“骨法用笔，白描立形”—章怀太子墓室壁画线描图像研究
发布时间：2019-03-18 15:00
【摘要】：线描作为塑造中国画造形表现的主要艺术语言发展至今已经具备了的完整概括力和艺术表现力。当代人物工笔绘画能够以精炼的线条表现出各式各样的人物特征,成为了中国画的鲜明特征。唐时期线描艺术的发展受到了外来文化的影响,也继承了中国传统哲学观念。章怀太子李贤墓中的墓室壁画制作精良并且保存完好,充分的展示了当时的绘画艺术水平。笔者通过对唐代墓室壁画中章怀太子墓人物线描图像组成与演变展开研究,籍此了解唐代人物绘画风貌、对章怀太子墓壁画人物线描剖析研究。章怀太子墓壁画人物线描类型主要分为三种形式:一、表现性线描是章怀太子墓壁画中人物动态及形象塑造的主要手段,画家准确的使用轮廓线描表现出了人体结构,在壁画中展示的多种人物动态。二、结构性线描是本土画家受到域外宗教绘画技法的冲击后,结构意识萌芽后,在中国传统线描绘画的哲学观念下,忽略光影的影响对物体的内部结构转折使用线条进行表现。三、装饰性线描是绘画起源以来填充人物图形的主要形式,在画家描绘人物形象之后,装饰性线描对画面起到丰富和辅助的作用。四、表意性线描是唐初期中国画线描对结构的认识达到巅峰后,画家开始寻求在画面语言中加入自主的部分,出现自由度较高的表意性线描。自此“骨法用笔”成为了中国绘画理论的基础理论之一。对章怀太子墓壁画线描图像的剖析,为我们了解唐时期人物线描风格特征提供了线索。
[Abstract]:Line drawing, as the main artistic language of shaping Chinese painting, has already possessed the complete generality and artistic expression so far. Contemporary figure painting can express a variety of characters with refined lines, and it has become a distinctive feature of Chinese painting. The development of line drawing art in Tang Dynasty was influenced by foreign culture and inherited the traditional Chinese philosophy. The tomb murals in the tomb of Prince Zhang Huaizi Li Xian are well-made and well preserved, fully demonstrating the level of painting at that time. Through the study of the composition and evolution of the lines of characters in the tomb murals of the Tang Dynasty, the author finds out the painting style and features of the characters in the Tang Dynasty, and analyzes the lines of the characters in the murals of the tomb of Zhang Huai-tai. The types of figure line drawing in Zhang Huaitai Tomb murals are divided into three forms: first, expression line drawing is the main means of character dynamic and image shaping in Zhang Huaitai Tomb frescoes, and the painter accurately uses contour line drawing to show the human body structure. The dynamics of a variety of characters displayed in the murals. Second, structural line drawing is that after local painters are impacted by the techniques of foreign religious painting, after the sprouting of structural consciousness, under the philosophical concept of Chinese traditional line drawing painting, ignoring the influence of light and shadow on the use of lines to change the internal structure of objects. Third, decorative line drawing is the main form of filling the figure since the origin of painting. After the painter portrays the character image, the decorative line drawing plays a rich and auxiliary role on the picture. Fourthly, ideographic line drawing is the peak of understanding of the structure of Chinese painting line drawing in the early Tang Dynasty, the painter began to seek to add the independent part in the picture language, and appeared a high degree of freedom of ideographic line drawing. Since then "bone method with pen" has become one of the basic theories of Chinese painting theory. The analysis of the line drawing image of Zhang Huaitai's mural provides a clue for us to understand the characters' line drawing style in Tang Dynasty.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
，
本文编号：2442969
[Abstract]:Line drawing, as the main artistic language of shaping Chinese painting, has already possessed the complete generality and artistic expression so far. Contemporary figure painting can express a variety of characters with refined lines, and it has become a distinctive feature of Chinese painting. The development of line drawing art in Tang Dynasty was influenced by foreign culture and inherited the traditional Chinese philosophy. The tomb murals in the tomb of Prince Zhang Huaizi Li Xian are well-made and well preserved, fully demonstrating the level of painting at that time. Through the study of the composition and evolution of the lines of characters in the tomb murals of the Tang Dynasty, the author finds out the painting style and features of the characters in the Tang Dynasty, and analyzes the lines of the characters in the murals of the tomb of Zhang Huai-tai. The types of figure line drawing in Zhang Huaitai Tomb murals are divided into three forms: first, expression line drawing is the main means of character dynamic and image shaping in Zhang Huaitai Tomb frescoes, and the painter accurately uses contour line drawing to show the human body structure. The dynamics of a variety of characters displayed in the murals. Second, structural line drawing is that after local painters are impacted by the techniques of foreign religious painting, after the sprouting of structural consciousness, under the philosophical concept of Chinese traditional line drawing painting, ignoring the influence of light and shadow on the use of lines to change the internal structure of objects. Third, decorative line drawing is the main form of filling the figure since the origin of painting. After the painter portrays the character image, the decorative line drawing plays a rich and auxiliary role on the picture. Fourthly, ideographic line drawing is the peak of understanding of the structure of Chinese painting line drawing in the early Tang Dynasty, the painter began to seek to add the independent part in the picture language, and appeared a high degree of freedom of ideographic line drawing. Since then "bone method with pen" has become one of the basic theories of Chinese painting theory. The analysis of the line drawing image of Zhang Huaitai's mural provides a clue for us to understand the characters' line drawing style in Tang Dynasty.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
，
本文编号：2442969
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