图像时代传统绘画回到写生的意义

发布时间：2019-02-27 17:23

【摘要】：在网络时代，浏览图像成为最方便的一种信息传播方式，不仅影响着公众的生活，，而且越来越影响到艺术家尤其是画家的创作。许多画家依靠某幅图片便完全可以在画室中完成一幅作品，这种没有真情实感的体验，只是完成了创作任务但往往失去了艺术的灵魂，这种现实非常值得我们警惕与反思。纵观中国现代学院式美术教育，其中最基本的教学手段就是依靠写生，坚持写生，并构建了中国几代人传统写实的观念和当代美术教学体系。然而受图像时代这种浏览图片方便的影响，写生在逐渐边缘化，即使是坚持写生的画家，许多也往往是拍回许多照片，再进行二次创作，这种方式使得许多传统写实画家放弃了写生创作而不得不屈服于图像。教师这种依赖图片的创作方式不仅本身创作水平的下降，也直接影响了学生的创作方式，致使学生的综合写生能力下降。不可否认，图像时代的确给画家提供了诸多的便利，但过多借用照片图式或模仿照片效果，会逐渐使艺术创作僵化、图像化，作品缺少生气，缺少绘画性，也会慢慢影响画家对客观世界的认识，也会直接影响到画家精神世界的表达与表现。本文从图像时代对写生的冲击出发，对图像时代传统绘画写生的边缘化问题做一定的讨论，并从个人艺术创作实践角度，对图像时代写生的意义及“写生”观念衍变等问题做学术梳理，以期转变目前这种依靠图片的创作方式，回归写生，使绘画重新焕发绘画性的魅力。
[Abstract]:In the age of network, browsing images has become the most convenient way of information dissemination, which not only affects the life of the public, but also more and more affects the creation of artists, especially painters. Many painters rely on a picture to complete a work in the studio. This kind of experience without real feelings only completes the task of creation but often loses the soul of art. This reality is worthy of our vigilance and reflection. Throughout the Chinese modern college art education, the most basic teaching means is to rely on sketching, adhere to sketching, and set up the traditional realistic concept and contemporary art teaching system of several generations of Chinese people. However, under the influence of this convenience of browsing pictures in the image age, sketching is gradually marginalized. Even painters who insist on sketching often take back many photos and re-create them. In this way, many traditional realistic painters give up the creation of life and have to give in to the image. The teachers' creative style, which depends on pictures, not only decreases the level of their own creation, but also directly affects the students' creative style, which leads to the decline of students' comprehensive sketching ability. Undeniably, the age of images does provide a lot of convenience for painters, but too much borrowing pictures or imitating the effects of photographs will gradually make artistic creation rigid, picturesque, lack of vitality, and lack of painting. It will also affect the artist's understanding of the objective world and directly affect the expression and performance of the painter's spiritual world. Starting from the impact of the image age on the sketch, this paper discusses the marginalization of the traditional painting in the image age, and from the point of view of the individual art creation practice, the author makes a discussion on the marginalization of the traditional painting in the image age. This paper reviews the significance of sketching in the image age and the evolution of the concept of "sketching", in order to change the present creation mode which depends on pictures, return to sketching, and make the painting radiate the charms of painting again.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

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