从博特罗的作品谈我的理性创作
发布时间：2019-03-16 12:22
【摘要】：今天是一个万象重生且复杂多变的艺术现状,一个让你踹不过气来的信息大爆炸数据时代,未来艺术家将不太可能以一张画名扬四海,那个时代已经属于历史。而我们今天该怎么去面对当下的这个挑战呢?有什么方法才能使自己在当代艺术里拥有一席之地呢?这就是本论文所探讨的问题。"理性创作"是这篇文章将要探讨、回答、解决的主要问题。经过查阅史料分析得出,当下对艺术创作这个历史性问题,每一个正在书写着当代艺术史的艺术家都手握着一个通向成功的宝典,也是他们功成名就的关键法宝所在。那就是找到适合自己的符号,主观理性地重复使用并多领域的反复渗透、衍生。例如哥伦比亚的费尔南多·博特罗、日本的草间弥生、美国波普之父安迪·沃霍尔、德国新表现主义大师安塞姆·基弗等大师都有属于自己特有的符号。这个艺术符号不是所有的艺术家都有那么幸运能及时找到,甚至有很多艺术家一辈子都无法拥有,只能永远活在别人的阴影里。本文是以费尔南多·博特罗为例来剖析大师的"艺术符号共性"中理性因数部分,并结合自己的创作来探讨我对理性创作的认识和感受。本文分四个章节,第一章主要讨论理性创作的研究的意义和目的、价值及研究方法;第二章重在介绍博特罗艺术的时代背景、艺术经历及艺术形式与理性的关联;第三章主要是解释本论文的意义和我的创作与博特罗艺术的关系以及实践方法;第四章是介绍我的创作说明及理性创作实践作品。
[Abstract]:Today is a reborn and complex art situation, an era of information Big Bang data that you can't kick out of breath, and artists in the future are unlikely to be famous for a painting that is already part of history. And how do we face this challenge today? What is the way to get a place in contemporary art? This is the question discussed in this paper. "rational creation" is the main question to be discussed, answered and solved in this article. Through the analysis of historical data, it is concluded that every artist who is writing the history of contemporary art holds a book leading to success, which is also the key to their success for the historic problem of artistic creation. That is to find appropriate symbols, subjective and rational reuse and multi-domain repeated infiltration, derivative. For example, Colombia's Fernando Botero, Japan's grass birth, American pop father Andy Warhol, German neo-expressionist master Ansem Kiefer and other masters have their own unique symbols. This art symbol is not all artists so lucky to find in time, even a lot of artists will never have, can only live in the shadow of others forever. This paper takes Fernando Botero as an example to analyze the rational factor in the Master's artistic symbol generality, and to discuss my understanding and feeling of rational creation in combination with my own creation. This paper is divided into four chapters, the first chapter mainly discusses the significance and purpose, value and research methods of the study of rational creation, the second chapter focuses on introducing the background of the era of Botero art, artistic experience and the relationship between artistic form and rationality; The third chapter is mainly to explain the significance of this thesis and the relationship between my creation and Botero art as well as the practical methods; the fourth chapter is to introduce my creative explanation and rational creative practice.
【学位授予单位】：天津工业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213
本文编号：2441348
[Abstract]:Today is a reborn and complex art situation, an era of information Big Bang data that you can't kick out of breath, and artists in the future are unlikely to be famous for a painting that is already part of history. And how do we face this challenge today? What is the way to get a place in contemporary art? This is the question discussed in this paper. "rational creation" is the main question to be discussed, answered and solved in this article. Through the analysis of historical data, it is concluded that every artist who is writing the history of contemporary art holds a book leading to success, which is also the key to their success for the historic problem of artistic creation. That is to find appropriate symbols, subjective and rational reuse and multi-domain repeated infiltration, derivative. For example, Colombia's Fernando Botero, Japan's grass birth, American pop father Andy Warhol, German neo-expressionist master Ansem Kiefer and other masters have their own unique symbols. This art symbol is not all artists so lucky to find in time, even a lot of artists will never have, can only live in the shadow of others forever. This paper takes Fernando Botero as an example to analyze the rational factor in the Master's artistic symbol generality, and to discuss my understanding and feeling of rational creation in combination with my own creation. This paper is divided into four chapters, the first chapter mainly discusses the significance and purpose, value and research methods of the study of rational creation, the second chapter focuses on introducing the background of the era of Botero art, artistic experience and the relationship between artistic form and rationality; The third chapter is mainly to explain the significance of this thesis and the relationship between my creation and Botero art as well as the practical methods; the fourth chapter is to introduce my creative explanation and rational creative practice.
【学位授予单位】：天津工业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213
【参考文献】
相关期刊论文 前10条
1 董希文;从中国绘画的表现方法谈到油画中国风[J];美术;2003年07期
2 丁涛;刘海粟艺术教育思想探微[J];南京艺术学院学报(美术&设计版);2003年01期
3 寇鹏程,周鑫;西方审美价值取向的流变[J];晋阳学刊;2002年02期
4 西逸;当下艺术语境中的油画语言——与中央美院部分中青年教师座谈[J];美术观察;1995年00期
5 武永年;油画语言的特性及其发展[J];西北美术;1994年01期
6 杨浩石;油画的审美特性与油画艺术语言[J];学会;1991年05期
7 艾中信;五十年代和六十年代前期的中国油画[J];美术;1989年11期
8 闻立鹏;油画研究班的启示[J];美术研究;1985年01期
9 罗工柳;教学的回顾[J];美术研究;1985年01期
10 徐君萱 ,金一德;博巴油画示范教学笔记[J];新美术;1981年03期
，本文编号：2441348
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2441348.html
