中国当代山水画的写生研究
发布时间：2019-02-18 10:17
【摘要】：论文对中国山水画的写生进行研究，，比较了中国传统山水画的发展历程，参考查阅与论文相关的各方面的文献资料，分析了山水画的发展历程中山水画与写生的关系，以及对当代山水画的借鉴意义。 山水画自隋唐时期作为独立的画种登上历史的舞台以来，就和“师造化”有着密切的关系，“师造化”在传统山水画的发展中有着重要的理论意义和现实意义，不同的时期对“师造化”有不同的认识，从最初对画面客观山水的重视再现到后来对山水的形神兼备和主观精神意趣的表达，是山水画发展到一个更深层次的过程。山水画在清后期画坛受到以“四王”为官方画派的影响很大，追求笔墨，缺乏创造性，逐渐造成了清后期画坛画风陈陈相因，造成了清中后期的画坛逐渐走向衰微。在山水画走向近现代的发展过程中，由于社会原因的影响，人民的思想也产生了深刻的变化，变革也随之成为美术界的主流思想。山水画发展到了当代，在改革开放和社会多元化发展的时代背景下，为中国画的探索和创新提供了更大的发展空间。当代山水画的改造运动是通过写生的途径进行的，或者说写生是当代山水画改造的基本手段。山水画走向写生，成为现当代美术史上一道独特而壮观的风景。诚然，通过写生革新山水画并不是新中国成立后的新发明，山水画的“师造化”传统以及20世纪前期山水画家们的写生革新实践，无不为新中国山水画的时代变革提供历史典范。当代中国山水画在五六十年代以李可染、傅抱石、石鲁等为代表的山水画家进行了轰轰烈烈的写生运动，为当时的山水画坛注入了新的动力，推动着当代的山水画进一步向前发展。当代山水画在走向以新的改革开放和世界一体化的新的时代背景下，当代的山水画坛更是以中西结合派山水画的写生、传统派山水画的写生和抽象山水画中的写生因素并存于当代的山水画坛，且分别以不同的角度和领域范畴进行着山水画的写生实践创作，不断地丰富和推动着当代山水画的进一步向前发展。当代的山水画家们正是迎合了山水画的本质特征，在秉承山水画本质特征的基础上进行着一系列的变革和探索，从不同角度和领域范畴丰富和推动着当代山水画的进一步向前发展。论文报告了当代山水画发展的方向和趋势，对当代山水画的发展以及与写生的关系进行了分析，探讨当代山水画在承袭传统的基础上与写生相结合来体现山水画的人文精神和时代精神。
[Abstract]:This paper studies the sketch of Chinese landscape painting, compares the development course of Chinese traditional landscape painting, and analyzes the relationship between landscape painting and sketch in the development of landscape painting. And the reference significance to contemporary landscape painting. Since the Sui and Tang dynasties, as an independent painting on the stage of history, there is a close relationship with "division", "division" in the development of traditional landscape painting has an important theoretical and practical significance. Different periods have different understanding of "teacher's creation". From the initial emphasis on the picture of objective landscape to the later expression of both the form and spirit and subjective spirit of landscape painting, it is a deeper process for landscape painting to develop to a deeper level. Landscape painting in the late Qing Dynasty was greatly influenced by the "four kings" as the official painting school, the pursuit of pen and ink, lack of creativity, gradually caused the late Qing Dynasty painting scene Chen Xiangyin, resulting in the late Qing Dynasty painting world gradually decline. In the development process of landscape painting towards modern times, because of the influence of social reasons, the people's thought has also produced profound changes, and the transformation has become the mainstream thought of the art circle. Landscape painting has developed to the contemporary, under the background of the reform and opening up and the diversified development of society, it provides a greater development space for the exploration and innovation of Chinese painting. The transformation of contemporary landscape painting is carried out through the way of sketching, or sketching is the basic means of the transformation of contemporary landscape painting. Landscape painting has become a unique and spectacular landscape in the history of contemporary art. It is true that the innovation of landscape painting through painting is not a new invention after the founding of New China. It is the tradition of "division of landscape painting" and the innovative practice of painting of landscape painters in the early 20th century. All for the new Chinese landscape painting era of change to provide a historical model. In the 1950s and 1960s, contemporary Chinese landscape painting, represented by Li Keran, Fu Baoshi, Shi Lu, and other landscape painters, carried out a vigorous sketch movement, which injected a new impetus into the landscape painting world at that time. Promote the development of contemporary landscape painting. Contemporary landscape painting in the new era of reform and opening up and the integration of the world background, the contemporary landscape painting world is a combination of Chinese and Western landscape painting sketches, The traditional painting of landscape painting and the painting of abstract landscape painting co-exist in the contemporary landscape painting world, and are respectively in different angles and areas of landscape painting sketch practice creation. Constantly enrich and promote the further development of contemporary landscape painting. Contemporary landscape painters have catered to the essential features of landscape painting and are carrying out a series of changes and explorations on the basis of adhering to the essential characteristics of landscape painting. Enrich and promote the further development of contemporary landscape painting from different angles and fields. The paper reports the direction and trend of the development of contemporary landscape painting, and analyzes the development of contemporary landscape painting and its relationship with sketching. This paper probes into the combination of contemporary landscape painting and sketching on the basis of inheriting tradition to embody the humanistic spirit and the spirit of the times of landscape painting.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
