual feelings to the viewer, constructs a space beyond reality, and draws the distance between the artist and the viewer closer. It has creative meaning in the whole modern painting. Although the reconstruction technique did not have the traditional realistic technique for a long time, it has become a dazzling pearl in modern art. The appearance of the reconstructed painting is the result of the historical development of the painting, and it is precisely because of the appearance of the reconstruction technique. Make painting more modern. Reconstruction is not only limited in the field of painting, but also extended to other fields of art, showing a strong vitality.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J204
【参考文献】
相关期刊论文 前5条
1 岳燕;;绘画中的空间重构——超现实主义画家马格利特之窗[J];大众文艺;2013年15期
2 邓若军;;现代绘画中综合材料的运用与表现[J];美与时代(上半月);2009年06期
3 秦德梅;;重构性绘画的表现形式及教学研究[J];齐鲁师范学院学报;2011年04期
4 段晓刚;;创造与重生——浅谈绘画中的解构与重构[J];天津美术学院学报;2013年01期
5 崔灿灿;;绘画:穿越时间之障——“未来制造与制造未来”之意义[J];山花;2009年21期
本文编号：2421982
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2421982.html
