魏晋南北朝墓葬图像与佛教图像之间关系探析
发布时间:2019-02-18 08:44
【摘要】:正佛教图像和墓葬图像在审美意识方面也相互影响,这些与当时佛教在中国社会思想中的地位及其自身的发展状况有一定的关系。汉代佛教主要依附于黄老学术和道教方术,受黄老美学思想素朴玄远、复归于朴的影响,这一时期的佛像很少有细部的刻画,质朴、古拙、自然,张彦远用"以形制古朴,未足瞻敬"来概括它。北方在北齐北周时期,南方在梁
[Abstract]:Positive Buddhist images and grave images also influence each other in terms of aesthetic consciousness, which is related to the position of Buddhism in Chinese social thought at that time and its own development. The Buddhism of the Han Dynasty was mainly attached to the Huang-Lao academic and Taoist Fangshu, and was influenced by Huang Lao's aesthetic thought of simplicity and metaphysics. The Buddha statues of this period were rarely depicted in detail, simple, ancient, natural, and Zhang Yanyuan used to "form ancient simplicity," Not enough respect "to generalize it." The north was in Northern Qi and the Northern Zhou Dynasty, and the South was in Liang.
【分类号】:J219
,
本文编号:2425682
[Abstract]:Positive Buddhist images and grave images also influence each other in terms of aesthetic consciousness, which is related to the position of Buddhism in Chinese social thought at that time and its own development. The Buddhism of the Han Dynasty was mainly attached to the Huang-Lao academic and Taoist Fangshu, and was influenced by Huang Lao's aesthetic thought of simplicity and metaphysics. The Buddha statues of this period were rarely depicted in detail, simple, ancient, natural, and Zhang Yanyuan used to "form ancient simplicity," Not enough respect "to generalize it." The north was in Northern Qi and the Northern Zhou Dynasty, and the South was in Liang.
【分类号】:J219
,
本文编号:2425682
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