图像、文字与社会空间:《渊明归隐图》与《归庄图》的范式重构
发布时间：2019-02-16 03:40
【摘要】：陶渊明《归去来兮辞》的叙事情境在书画史上曾存在多个版本的图像演绎,并在文本、图像与社会背景之间暗含多个层次的映射。本文以宋代李公麟《渊明归隐图》册与元代何澄《归庄图》卷为案例,剖析二者在文本、图像和社会背景之间的深层结构关联——时空秩序的重建与归隐思想的现实性表达,并以此指向其不同社会背景之下的个人诉求。
[Abstract]:The narrative situation of Tao Yuanming's "gone" has many versions of image deduction in the history of calligraphy and painting, and there are many levels of mapping between the text, the image and the social background. Taking the books of Li Gonglin in Song Dynasty and he Cheng in Yuan Dynasty as examples, this paper analyzes the deep structural relationship between the text, image and social background, the reconstruction of space-time order and the realistic expression of the hidden thought. And to point to its different social background under the individual appeal.
【作者单位】： 上海大学美术学院;南京大学建筑与城市规划学院;
【基金】：2016江苏省普通高校学术学位研究生创新计划项目
【分类号】：J205
本文编号：2424005
[Abstract]:The narrative situation of Tao Yuanming's "gone" has many versions of image deduction in the history of calligraphy and painting, and there are many levels of mapping between the text, the image and the social background. Taking the books of Li Gonglin in Song Dynasty and he Cheng in Yuan Dynasty as examples, this paper analyzes the deep structural relationship between the text, image and social background, the reconstruction of space-time order and the realistic expression of the hidden thought. And to point to its different social background under the individual appeal.
【作者单位】： 上海大学美术学院;南京大学建筑与城市规划学院;
【基金】：2016江苏省普通高校学术学位研究生创新计划项目
【分类号】：J205
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，本文编号：2424005
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