从鲁本斯笔下的“马”看巴洛克风格的兴起
发布时间：2019-02-21 20:32
【摘要】：鲁本斯(Peter Paul Rubens,1577-1640)作为巴洛克艺术最卓越的大师,其作品充分反映着巴洛克艺术的风格特征。在鲁本斯举世闻名的《升举十字架》(1610-1611)、《抢劫吕西普的女儿》(1618)、《猎狮》(1621)等作品中有这样一个现象:在这些出色的画作当中都有各种“马”形象的出现,“马”是鲁本斯绘画中的一个标志性“形象”。鲁本斯描绘的动物形象种类多样,飞禽走兽包罗万象,在这众多的动物形象中,“马”的形象是鲁本斯画作中最有辨识度的一个,它作为鲁本斯画面的重要组成部分,出现在鲁本斯不同时期、不同题材的作品之中。“马”形象描绘可以分为早期和成熟期两个部分。早期的“马”形象已经初具巴洛克的动态特征,但在色彩上还是保持了古典主义的倾向。成熟期的“马”形象则无论从形态还是色彩上都显示出其独特性。“马”形象形态特征经历了一个由生涩到流畅的转变,并表现出一条清晰地逐渐成熟的轨迹。鲁本斯描绘“马”形象时的用笔、光线、体积和马形象的解剖关系使用等方面呈现出其独特的造型特点。鲁本斯通过对“马”形象夸张的表情与形态特征的描绘获得了热烈、奔放、激情的情感效果。鲁本斯笔下的“马”形象的具体特征指向了巴洛克艺术的风格特征。鲁本斯描绘的“马”形象体现了动态的夸张、涂绘范式的确立、色彩的奔放和视觉上的真实性的巴洛克风格特征。在鲁本斯的“马”形象中,运动和情感不惜一切力量被表现出来,这正是巴洛克艺术最动人的地方.
[Abstract]:As the most outstanding master of Baroque art, Rubens (Peter Paul Rubens,1577-1640 's works fully reflect the stylistic features of Baroque art. In Rubens' world-famous lift of the Cross (1610-1611) and the robbery of the daughter of Lucip (1618), There is such a phenomenon in Lion hunting (1621) and so on: there are all kinds of "horses" in these excellent paintings, which is an iconic "image" in Rubens' painting. Rubens depicts a wide variety of animal images. Among these many animal images, the "horse" image is one of the most recognizable in Rubens' paintings, and it is an important part of Rubens' paintings. In Rubens' works of different periods and different subjects. The description of "horse" can be divided into two parts: the early stage and the mature stage. The early "horse" image has the dynamic character of Baroque, but still maintains the classical tendency in color. The mature "horse" image shows its uniqueness in both form and color. The character of "horse" has undergone a change from astringency to fluency, and shows a clear and maturing track. Rubens' use of pen, light, volume and anatomical relationship in describing the image of a horse shows its unique styling characteristics. Rubens achieved the emotional effect of enthusiasm, unrestrained and passion by depicting the exaggerated expression and morphological features of Horse. The specific features of Rubens' horse image point to the style of Baroque art. Rubens'"horse" depicts the dynamic exaggeration, the establishment of the painting paradigm, the bold color and the visual authenticity of the Baroque style. In Rubens' horse image, movement and emotion are shown at all costs, which is the most touching part of Baroque art.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
[Abstract]:As the most outstanding master of Baroque art, Rubens (Peter Paul Rubens,1577-1640 's works fully reflect the stylistic features of Baroque art. In Rubens' world-famous lift of the Cross (1610-1611) and the robbery of the daughter of Lucip (1618), There is such a phenomenon in Lion hunting (1621) and so on: there are all kinds of "horses" in these excellent paintings, which is an iconic "image" in Rubens' painting. Rubens depicts a wide variety of animal images. Among these many animal images, the "horse" image is one of the most recognizable in Rubens' paintings, and it is an important part of Rubens' paintings. In Rubens' works of different periods and different subjects. The description of "horse" can be divided into two parts: the early stage and the mature stage. The early "horse" image has the dynamic character of Baroque, but still maintains the classical tendency in color. The mature "horse" image shows its uniqueness in both form and color. The character of "horse" has undergone a change from astringency to fluency, and shows a clear and maturing track. Rubens' use of pen, light, volume and anatomical relationship in describing the image of a horse shows its unique styling characteristics. Rubens achieved the emotional effect of enthusiasm, unrestrained and passion by depicting the exaggerated expression and morphological features of Horse. The specific features of Rubens' horse image point to the style of Baroque art. Rubens'"horse" depicts the dynamic exaggeration, the establishment of the painting paradigm, the bold color and the visual authenticity of the Baroque style. In Rubens' horse image, movement and emotion are shown at all costs, which is the most touching part of Baroque art.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
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