解析台湾水墨画现状
发布时间：2019-03-31 00:35
【摘要】：在做本课题之前,大陆少有书籍介绍台湾艺术的发展,尤其是对台湾的当代水墨艺术做深入的研究,本文通过笔者在台湾交流学习期间以大陆学生的视角对陌生的台湾水墨现状做相对的介绍和梳理,并与同一时期的大陆水墨现状进行比较,希望能够比较客观地呈现出1949年后台湾中国画艺术的发展面貌,并且通过对台湾当代水墨艺术的研究,试图能探究到台湾的文化现象,民族心理,文化语境等方面,找到台湾文化心理的发展轨迹。 本文通过史实梳理,对比研究,视觉分析,个案解析的研究方法分三段浅析中国画艺术在台湾的发展进程。笔者希望通过研究此课题达到四项研究目标：一、对台湾的文化背景、历史原因及特殊性进行文献综述。二、对1945年后台湾水墨画的类别,风格,代表艺术家进行梳理和图示介绍。三、通过对民族心理、历史背景、图像分析对两岸在水墨画发展中的文化传承和创新进行梳理。四、梳理两岸的中国画发展进程,找出当代水墨画新的发展思路,丰富当代水墨绘画的语言。
[Abstract]:Before doing this project, few books on the mainland introduced the development of Taiwan art, especially the in-depth study of Taiwan's contemporary ink painting art. This paper introduces and combs the unfamiliar current situation of ink painting in Taiwan from the perspective of mainland students during the period of exchange and study in Taiwan, and compares it with the current situation of ink painting in the mainland in the same period. I hope that I can objectively present the development of Chinese painting in Taiwan after 1949, and try to explore the cultural phenomenon, national psychology, cultural context and other aspects of Taiwan's cultural phenomenon, national psychology, cultural context and so on through the study of Taiwan's contemporary ink painting art. Find out the development track of Taiwan's cultural psychology. This paper analyzes the development process of Chinese painting art in Taiwan through the research methods of historical facts, comparative study, visual analysis and case analysis. The author hopes to achieve four research goals through the study of this subject: first, literature review on Taiwan's cultural background, historical reasons and particularity. Second, after 1945 Taiwan ink painting category, style, representative artists for carding and illustrative introduction. Third, through the national psychology, historical background, image analysis, cross-strait in the development of ink painting cultural heritage and innovation. Fourth, comb the development process of Chinese painting on both sides of the strait, find out the new development ideas of contemporary ink painting, enrich the language of contemporary ink painting.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
本文编号：2450658
[Abstract]:Before doing this project, few books on the mainland introduced the development of Taiwan art, especially the in-depth study of Taiwan's contemporary ink painting art. This paper introduces and combs the unfamiliar current situation of ink painting in Taiwan from the perspective of mainland students during the period of exchange and study in Taiwan, and compares it with the current situation of ink painting in the mainland in the same period. I hope that I can objectively present the development of Chinese painting in Taiwan after 1949, and try to explore the cultural phenomenon, national psychology, cultural context and other aspects of Taiwan's cultural phenomenon, national psychology, cultural context and so on through the study of Taiwan's contemporary ink painting art. Find out the development track of Taiwan's cultural psychology. This paper analyzes the development process of Chinese painting art in Taiwan through the research methods of historical facts, comparative study, visual analysis and case analysis. The author hopes to achieve four research goals through the study of this subject: first, literature review on Taiwan's cultural background, historical reasons and particularity. Second, after 1945 Taiwan ink painting category, style, representative artists for carding and illustrative introduction. Third, through the national psychology, historical background, image analysis, cross-strait in the development of ink painting cultural heritage and innovation. Fourth, comb the development process of Chinese painting on both sides of the strait, find out the new development ideas of contemporary ink painting, enrich the language of contemporary ink painting.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
【参考文献】
相关博士学位论文 前1条
1 程代勒;从文化变迁看二十世纪台湾水墨画发展进程[D];中央美术学院;2011年
，本文编号：2450658
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