中国油画在当代艺术大背景下本土文化的思考
发布时间：2019-04-02 12:28
【摘要】：中国当代艺术经过三十年的发展,获得了很大的进步。当成为一种文化的形式才刚刚起步。因为当艺术品变形成为商品进而成为市场追逐利益的工具。身为“80后”的艺术追逐者,我们从中感到困惑,然而去思考,同时还在坚守。我作为“80后”的油画青年在也避免不了这些庸俗,同时也产生了中国油画在当代艺术大背景下本土文化的思考,是传统还是反传统?传统文化走向死亡了吗?在我和一些油画艺术家交流中能感觉到当代艺术技术不是唯一的了,其想法思想起了很重要的一部分。作为技术在现代高科技下是无所不能的,架上绘画在将来会走向死亡吗?作为最年轻的一代艺术家,“80后”已经开始崭露头角,我们也将是未来中国美术事业发展中一支不容忽视的新兴力量。也可以说是关注未来中国美术的发展趋向。所以在里我在对中国油画在当代艺术大背景下本土文化的思考。 中国油画在几代画家的努力下得到了长足的发展。西方的油画在中国经历了从过去的学习模仿到今天的中西融合创新,在这个过程中引人关注的是有许多的画家从中国传统文化中融合,将东方的秀美合进西方的表现形式,以期创造出具有中国文化内涵的油画语言。中国油画的本土文化体现着中国油画家们所特有的文化内涵。许多中国油画家在汲取西方油画传统的同时,关注中国本土的文化底蕴,有意识在创作中融汇中西,使中国油画显示出独特,焕发出新的光彩,使得富有特色的中国油画逐步成为世界艺术的一个重要的力量。对我国许多油画家们在他们作品中所体现出的本土情结,也基于对当下一部分青年油画家,尤其是“80后”在创作中明显存在传统文化缺失现象的担忧,引发了我对当下中国油画本土文化的思考。本文拟从油画家的现状,作品的表现内容和油画作品的表现手法以及油画作品所呈现的形式面貌三个方面,对具有中国传统文化的代表性作品进行分析和论证,看中国本土文化在当代艺术的背景下的作用,以期对油画的创作实践能有更加明确的理解和认识。
[Abstract]:After thirty years of development, Chinese contemporary art has made great progress. When it becomes a form of culture, it is just beginning. Because when art is transformed into a commodity, it becomes a tool for the market to pursue its interests. As art pursuers of the post-80s, we are perplexed from it, but we think and stick to it at the same time. I as the "post-80s" oil painting youth also can not avoid these vulgarity, but also produced the Chinese oil painting in the context of contemporary art in the context of native culture, is traditional or anti-traditional? Is traditional culture dying? In my communication with some oil painting artists, I can feel that contemporary art technology is not the only one, its ideas play a very important part. As a technology in the modern high-tech is all-powerful, shelf painting in the future will go to death? As the youngest generation of artists, "post-80s" has begun to come to the fore, we will also be the future development of Chinese art industry a new force that can not be ignored. It can also be said to be concerned about the development trend of Chinese fine arts in the future. So in the Chinese oil painting in the context of contemporary art in the context of native culture thinking. With the efforts of several generations of painters, Chinese oil painting has made great progress. Western oil paintings in China have experienced from learning and imitation in the past to the integration and innovation of China and the West today. In this process, people pay attention to the fusion of many painters from the traditional Chinese culture, bringing the beautiful beauty of the East into the forms of expression of the West. In order to create a Chinese cultural connotation of oil painting language. The native culture of Chinese oil painting embodies the unique cultural connotation of Chinese oil painters. Many Chinese oil painters, while drawing on the tradition of western oil painting, pay attention to the cultural heritage of China's native land, consciously blend the Chinese and the Western in their creation, and make the Chinese oil painting show its unique and radiate a new luster. Make the characteristic Chinese oil painting gradually become an important force of the world art. The native complex that many oil painters in our country embody in their works is also based on the concern about the obvious lack of traditional culture in the creation of some young oil painters, especially the post-80s. Caused me to the present Chinese oil painting native culture ponder. This article intends to analyze and demonstrate the representative works with Chinese traditional culture from three aspects: the present situation of oil painters, the expression contents of the works, the expression techniques of the oil paintings and the appearance of the oil paintings. Look at the role of Chinese native culture in the background of contemporary art, in order to have a clearer understanding and understanding of the creation practice of oil painting.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
本文编号：2452563
[Abstract]:After thirty years of development, Chinese contemporary art has made great progress. When it becomes a form of culture, it is just beginning. Because when art is transformed into a commodity, it becomes a tool for the market to pursue its interests. As art pursuers of the post-80s, we are perplexed from it, but we think and stick to it at the same time. I as the "post-80s" oil painting youth also can not avoid these vulgarity, but also produced the Chinese oil painting in the context of contemporary art in the context of native culture, is traditional or anti-traditional? Is traditional culture dying? In my communication with some oil painting artists, I can feel that contemporary art technology is not the only one, its ideas play a very important part. As a technology in the modern high-tech is all-powerful, shelf painting in the future will go to death? As the youngest generation of artists, "post-80s" has begun to come to the fore, we will also be the future development of Chinese art industry a new force that can not be ignored. It can also be said to be concerned about the development trend of Chinese fine arts in the future. So in the Chinese oil painting in the context of contemporary art in the context of native culture thinking. With the efforts of several generations of painters, Chinese oil painting has made great progress. Western oil paintings in China have experienced from learning and imitation in the past to the integration and innovation of China and the West today. In this process, people pay attention to the fusion of many painters from the traditional Chinese culture, bringing the beautiful beauty of the East into the forms of expression of the West. In order to create a Chinese cultural connotation of oil painting language. The native culture of Chinese oil painting embodies the unique cultural connotation of Chinese oil painters. Many Chinese oil painters, while drawing on the tradition of western oil painting, pay attention to the cultural heritage of China's native land, consciously blend the Chinese and the Western in their creation, and make the Chinese oil painting show its unique and radiate a new luster. Make the characteristic Chinese oil painting gradually become an important force of the world art. The native complex that many oil painters in our country embody in their works is also based on the concern about the obvious lack of traditional culture in the creation of some young oil painters, especially the post-80s. Caused me to the present Chinese oil painting native culture ponder. This article intends to analyze and demonstrate the representative works with Chinese traditional culture from three aspects: the present situation of oil painters, the expression contents of the works, the expression techniques of the oil paintings and the appearance of the oil paintings. Look at the role of Chinese native culture in the background of contemporary art, in order to have a clearer understanding and understanding of the creation practice of oil painting.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
【参考文献】
相关期刊论文 前3条
1 梁强;;浅谈中国油画的民族化[J];美术大观;2006年08期
2 黄平;;中国当代油画的学术诉求[J];南京艺术学院学报(美术与设计版);2008年05期
3 杨捷;;油画中国民族化探寻[J];黔东南民族职业技术学院学报;2007年02期
，本文编号：2452563
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