中国画的水形态表现方式研究

发布时间：2019-03-31 20:05

【摘要】：本篇论文把中国画中的水元素单独提取出来,以水形态在国画中的表现方式为研究目标。水作为生存的必要物质,与人类文明的发展密切相关,对中华文化的发展极为重要。作为中国文化代表之一的中国画中,水形态作为一个主要的图像元素在其中占有重要地位。本文主要描述水在中国绘画中的文化内涵、风格、图式三个方面对水形态在中国画中的表现方式进行分析研究,力图在分析水形态的发展变化中寻求时代特色,突出“水”在画面表现中的精神内涵和在画面中形成的水程式,把握“水”在画面中的独特作用。本文分为五个章节来论述此观点。第一章为绪论,从选题的研究背景、研究目的与意义、研究现状和研究方法方面引入文章,构建论文的研究框架。第二章节从“水”在中国画的文化内涵方面对“水”的文化形态进行挖掘,分别为从水概念的起始经历和水的哲学观方面进行探讨。第三章重点分析讲述了水形态在中国画画面内容上的表现方式,探索水形态其独特审美风格的构成。结合水形态的风格、动态和综合形式在国画中展现的不同姿态进行图文详解,总结水形态表现方式的绘画规律。第四章以水作为图式的生成、发展和与其它文化形式的交融来阐释水作为一种重要的文化符号在绘画中不可或缺的地位和文化内涵。第五章从实用角度探索在现当代绘画中,古画中水形态表现形式的现代化使用。本文试图从分析中国画中水形态的表现形式和形成的水图式来论证绘画过程中水图式使用的意义与价值。
[Abstract]:In this paper, the water elements of Chinese painting are extracted separately, and the expression of water form in traditional Chinese painting is taken as the research goal. As a necessary material for survival, water is closely related to the development of human civilization and is very important to the development of Chinese culture. As one of the representatives of Chinese culture, water form plays an important role in Chinese painting as one of the main image elements. This paper mainly describes the cultural connotation, style and schema of water in Chinese painting, analyzes and studies the expression of water form in Chinese painting, and tries to seek the characteristics of the times in the analysis of the development and change of water form. Highlight the spiritual connotation of "water" in the performance of the picture and the water pattern formed in the picture, grasp the unique role of "water" in the picture. This paper is divided into five chapters to discuss this point of view. The first chapter is the introduction, which introduces the research background, purpose and significance, research status and research methods, and constructs the research framework of the thesis. The second chapter explores the cultural form of "water" from the aspect of the cultural connotation of "water" in Chinese painting, respectively, from the initial experience of the concept of water and the philosophical view of water. The third chapter focuses on the analysis of the water form in the Chinese painting content of the form of expression, explore the water form of its unique aesthetic style composition. Combined with the style of water form, dynamic form and comprehensive form in the traditional Chinese painting, the different posture of the detailed illustration, summed up the water form of the painting pattern of the law. The fourth chapter explains the indispensable position and cultural connotation of water as an important cultural symbol in painting by the generation and development of water as a schema and the blending with other cultural forms in order to explain the indispensable position and cultural connotation of water as an important cultural symbol in painting. The fifth chapter explores the modern use of water forms in modern and contemporary paintings from a practical point of view. This paper attempts to demonstrate the significance and value of water schema in the process of painting by analyzing the form of water in Chinese painting and the formed water schema.
【学位授予单位】：淮北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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