本文编号：2425766
[Abstract]:This paper studies the sketch of Chinese landscape painting, compares the development course of Chinese traditional landscape painting, and analyzes the relationship between landscape painting and sketch in the development of landscape painting. And the reference significance to contemporary landscape painting. Since the Sui and Tang dynasties, as an independent painting on the stage of history, there is a close relationship with "division", "division" in the development of traditional landscape painting has an important theoretical and practical significance. Different periods have different understanding of "teacher's creation". From the initial emphasis on the picture of objective landscape to the later expression of both the form and spirit and subjective spirit of landscape painting, it is a deeper process for landscape painting to develop to a deeper level. Landscape painting in the late Qing Dynasty was greatly influenced by the "four kings" as the official painting school, the pursuit of pen and ink, lack of creativity, gradually caused the late Qing Dynasty painting scene Chen Xiangyin, resulting in the late Qing Dynasty painting world gradually decline. In the development process of landscape painting towards modern times, because of the influence of social reasons, the people's thought has also produced profound changes, and the transformation has become the mainstream thought of the art circle. Landscape painting has developed to the contemporary, under the background of the reform and opening up and the diversified development of society, it provides a greater development space for the exploration and innovation of Chinese painting. The transformation of contemporary landscape painting is carried out through the way of sketching, or sketching is the basic means of the transformation of contemporary landscape painting. Landscape painting has become a unique and spectacular landscape in the history of contemporary art. It is true that the innovation of landscape painting through painting is not a new invention after the founding of New China. It is the tradition of "division of landscape painting" and the innovative practice of painting of landscape painters in the early 20th century. All for the new Chinese landscape painting era of change to provide a historical model. In the 1950s and 1960s, contemporary Chinese landscape painting, represented by Li Keran, Fu Baoshi, Shi Lu, and other landscape painters, carried out a vigorous sketch movement, which injected a new impetus into the landscape painting world at that time. Promote the development of contemporary landscape painting. Contemporary landscape painting in the new era of reform and opening up and the integration of the world background, the contemporary landscape painting world is a combination of Chinese and Western landscape painting sketches, The traditional painting of landscape painting and the painting of abstract landscape painting co-exist in the contemporary landscape painting world, and are respectively in different angles and areas of landscape painting sketch practice creation. Constantly enrich and promote the further development of contemporary landscape painting. Contemporary landscape painters have catered to the essential features of landscape painting and are carrying out a series of changes and explorations on the basis of adhering to the essential characteristics of landscape painting. Enrich and promote the further development of contemporary landscape painting from different angles and fields. The paper reports the direction and trend of the development of contemporary landscape painting, and analyzes the development of contemporary landscape painting and its relationship with sketching. This paper probes into the combination of contemporary landscape painting and sketching on the basis of inheriting tradition to embody the humanistic spirit and the spirit of the times of landscape painting.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
【参考文献】
相关期刊论文 前1条
1 薛永年;淡寂显心象 寥廓展空间——读常进的山水画[J];书画艺术;2004年02期
本文编号：2425766
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