《早春图》中的“气”
[Abstract]:The prosperity of landscape painting in the Northern Song Dynasty benefits from the social and cultural background of Shangwen in Song Dynasty. The position of the literati in the Northern Song Dynasty was improved unprecedented, and a new Confucianism, Neo-Confucianism, which combined Buddhism and Taoism, appeared. The concept of "Qi", as the core category of Neo-Confucianism, not only affects the creation and appreciation of landscape painting, but also affects the concrete form of painters and works. Guo Xi is the key figure of landscape painting in the Northern Song Dynasty. He not only summarized and developed the practice of landscape creation on the basis of predecessors, but also grasped the aesthetic taste of the times, and obtained the status of "one step by step" in the Northern Song Dynasty. The connotation of "Qi" in Song Dynasty includes three aspects: first, Qi is regarded as the origin and Noumenon of all things in the universe, the universe is an integral whole of muddy integration, second, Qi is the original material of all things, so the gas between human beings and objects can be circulated; Third, the dense flow of gas is the state of existence of all things. This article takes Guo Xi's representative work "early Spring Picture" as the concrete research object, through to the early spring picture atmosphere, the pen and ink language, the space layout three aspects to carry on the discussion, The combination of pen and ink with bones and the spatial layout of the combination of three distances create a picture atmosphere of spring qi and reveal the thought of "Qi" embodied in "early Spring Picture", that is, the full and round spirit of life in "early Spring Picture".
【学位授予单位】:郑州大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J212
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